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4382 lines
146 KiB
DTD
4382 lines
146 KiB
DTD
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<!--
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MusicXML Partwise DTD
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Version 1.1 - 20 May 2005
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Copyright <EFBFBD> 2004-2005 Recordare LLC.
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http://www.recordare.com/
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This MusicXML work is being provided by the copyright
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holder under the MusicXML Document Type Definition
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Public License Version 1.02, available from:
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http://www.recordare.com/dtds/license.html
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-->
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<!--
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MusicXML is designed to represent musical scores,
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specifically common western musical notation from the
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17th century onwards. It is designed as an interchange
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format for notation, analysis, retrieval, and performance
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applications. Therefore it is intended to be sufficient,
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not optimal, for these applications.
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MusicXML is based on the MuseData and Humdrum formats.
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Humdrum explicitly represents the two-dimensional nature
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of musical scores by a 2-D layout notation. Since XML
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is a hierarchical format, we cannot do this explicitly.
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Instead, there are two top-level formats:
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partwise.dtd Represents scores by part/instrument
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timewise.dtd Represents scores by time/measure
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Thus partwise.dtd contains measures within each part,
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while timewise.dtd contains parts within each measure.
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XSLT stylesheets are provided to convert between the
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two formats.
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The partwise and timewise score DTDs represent a single
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movement of music. Multiple movements or other musical
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collections are presented using opus.dtd. An opus
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document contains XLinks to individual scores.
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Suggested use:
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<!DOCTYPE score-partwise PUBLIC
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"-//Recordare//DTD MusicXML 1.1 Partwise//EN"
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"http://www.musicxml.org/dtds/partwise.dtd">
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This DTD is made up of a series of component DTDs, all
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of which are included here.
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-->
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<!-- Entities -->
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<!--
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The partwise and timewise entities are used with
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conditional sections to control the differences between
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the partwise and timewise DTDs. The values for these
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entities are what distinguish the partwise and timewise
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DTD files.
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-->
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<!-- Component DTDs -->
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<!--
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The common DTD contains the entities and elements that
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are shared among multiple component DTDs.
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-->
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<!--
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MusicXML common.dtd
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Version 1.1 - 20 May 2005
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Copyright <EFBFBD> 2004-2005 Recordare LLC.
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http://www.recordare.com/
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This MusicXML work is being provided by the copyright
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holder under the MusicXML Document Type Definition
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Public License Version 1.02, available from:
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http://www.recordare.com/dtds/license.html
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-->
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<!--
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This file contains entities and elements that are common
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across multiple component DTDs. In particular, several
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elements here are common across both notes and measures.
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-->
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<!-- Entities -->
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<!--
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If greater ASCII compatibility is desired, entity
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references may be used instead of the direct Unicode
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characters. Currently we include ISO Latin-1 for Western
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European characters and ISO Latin-2 for Central European
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characters.
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-->
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<!-- (C) International Organization for Standardization 1986
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Permission to copy in any form is granted for use with
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conforming SGML systems and applications as defined in
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ISO 8879, provided this notice is included in all copies.
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-->
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<!-- Character entity set. Typical invocation:
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<!ENTITY % ISOlat1 PUBLIC
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"ISO 8879:1986//ENTITIES Added Latin 1//EN//XML"
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"ISOlat1.pen" >
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%ISOlat1;
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or
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<!ENTITY % HTMLlat1 PUBLIC
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"ISO 8879:1986//ENTITIES Added Latin 1//EN//XML"
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"ISOlat1.pen" >
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%HTMLlat1;
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-->
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<!--
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CATALOG ENTRIES
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PUBLIC "ISO 8879:1986//ENTITIES Added Latin 1//EN//XML"
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"ISOlat1.pen"
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PUBLIC "ISO 8879-1986//ENTITIES Added Latin 1//EN//XML"
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"ISOlat1.pen"
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PUBLIC "ISO 8879:1986//ENTITIES Added Latin 1//EN"
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"ISOlat1.pen"
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PUBLIC "ISO 8879-1986//ENTITIES Added Latin 1//EN"
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"ISOlat1.pen"
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Note that the last two catalog entries are not correct for
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SGML systems which need to ship the entities as SDATA.
