mirror of
https://github.com/microtherion/VocalEasel.git
synced 2024-12-22 03:04:00 +00:00
362 lines
13 KiB
DTD
362 lines
13 KiB
DTD
|
<!--
|
||
|
MusicXML attributes.dtd
|
||
|
|
||
|
Version 1.1 - 20 May 2005
|
||
|
|
||
|
Copyright © 2004-2005 Recordare LLC.
|
||
|
http://www.recordare.com/
|
||
|
|
||
|
This MusicXML work is being provided by the copyright
|
||
|
holder under the MusicXML Document Type Definition
|
||
|
Public License Version 1.02, available from:
|
||
|
|
||
|
http://www.recordare.com/dtds/license.html
|
||
|
-->
|
||
|
|
||
|
<!--
|
||
|
The attributes component DTD contains the attributes
|
||
|
element and its children, such as key and time
|
||
|
signatures.
|
||
|
-->
|
||
|
|
||
|
<!-- Elements -->
|
||
|
|
||
|
<!--
|
||
|
The attributes element contains musical information
|
||
|
that typically changes on measure boundaries. This
|
||
|
includes key and time signatures, clefs, transpositions,
|
||
|
and staving.
|
||
|
-->
|
||
|
<!ELEMENT attributes (%editorial;, divisions?, key?, time?,
|
||
|
staves?, instruments?, clef*, staff-details*, transpose?,
|
||
|
directive*, measure-style*)>
|
||
|
|
||
|
<!--
|
||
|
Traditional key signatures are represented by the number
|
||
|
of flats and sharps, plus an optional mode for major/
|
||
|
minor/mode distinctions. Negative numbers are used for
|
||
|
flats and positive numbers for sharps, reflecting the
|
||
|
key's placement within the circle of fifths (hence the
|
||
|
element name). A cancel element indicates that the old
|
||
|
key signature should be cancelled before the new one
|
||
|
appears. This will always happen when changing to C major
|
||
|
or A minor and need not be specified then. The cancel
|
||
|
value matches the fifths value of the cancelled key
|
||
|
signature (e.g., a cancel of -2 will provide an explicit
|
||
|
cancellation for changing from B flat major to F major).
|
||
|
|
||
|
Non-traditional key signatures can be represented using
|
||
|
the Humdrum/Scot concept of a list of altered tones.
|
||
|
The key-step and key-alter elements are represented the
|
||
|
same way as the step and alter elements are in the pitch
|
||
|
element in note.dtd. The different element names indicate
|
||
|
the different meaning of altering notes in a scale versus
|
||
|
altering a sounding pitch.
|
||
|
|
||
|
Valid mode values include major, minor, dorian, phrygian,
|
||
|
lydian, mixolydian, aeolian, ionian, and locrian.
|
||
|
|
||
|
The optional number attribute refers to staff numbers,
|
||
|
from top to bottom on the system. If absent, the key
|
||
|
signature applies to all staves in the part.
|
||
|
-->
|
||
|
<!ELEMENT key ((cancel?, fifths, mode?) |
|
||
|
((key-step, key-alter)*))>
|
||
|
<!ATTLIST key
|
||
|
number CDATA #IMPLIED
|
||
|
%color;
|
||
|
>
|
||
|
<!ELEMENT cancel (#PCDATA)>
|
||
|
<!ELEMENT fifths (#PCDATA)>
|
||
|
<!ELEMENT mode (#PCDATA)>
|
||
|
<!ELEMENT key-step (#PCDATA)>
|
||
|
<!ELEMENT key-alter (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
Musical notation duration is commonly represented as
|
||
|
fractions. The divisions element indicates how many
|
||
|
divisions per quarter note are used to indicate a note's
|
||
|
duration. For example, if duration = 1 and divisions = 2,
|
||
|
this is an eighth note duration. Duration and divisions
|
||
|
are used directly for generating sound output, so they
|
||
|
must be chosen to take tuplets into account. Using a
|
||
|
divisions element lets us use just one number to
|
||
|
represent a duration for each note in the score, while
|
||
|
retaining the full power of a fractional representation.
|
||
|
For maximum compatibility with Standard MIDI Files, the
|
||
|
divisions value should not exceed 16383.
