mirror of
https://github.com/microtherion/VocalEasel.git
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220 lines
4.0 KiB
Plaintext
220 lines
4.0 KiB
Plaintext
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// mambo
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Begin Doc
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The Mambo was popularized by the great Cuban bandleader Perez Prado.
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The sample song ``Patricia, It's Patricia'' is a decent demo.
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This file was mostly developed from the patterns in``Latin Rhythms: Mystery Unraveled''
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by Victor Lopez. The variations in this file are mostly borrowed from the
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Rhumba library.
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End
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Author Bob van der Poel
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SeqClear
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Time 4
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Timesig 4 4
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Include stdpats
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SeqSize 2
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Begin Drum-Clave
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Tone Claves
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Volume mf
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Sequence Clave2 Clave3
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Rvolume 10
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Rtime 5
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End
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Begin Drum-Cow
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Tone CowBell
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Volume mf
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Sequence {D1234; D3 Shift .5} {D12; D23 Shift .5}
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Rvolume 10
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Rtime 5
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End
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Begin Drum-Bell
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Tone RideBell
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Volume p
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Rvolume 10
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Rtime 5
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Sequence {D1234; D34 Shift .5} { D234; D124 Shift .5}
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End
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Begin Drum-Snare
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Tone SnareDrum1
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Volume m
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Rvolume 10
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Rtime 5
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Sequence D2
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End
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Begin Drum-HConga
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Tone OpenHighConga
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Volume mp
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Rvolume 10
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Rtime 2
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Sequence {1 0 90; 1.5 0 90; 3.5 0 90} {1 0 90; 1.5 0 90; 2.5 0 90; 3.5 0 90; 4.5 0 90}
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End
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Begin Drum-LConga
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Tone LowConga
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Volume mp
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Rvolume 10
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Rtime 2
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Sequence {2 0 90; 2.5 0 90; 3 0 90; 4 0 90; 4.5 0 90} {2 0 90; 3 0 90; 4 0 90}
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End
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Begin Chord
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Voice Piano2
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Octave 5
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Volume m
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Articulate 80
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Voicing Mode=Optimal
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Define Broken 1 8 90; 1.5 8 0 90 0; 2 8 0 0 90; 2.5 8 90
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Sequence { Broken; Broken Shift 2 }
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End
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Begin Arpeggio
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Voice $_Chord_Voice
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Octave 4
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Volume mp
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Articulate 77
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Sequence A8
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Range 1
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End
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Begin Bass
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Voice JazzGuitar
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Volume ff
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Octave 3
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Articulate 80
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Sequence {1 4. 1 90; 2.5 4. 5 90; 4 2 1+ 90}
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End
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DefGroove Mambo Basic rhythm.
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// Variation 1
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Groove Mambo
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Seqsize 4
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Begin Arpeggio
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Sequence A4 A8 A4 A8
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Invert 0 0 1 1
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SeqRnd On
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Voice PizzicatoString
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Articulate 110
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Octave 5 6
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Volume mf
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Rvolume 10
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Rskip 20
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End
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DefGroove Mambo1 Adds pizzicato arpeggios.
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///// Variation 2
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Groove Mambo
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Begin Chord-Mallet
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Voice Marimba
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Sequence {C1234; C1234 Shift .2; C1234 Shift .4; C1234 Shift .6; C1234 Shift .8} \
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{C24; C24 Shift .2; C24 Shift .4 ; C24 Shift .6; C24 Shift .8}
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Articulate 60
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Voicing Mode=Optimal
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Octave 6
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DupRoot -1
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Accent 1 40
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Volume p
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End
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DefGroove Mambo2 Add articulated Marimbas.
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///// Variation 3
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Groove Mambo
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SeqSize 4
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Begin Chord-Guitar
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Voice JazzGuitar
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Sequence C1234 C134 C24 C13
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SeqRnd On
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Voicing Mode=Optimal
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Articulate 110
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Octave 6
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Accent 1 20 3 20
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Volume p
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End
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DefGroove Mambo3 Add jazz guitar chords.
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//////// Sustained versions
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Groove Mambo
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Alltracks Volume -20
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Begin Chord-Sus
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Sequence { 1 1 90 0 50 0 * 4 } { 1 1 50 0 90 0 * 4 }
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SeqRnd On
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Voicing Mode=Optimal
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Rvolume 10
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Voice Strings
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Articulate 110
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Unify On
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Volume mp
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Octave 5
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End
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DefGroove MamboSus Sustained version.
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Groove Mambo1
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Alltracks Volume -20
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Chord-Sus Groove MamboSus
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DefGroove Mambo1Sus Sustain and pizzicato arpeggios.
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Groove Mambo2
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Alltracks Volume -20
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Chord-Sus Groove MamboSus
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DefGroove Mambo2Sus Sustain and articulated Marimbas.
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Groove Mambo3
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Alltracks Volume -20
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Chord-Sus Groove MamboSus
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DefGroove Mambo3Sus Sustain and guitar chords.
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////// Intro
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Groove Mambo
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SeqSize 4 // change from 2 bar pattern to 4
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Drum-Clave Sequence D1 D1 Clave2 D12
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Drum-Cow Sequence D13 * * D1
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Drum-Bell Sequence D2 * * D2
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Drum-Snare Sequence D24 / / D12
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Drum-HConga Sequence * * * z
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Drum-LConga Sequence * * * z
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Chord Sequence L1 * * {L1; L1 Shift .5; L1 Shift 1}
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Arpeggio Sequence z z * z
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Bass Sequence * * * {1 1 1 90}
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DefGroove MamboIntro 4 bar intro with a bit of a cha-cha on 4.
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//// Ending
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Groove Mambo
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Drum-Clave Sequence Clave2 D1
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// Drum-Cow no change
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Drum-Bell Sequence D1234 D1
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// Drum-Snare no change
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Drum-HConga Sequence * D1
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Drum-LConga Sequence * D1
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Chord Sequence {L1; L1 Shift .5; L1 Shift 1} C13
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Arpeggio Sequence z
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Bass Sequence {1 4 5 90; 2 4 4 90; 3 4 3 90; 4 4 2 90} {1 1 1 90}
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DefGroove MamboEnd That's the end!
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