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-->
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<!-- This version of the entity set can be used with any SGML document
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which uses ISO 8859-1 or ISO 10646 as its document character
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set. This includes XML documents and ISO HTML documents.
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Prepared: Rick Jelliffe, Allette Systems, (using HTMLlat1)
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Version: 1998-11-05
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Thanks to Debbie Lapeyre and Evan Owens for pointing out the
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error in the invocation example in the 1997-07-07 version.
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-->
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<!ENTITY Agrave "À" ><!-- capital A, grave accent -->
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<!ENTITY Aacute "Á" ><!-- capital A, acute accent -->
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<!ENTITY Acirc "Â" ><!-- capital A, circumflex accent -->
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<!ENTITY Atilde "Ã" ><!-- capital A, tilde -->
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<!ENTITY Auml "Ä" ><!-- capital A, dieresis or umlaut mark -->
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<!ENTITY Aring "Å" ><!-- capital A, ring -->
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<!ENTITY AElig "Æ" ><!-- capital AE diphthong (ligature) -->
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<!ENTITY Ccedil "Ç" ><!-- capital C, cedilla -->
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<!ENTITY Egrave "È" ><!-- capital E, grave accent -->
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<!ENTITY Eacute "É" ><!-- capital E, acute accent -->
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<!ENTITY Ecirc "Ê" ><!-- capital E, circumflex accent -->
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<!ENTITY Euml "Ë" ><!-- capital E, dieresis or umlaut mark -->
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<!ENTITY Igrave "Ì" ><!-- capital I, grave accent -->
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<!ENTITY Iacute "Í" ><!-- capital I, acute accent -->
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<!ENTITY Icirc "Î" ><!-- capital I, circumflex accent -->
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<!ENTITY Iuml "Ï" ><!-- capital I, dieresis or umlaut mark -->
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<!ENTITY ETH "Ð" ><!-- capital Eth, Icelandic -->
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<!ENTITY Ntilde "Ñ" ><!-- capital N, tilde -->
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<!ENTITY Ograve "Ò" ><!-- capital O, grave accent -->
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<!ENTITY Oacute "Ó" ><!-- capital O, acute accent -->
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<!ENTITY Ocirc "Ô" ><!-- capital O, circumflex accent -->
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<!ENTITY Otilde "Õ" ><!-- capital O, tilde -->
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<!ENTITY Ouml "Ö" ><!-- capital O, dieresis or umlaut mark -->
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<!ENTITY Oslash "Ø" ><!-- capital O, slash -->
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<!ENTITY Ugrave "Ù" ><!-- capital U, grave accent -->
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<!ENTITY Uacute "Ú" ><!-- capital U, acute accent -->
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<!ENTITY Ucirc "Û" ><!-- capital U, circumflex accent -->
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<!ENTITY Uuml "Ü" ><!-- capital U, dieresis or umlaut mark -->
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<!ENTITY Yacute "Ý" ><!-- capital Y, acute accent -->
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<!ENTITY THORN "Þ" ><!-- capital THORN, Icelandic -->
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<!ENTITY szlig "ß" ><!-- small sharp s, German (sz ligature) -->
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<!ENTITY agrave "à" ><!-- small a, grave accent -->
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<!ENTITY aacute "á" ><!-- small a, acute accent -->
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<!ENTITY acirc "â" ><!-- small a, circumflex accent -->
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<!ENTITY atilde "ã" ><!-- small a, tilde -->
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<!ENTITY auml "ä" ><!-- small a, dieresis or umlaut mark -->