|
||
|
-->
|
||
|
<!ELEMENT divisions (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
Time signatures are represented by two elements. The
|
||
|
beats element indicates the number of beats, as found in
|
||
|
the numerator of a time signature. The beat-type element
|
||
|
indicates the beat unit, as found in the denominator of
|
||
|
a time signature. The symbol attribute is used to
|
||
|
indicate another notation beyond a fraction: the common
|
||
|
and cut time symbols, as well as a single number with an
|
||
|
implied denominator. Normal (a fraction) is the implied
|
||
|
symbol type if none is specified. Multiple pairs of
|
||
|
beat and beat-type elements are used for composite
|
||
|
time signatures with multiple denominators, such as
|
||
|
2/4 + 3/8. A composite such as 3+2/8 requires only one
|
||
|
beat/beat-type pair. A senza-misura element explicitly
|
||
|
indicates that no time signature is present.
|
||
|
|
||
|
The print-object attribute allows a time signature to be
|
||
|
specified but not printed, as is the case for excerpts
|
||
|
from the middle of a score. The value is "yes" if
|
||
|
not present. The optional number attribute refers to staff
|
||
|
numbers, from top to bottom on the system. If absent, the
|
||
|
time signature applies to all staves in the part.
|
||
|
-->
|
||
|
<!ELEMENT time ((beats, beat-type)+ | senza-misura)>
|
||
|
<!ATTLIST time
|
||
|
number CDATA #IMPLIED
|
||
|
symbol (common | cut | single-number | normal) #IMPLIED
|
||
|
%print-object;
|
||
|
%color;
|
||
|
>
|
||
|
<!ELEMENT beats (#PCDATA)>
|
||
|
<!ELEMENT beat-type (#PCDATA)>
|
||
|
<!ELEMENT senza-misura EMPTY>
|
||
|
|
||
|
<!--
|
||
|
Staves are used if there is more than one staff
|
||
|
represented in the given part (e.g., 2 staves for
|
||
|
typical piano parts). If absent, a value of 1 is assumed.
|
||
|
Staves are ordered from top to bottom in a part in
|
||
|
numerical order, with staff 1 above staff 2.
|
||
|
-->
|
||
|
<!ELEMENT staves (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
Instruments are only used if more than one instrument is
|
||
|
represented in the part (e.g., oboe I and II where they
|
||
|
play together most of the time). If absent, a value of 1
|
||
|
is assumed.
|
||
|
-->
|
||
|
<!ELEMENT instruments (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
Clefs are represented by the sign, line, and
|
||
|
clef-octave-change elements. Sign values include G, F, C,
|
||
|
percussion, TAB, and none. Line numbers are counted from
|
||
|
the bottom of the staff. Standard values are 2 for the
|
||
|
G sign (treble clef), 4 for the F sign (bass clef), 3
|
||
|
for the C sign (alto clef) and 5 for TAB (on a 6-line
|
||
|
staff). The clef-octave-change element is used for
|
||
|
transposing clefs (e.g., a treble clef for tenors would
|
||
|
have a clef-octave-change value of -1). The optional
|
||
|
number attribute refers to staff numbers, from top to
|
||
|
bottom on the system. A value of 1 is assumed if not
|
||
|
present.
|
||
|
-->
|
||
|
<!ELEMENT clef (sign, line?, clef-octave-change?)>
|
||
|
<!ATTLIST clef
|
||
|
number CDATA #IMPLIED
|
||
|
%color;
|
||
|
>
|
||
|
<!ELEMENT sign (#PCDATA)>
|
||
|
<!ELEMENT line (#PCDATA)>
|
||
|
<!ELEMENT clef-octave-change (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
The staff-details element is used to indicate different
|
||
|
types of staves. The staff-type element can be ossia,
|
||
|
cue, editorial, regular, or alternate. An alternate
|
||
|
staff indicates one that shares the same musical data
|
||
|
as the prior staff, but displayed differently (e.g.,
|
||
|
treble and bass clef, standard notation and tab).
|
||
|
The staff-lines element specifies the number of lines for
|
||
|
non 5-line staffs. The staff-tuning and capo elements are
|
||
|
used to specify tuning when using tablature notation.