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<!ENTITY aring "å" ><!-- small a, ring -->
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<!ENTITY aelig "æ" ><!-- small ae diphthong (ligature) -->
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<!ENTITY ccedil "ç" ><!-- small c, cedilla -->
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<!ENTITY egrave "è" ><!-- small e, grave accent -->
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<!ENTITY eacute "é" ><!-- small e, acute accent -->
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<!ENTITY ecirc "ê" ><!-- small e, circumflex accent -->
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<!ENTITY euml "ë" ><!-- small e, dieresis or umlaut mark -->
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<!ENTITY igrave "ì" ><!-- small i, grave accent -->
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<!ENTITY iacute "í" ><!-- small i, acute accent -->
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<!ENTITY icirc "î" ><!-- small i, circumflex accent -->
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<!ENTITY iuml "ï" ><!-- small i, dieresis or umlaut mark -->
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<!ENTITY eth "ð" ><!-- small eth, Icelandic -->
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<!ENTITY ntilde "ñ" ><!-- small n, tilde -->
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<!ENTITY ograve "ò" ><!-- small o, grave accent -->
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<!ENTITY oacute "ó" ><!-- small o, acute accent -->
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<!ENTITY ocirc "ô" ><!-- small o, circumflex accent -->
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<!ENTITY otilde "õ" ><!-- small o, tilde -->
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<!ENTITY ouml "ö" ><!-- small o, dieresis or umlaut mark -->
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<!ENTITY oslash "ø" ><!-- small o, slash -->
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<!ENTITY ugrave "ù" ><!-- small u, grave accent -->
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<!ENTITY uacute "ú" ><!-- small u, acute accent -->
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<!ENTITY ucirc "û" ><!-- small u, circumflex accent -->
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<!ENTITY uuml "ü" ><!-- small u, dieresis or umlaut mark -->
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<!ENTITY yacute "ý" ><!-- small y, acute accent -->
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<!ENTITY thorn "þ" ><!-- small thorn, Icelandic -->
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<!ENTITY yuml "ÿ" ><!-- small y, dieresis or umlaut mark -->
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<!-- (C) International Organization for Standardization 1986
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Permission to copy in any form is granted for use with
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conforming SGML systems and applications as defined in
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ISO 8879, provided this notice is included in all copies.
|
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-->
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<!-- Character entity set. Typical invocation:
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<!ENTITY % ISOlat2 PUBLIC
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"ISO 8879:1986//ENTITIES Added Latin 2//EN//XML"
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"ISOlat2.pen">
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%ISOlat2;
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-->
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<!-- This version of the entity set can be used with any SGML document
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which uses ISO 10646 as its document character set.
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This includes XML documents and ISO HTML documents.
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This entity set uses hexadecimal numeric character references.
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Prepared: Rick Jelliffe, ricko@allette.com.au
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Version: 1998-02-06
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Thanks to Wilfried Wiehler for finding 3 errors with Sacute,
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Zcaron, and zcaron in the 1997-07-07 version.
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-->
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<!ENTITY abreve "ă" ><!--=small a, breve-->