|
||
|
The optional number attribute specifies the staff number
|
||
|
from top to bottom on the system, as with clef. The
|
||
|
optional show-frets attribute indicates whether to show
|
||
|
tablature frets as numbers (0, 1, 2) or letters (a, b, c).
|
||
|
The default choice is numbers. The print-object attribute
|
||
|
is used to indicate when a staff is not printed in a part,
|
||
|
usually in large scores where empty parts are omitted.
|
||
|
It is yes by default. If print-spacing is yes while
|
||
|
print-object is no, the score is printed in cutaway
|
||
|
format where vertical space is left for the empty part.
|
||
|
-->
|
||
|
<!ELEMENT staff-details (staff-type?, staff-lines?,
|
||
|
staff-tuning*, capo?, staff-size?)>
|
||
|
<!ATTLIST staff-details
|
||
|
number CDATA #IMPLIED
|
||
|
show-frets (numbers | letters) #IMPLIED
|
||
|
%print-object;
|
||
|
%print-spacing;
|
||
|
>
|
||
|
<!ELEMENT staff-type (#PCDATA)>
|
||
|
<!ELEMENT staff-lines (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
The tuning-step, tuning-alter, and tuning-octave
|
||
|
elements are defined in the common.dtd file. Staff
|
||
|
lines are numbered from bottom to top.
|
||
|
-->
|
||
|
<!ELEMENT staff-tuning
|
||
|
(tuning-step, tuning-alter?, tuning-octave)>
|
||
|
<!ATTLIST staff-tuning
|
||
|
line CDATA #REQUIRED
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
The capo element indicates at which fret a capo should
|
||
|
be placed on a fretted instrument. This changes the
|
||
|
open tuning of the strings specified by staff-tuning
|
||
|
by the specified number of half-steps.
|
||
|
-->
|
||
|
<!ELEMENT capo (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
The staff-size element indicates how large a staff
|
||
|
space is on this staff, expressed as a percentage of
|
||
|
the work's default scaling. Values less than 100 make
|
||
|
the staff space smaller while values over 100 make the
|
||
|
staff space larger. A staff-type of cue, ossia, or
|
||
|
editorial implies a staff-size of less than 100, but
|
||
|
the exact value is implementation-dependent unless
|
||
|
specified here. Staff size affects staff height only,
|
||
|
not the relationship of the staff to the left and
|
||
|
right margins.
|
||
|
-->
|
||
|
<!ELEMENT staff-size (#PCDATA)>
|
||
|
|
||
|
<!--
|
||
|
If the part is being encoded for a transposing instrument
|
||
|
in written vs. concert pitch, the transposition must be
|
||
|
encoded in the transpose element. The transposition is
|
||
|
represented by chromatic steps (required) and three
|
||
|
optional elements: diatonic pitch steps, octave changes,
|
||
|
and doubling an octave down. The chromatic and
|
||
|
octave-change elements are numeric values added to the
|
||
|
encoded pitch data to create the sounding pitch. The
|
||
|
diatonic element is also numeric and allows for correct
|
||
|
spelling of enharmonic transpositions.
|
||
|
-->
|
||
|
<!ELEMENT transpose (diatonic?, chromatic, octave-change?,
|
||
|
double?)>
|
||
|
<!ELEMENT diatonic (#PCDATA)>
|
||
|
<!ELEMENT chromatic (#PCDATA)>
|
||
|
<!ELEMENT octave-change (#PCDATA)>
|
||
|
<!ELEMENT double EMPTY>
|
||
|
|
||
|
<!--
|
||
|
Directives are like directions, but can be grouped
|
||
|
together with attributes for convenience. This is
|
||
|
typically used for tempo markings at the beginning
|
||
|
of a piece of music. The language is Italian ("it")
|
||
|
by default. Language names come from ISO 639, with
|
||
|
optional country subcodes from ISO 3166.
|
||
|
-->
|
||
|
<!ELEMENT directive (#PCDATA)>
|
||
|
<!ATTLIST directive
|
||
|
%print-style;
|
||
|
xml:lang NMTOKEN #IMPLIED
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
A measure-style indicates a special way to print
|
||
|
partial to multiple measures within a part. This
|
||
|
includes multiple rests over several measures,
|
||
|
repeats of betas, single, or multiple measures,
|
||
|
and use of slash notation.
|
||
|
|
||
|
The multiple-rest and measure-repeat symbols
|
||
|
indicate the number of measures covered in the
|
||
|
element content. The beat-repeat and slash
|
||
|
elements can cover partial measures. All but the
|
||
|
multiple-rest element use a type attribute to
|
||
|
indicate starting and stopping the use of the
|
||
|
style. The optional number attribute specifies
|
||
|
the staff number from top to bottom on the system,
|
||
|
as with clef.
|
||
|
-->
|
||
|
<!ELEMENT measure-style (multiple-rest |
|
||
|
measure-repeat | beat-repeat | slash)>
|
||
|
<!ATTLIST measure-style
|
||
|
number CDATA #IMPLIED
|
||
|
%font;
|
||
|
%color;
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
The text of the multiple-rest element indicates the
|
||
|
number of measures in the multiple rest. Multiple
|
||
|
rests may use the 1-bar / 2-bar / 4-bar rest
|
||
|
symbols, or a single shape. The use-symbols
|
||
|
attribute indicates which to use; it is no
|
||
|
if not specified.
|
||
|
-->
|
||
|
<!ELEMENT multiple-rest (#PCDATA)>
|
||
|
<!ATTLIST multiple-rest
|
||
|
use-symbols %yes-no; #IMPLIED
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
The measure-repeat and beat-repeat element specify
|
||
|
a notation style for repetitions. The actual music
|
||
|
being repeated needs to be repeated within the
|
||
|
MusicXML file. These elements indicate to use the
|
||
|
appropriate notation to indicate the repeat.
|
||
|
-->
|
||
|
|
||
|
<!--
|
||
|
The measure-repeat element is used for both
|
||
|
single and multiple measure repeats. The text
|
||
|
of the element indicates the number of measures
|
||
|
to be repeated in a single pattern. The slashes
|
||
|
attribute specifies the number of slashes to
|
||
|
use in the repeat sign. It is 1 if not specified.
|
||
|
Both the start and the stop of the measure-repeat
|
||
|
must be specified.
|
||
|
-->
|
||
|
<!ELEMENT measure-repeat (#PCDATA)>
|
||
|
<!ATTLIST measure-repeat
|
||
|
type %start-stop; #REQUIRED
|
||
|
slashes NMTOKEN #IMPLIED
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
The beat-repeat element is used to indicate
|
||
|
that a single beat (but possibly many notes)
|
||
|
is repeated. Both the start and stop of the
|
||
|
beat being repeated should be specified. The
|
||
|
slashes attribute specifies the number of
|
||
|
slashes to use in the symbol. The use-dots
|
||
|
attribute indicates whether or not to use
|
||
|
dots as well (for instance, with mixed
|
||
|
rhythm patterns). By default, the value for
|
||
|
slashes is 1 and the value for use-dots
|
||
|
is no.
|
||
|
-->
|
||
|
<!ELEMENT beat-repeat EMPTY>
|
||
|
<!ATTLIST beat-repeat
|
||
|
type %start-stop; #REQUIRED
|
||
|
slashes NMTOKEN #IMPLIED
|
||
|
use-dots %yes-no; #IMPLIED
|
||
|
>
|
||
|
|
||
|
<!--
|
||
|
The slash element is used to indicate that
|
||
|
slash notation is to be used. If the slash is
|
||
|
on every beat, use-stems is no (the default).
|
||
|
To indicate rhythms but not pitches, use-stems
|
||
|
is set to yes. The type attribute indicates
|
||
|
whether this is the start or stop of a slash
|
||
|
notation style. The use-dots attribute works
|
||
|
as for the beat-repeat element, and only
|
||
|
has effect if use-stems is no.
|
||
|
-->
|
||
|
<!ELEMENT slash EMPTY>
|
||
|
<!ATTLIST slash
|
||
|
type %start-stop; #REQUIRED
|
||
|
use-dots %yes-no; #IMPLIED
|
||
|
use-stems %yes-no; #IMPLIED
|
||
|
>
|