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<!ENTITY Abreve "Ă" ><!--=capital A, breve-->
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<!ENTITY amacr "ā" ><!--=small a, macron-->
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<!ENTITY Amacr "Ā" ><!--=capital A, macron-->
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<!ENTITY aogon "ą" ><!--=small a, ogonek-->
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<!ENTITY Aogon "Ą" ><!--=capital A, ogonek-->
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<!ENTITY cacute "ć" ><!--=small c, acute accent-->
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<!ENTITY Cacute "Ć" ><!--=capital C, acute accent-->
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<!ENTITY ccaron "č" ><!--=small c, caron-->
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<!ENTITY Ccaron "Č" ><!--=capital C, caron-->
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<!ENTITY ccirc "ĉ" ><!--=small c, circumflex accent-->
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<!ENTITY Ccirc "Ĉ" ><!--=capital C, circumflex accent-->
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<!ENTITY cdot "ċ" ><!--=small c, dot above-->
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<!ENTITY Cdot "Ċ" ><!--=capital C, dot above-->
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<!ENTITY dcaron "ď" ><!--=small d, caron-->
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<!ENTITY Dcaron "Ď" ><!--=capital D, caron-->
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<!ENTITY dstrok "đ" ><!--=small d, stroke-->
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<!ENTITY Dstrok "Đ" ><!--=capital D, stroke-->
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<!ENTITY ecaron "ě" ><!--=small e, caron-->
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<!ENTITY Ecaron "Ě" ><!--=capital E, caron-->
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<!ENTITY edot "ė" ><!--=small e, dot above-->
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<!ENTITY Edot "Ė" ><!--=capital E, dot above-->
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<!ENTITY emacr "ē" ><!--=small e, macron-->
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<!ENTITY Emacr "Ē" ><!--=capital E, macron-->
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<!ENTITY eogon "ę" ><!--=small e, ogonek-->
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<!ENTITY Eogon "Ę" ><!--=capital E, ogonek-->
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<!ENTITY gacute "ǵ" ><!--=small g, acute accent-->
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<!ENTITY gbreve "ğ" ><!--=small g, breve-->
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<!ENTITY Gbreve "Ğ" ><!--=capital G, breve-->
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<!ENTITY Gcedil "Ģ" ><!--=capital G, cedilla-->
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<!ENTITY gcirc "ĝ" ><!--=small g, circumflex accent-->
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<!ENTITY Gcirc "Ĝ" ><!--=capital G, circumflex accent-->
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<!ENTITY gdot "ġ" ><!--=small g, dot above-->
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<!ENTITY Gdot "Ġ" ><!--=capital G, dot above-->
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<!ENTITY hcirc "ĥ" ><!--=small h, circumflex accent-->
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<!ENTITY Hcirc "Ĥ" ><!--=capital H, circumflex accent-->
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<!ENTITY hstrok "ħ" ><!--=small h, stroke-->
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<!ENTITY Hstrok "Ħ" ><!--=capital H, stroke-->
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<!ENTITY Idot "İ" ><!--=capital I, dot above-->
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<!ENTITY Imacr "Ī" ><!--=capital I, macron-->
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|||
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<!ENTITY imacr "ī" ><!--=small i, macron-->
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<!ENTITY ijlig "ij" ><!--=small ij ligature-->
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|||
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<!ENTITY IJlig "IJ" ><!--=capital IJ ligature-->
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|||
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<!ENTITY inodot "ı" ><!--=small i without dot-->
|
|||
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<!ENTITY iogon "į" ><!--=small i, ogonek-->
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|||
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<!ENTITY Iogon "Į" ><!--=capital I, ogonek-->
|
|||
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<!ENTITY itilde "ĩ" ><!--=small i, tilde-->
|
|||
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<!ENTITY Itilde "Ĩ" ><!--=capital I, tilde-->
|
|||
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<!ENTITY jcirc "ĵ" ><!--=small j, circumflex accent-->
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|||
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<!ENTITY Jcirc "Ĵ" ><!--=capital J, circumflex accent-->
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|||
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<!ENTITY kcedil "ķ" ><!--=small k, cedilla-->
|
|||
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<!ENTITY Kcedil "Ķ" ><!--=capital K, cedilla-->
|
|||
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<!ENTITY kgreen "ĸ" ><!--=small k, Greenlandic-->
|
|||
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<!ENTITY lacute "ĺ" ><!--=small l, acute accent-->
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|||
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<!ENTITY Lacute "Ĺ" ><!--=capital L, acute accent-->
|
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<!ENTITY lcaron "ľ" ><!--=small l, caron-->
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<!ENTITY Lcaron "Ľ" ><!--=capital L, caron-->
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|||
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<!ENTITY lcedil "ļ" ><!--=small l, cedilla-->
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|||
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<!ENTITY Lcedil "Ļ" ><!--=capital L, cedilla-->
|
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<!ENTITY lmidot "ŀ" ><!--=small l, middle dot-->
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|||
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<!ENTITY Lmidot "Ĺ" ><!--=capital L, middle dot-->
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|||
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<!ENTITY lstrok "ł" ><!--=small l, stroke-->
|
|||
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<!ENTITY Lstrok "Ł" ><!--=capital L, stroke-->
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|||
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<!ENTITY nacute "ń" ><!--=small n, acute accent-->
|
|||
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<!ENTITY Nacute "Ń" ><!--=capital N, acute accent-->
|
|||
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<!ENTITY eng "ŋ" ><!--=small eng, Lapp-->
|
|||
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<!ENTITY ENG "Ŋ" ><!--=capital ENG, Lapp-->
|
|||
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<!ENTITY napos "ʼn" ><!--=small n, apostrophe-->
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|||
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<!ENTITY ncaron "ň" ><!--=small n, caron-->
|
|||
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<!ENTITY Ncaron "Ň" ><!--=capital N, caron-->
|
|||
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<!ENTITY ncedil "ņ" ><!--=small n, cedilla-->
|
|||
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<!ENTITY Ncedil "Ņ" ><!--=capital N, cedilla-->
|
|||
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<!ENTITY odblac "ő" ><!--=small o, double acute accent-->
|
|||
|
|
<!ENTITY Odblac "Ő" ><!--=capital O, double acute accent-->
|
|||
|
|
<!ENTITY Omacr "Ō" ><!--=capital O, macron-->
|
|||
|
|
<!ENTITY omacr "ō" ><!--=small o, macron-->
|
|||
|
|
<!ENTITY oelig "œ" ><!--=small oe ligature-->
|
|||
|
|
<!ENTITY OElig "Œ" ><!--=capital OE ligature-->
|
|||
|
|
<!ENTITY racute "ŕ" ><!--=small r, acute accent-->
|
|||
|
|
<!ENTITY Racute "Ŕ" ><!--=capital R, acute accent-->
|
|||
|
|
<!ENTITY rcaron "ř" ><!--=small r, caron-->
|
|||
|
|
<!ENTITY Rcaron "Ř" ><!--=capital R, caron-->
|
|||
|
|
<!ENTITY rcedil "ŗ" ><!--=small r, cedilla-->
|
|||
|
|
<!ENTITY Rcedil "Ŗ" ><!--=capital R, cedilla-->
|
|||
|
|
<!ENTITY sacute "ś" ><!--=small s, acute accent-->
|
|||
|
|
<!ENTITY Sacute "Ś" ><!--=capital S, acute accent-->
|
|||
|
|
<!ENTITY scaron "š" ><!--=small s, caron-->
|
|||
|
|
<!ENTITY Scaron "Š" ><!--=capital S, caron-->
|
|||
|
|
<!ENTITY scedil "ş" ><!--=small s, cedilla-->
|
|||
|
|
<!ENTITY Scedil "Ş" ><!--=capital S, cedilla-->
|
|||
|
|
<!ENTITY scirc "Ŝ" ><!--=small s, circumflex accent-->
|
|||
|
|
<!ENTITY Scirc "ŝ" ><!--=capital S, circumflex accent-->
|
|||
|
|
<!ENTITY tcaron "ť" ><!--=small t, caron-->
|
|||
|
|
<!ENTITY Tcaron "Ť" ><!--=capital T, caron-->
|
|||
|
|
<!ENTITY tcedil "Ţ" ><!--=small t, cedilla-->
|
|||
|
|
<!ENTITY Tcedil "ţ" ><!--=capital T, cedilla-->
|
|||
|
|
<!ENTITY tstrok "ŧ" ><!--=small t, stroke-->
|
|||
|
|
<!ENTITY Tstrok "Ŧ" ><!--=capital T, stroke-->
|
|||
|
|
<!ENTITY ubreve "ŭ" ><!--=small u, breve-->
|
|||
|
|
<!ENTITY Ubreve "Ŭ" ><!--=capital U, breve-->
|
|||
|
|
<!ENTITY udblac "ű" ><!--=small u, double acute accent-->
|
|||
|
|
<!ENTITY Udblac "Ű" ><!--=capital U, double acute accent-->
|
|||
|
|
<!ENTITY umacr "ū" ><!--=small u, macron-->
|
|||
|
|
<!ENTITY Umacr "Ū" ><!--=capital U, macron-->
|
|||
|
|
<!ENTITY uogon "ų" ><!--=small u, ogonek-->
|
|||
|
|
<!ENTITY Uogon "Ų" ><!--=capital U, ogonek-->
|
|||
|
|
<!ENTITY uring "ů" ><!--=small u, ring-->
|
|||
|
|
<!ENTITY Uring "Ů" ><!--=capital U, ring-->
|
|||
|
|
<!ENTITY utilde "ũ" ><!--=small u, tilde-->
|
|||
|
|
<!ENTITY Utilde "Ũ" ><!--=capital U, tilde-->
|
|||
|
|
<!ENTITY wcirc "ŵ" ><!--=small w, circumflex accent-->
|
|||
|
|
<!ENTITY Wcirc "Ŵ" ><!--=capital W, circumflex accent-->
|
|||
|
|
<!ENTITY ycirc "ŷ" ><!--=small y, circumflex accent-->
|
|||
|
|
<!ENTITY Ycirc "Ŷ" ><!--=capital Y, circumflex accent-->
|
|||
|
|
<!ENTITY Yuml "Ÿ" ><!--=capital Y, dieresis or umlaut mark-->
|
|||
|
|
<!ENTITY zacute "ź" ><!--=small z, acute accent-->
|
|||
|
|
<!ENTITY Zacute "Ź" ><!--=capital Z, acute accent-->
|
|||
|
|
<!ENTITY zcaron "ž" ><!--=small z, caron-->
|
|||
|
|
<!ENTITY Zcaron "Ž" ><!--=capital Z, caron-->
|
|||
|
|
<!ENTITY zdot "ż" ><!--=small z, dot above-->
|
|||
|
|
<!ENTITY Zdot "Ż" ><!--=capital Z, dot above-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Data types. These nearly all resolve to strings but
|
|||
|
|
show intent for how data is formatted and used.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Calendar dates are represented yyyy-mm-dd format,
|
|||
|
|
following ISO 8601.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The tenths entity is a number representing tenths of
|
|||
|
|
interline space (positive or negative) for use in
|
|||
|
|
attributes. The layout-tenths entity is the same for
|
|||
|
|
use in elements. Both integer and decimal values are
|
|||
|
|
allowed, such as 5 for a half space and 2.5 for a
|
|||
|
|
quarter space.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Common structures between element and attribute definitions.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Two entities for editorial information in notes. These
|
|||
|
|
entities, and their elements defined below, are used
|
|||
|
|
across all the different component DTDs.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The start-stop and start-stop-continue entities are used
|
|||
|
|
for musical elements that can either start or stop, such
|
|||
|
|
as slurs, tuplets, and wedges. The start-stop-continue
|
|||
|
|
entity is used when there is a need to refer to an
|
|||
|
|
intermediate point in the symbol, as for complex slurs.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The yes-no entity is used for boolean-like attributes.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The symbol-size entity is used to indicate full vs.
|
|||
|
|
cue-sized vs. oversized symbols. The large value
|
|||
|
|
for oversized symbols was added in version 1.1.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The up-down entity is used for arrow direction,
|
|||
|
|
indicating which way the tip is pointing.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The top-bottom entity is used to indicate the top or
|
|||
|
|
bottom part of a vertical shape like non-arpeggiate.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The position attributes are based on MuseData print
|
|||
|
|
suggestions. For most elements, any program will compute
|
|||
|
|
a default x and y position. The position attributes let
|
|||
|
|
this be changed two ways.
|
|||
|
|
|
|||
|
|
The default-x and default-y attributes change the
|
|||
|
|
computation of the default position. For most elements,
|
|||
|
|
the origin is changed relative to the left-hand side of
|
|||
|
|
the note or the musical position within the bar (x) and
|
|||
|
|
the top line of the staff (y).
|
|||
|
|
|
|||
|
|
For the following elements, the default-x value changes
|
|||
|
|
the origin relative to the start of the current measure:
|
|||
|
|
|
|||
|
|
- note
|
|||
|
|
- figured-bass
|
|||
|
|
- harmony
|
|||
|
|
- link
|
|||
|
|
- directive
|
|||
|
|
- all descendants of the part-list element
|
|||
|
|
- all children of the direction-type element
|
|||
|
|
|
|||
|
|
For the note, figured-bass, and harmony elements, the
|
|||
|
|
default-x value is considered to have adjusted the
|
|||
|
|
musical position within the bar for its descendant
|
|||
|
|
elements.
|
|||
|
|
|
|||
|
|
Since the <credit-words> element is not related to a
|
|||
|
|
measure, in this case the default-x and default-y
|
|||
|
|
attributes adjust the origin relative to the bottom
|
|||
|
|
left-hand corner of the first page.
|
|||
|
|
|
|||
|
|
The relative-x and relative-y attributes change the
|
|||
|
|
position relative to the default position, either as
|
|||
|
|
computed by the individual program, or as overridden by
|
|||
|
|
the default-x and default-y attributes.
|
|||
|
|
|
|||
|
|
Positive x is right, negative x is left; positive y
|
|||
|
|
is up, negative y is down. All units are in tenths of
|
|||
|
|
interline space. For stems, positive relative-y
|
|||
|
|
lengthens a stem while negative relative-y shortens it.
|
|||
|
|
|
|||
|
|
As elsewhere in MusicXML, tenths are the global tenths
|
|||
|
|
defined by the <scaling> element, not the local tenths
|
|||
|
|
of a staff resized by the <staff-size> element.
|
|||
|
|
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The placement attribute indicates whether something is
|
|||
|
|
above or below another element, such as a note or a
|
|||
|
|
notation.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The orientation attribute indicates whether slurs and
|
|||
|
|
ties are overhand (tips down) or underhand (tips up).
|
|||
|
|
This is distinct from the placement entity used by any
|
|||
|
|
notation type.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The bezier entity is used to indicate the curvature of
|
|||
|
|
slurs and ties, representing the control points for a
|
|||
|
|
cubic bezier curve. For ties, the bezier entity is
|
|||
|
|
used with the tied element.
|
|||
|
|
|
|||
|
|
Normal slurs, S-shaped slurs, and ties need only two
|
|||
|
|
bezier points: one associated with the start of the slur
|
|||
|
|
or tie, the other with the stop. Complex slurs and slurs
|
|||
|
|
divided over system breaks can specify additional
|
|||
|
|
bezier data at slur elements with a continue type.
|
|||
|
|
|
|||
|
|
The bezier-offset, bezier-x, and bezier-y attributes
|
|||
|
|
describe the outgoing bezier point for slurs and ties
|
|||
|
|
with a start type, and the incoming bezier point for
|
|||
|
|
slurs and ties with types of stop or continue. The
|
|||
|
|
attributes bezier-offset2, bezier-x2, and bezier-y2
|
|||
|
|
are only valid with slurs of type continue, and
|
|||
|
|
describe the outgoing bezier point.
|
|||
|
|
|
|||
|
|
The bezier-offset and bezier-offset2 attributes are
|
|||
|
|
measured in terms of musical divisions, like the offset
|
|||
|
|
element. These are the recommended attributes for
|
|||
|
|
specifying horizontal position. The other attributes
|
|||
|
|
are specified in tenths, relative to any position
|
|||
|
|
settings associated with the slur or tied element.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Slurs, tuplets, and many other features can be
|
|||
|
|
concurrent and overlapping within a single musical
|
|||
|
|
part. The number-level attribute distinguishes up to
|
|||
|
|
six concurrent objects of the same type. A reading
|
|||
|
|
program should be prepared to handle cases where
|
|||
|
|
the number-levels stop in an arbitrary order.
|
|||
|
|
Different numbers are needed when the features
|
|||
|
|
overlap in MusicXML file order.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML supports six levels of beaming, up to 256th
|
|||
|
|
notes. Unlike the number-level attribute, the beam-level
|
|||
|
|
identifies concurrent beams in a beam group. It does not
|
|||
|
|
distinguish overlapping beams such as grace notes within
|
|||
|
|
regular notes, or beams used in different voices.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The font entity gathers together attributes for
|
|||
|
|
determining the font within a directive or direction.
|
|||
|
|
They are based on the text styles for Cascading
|
|||
|
|
Style Sheets. The font-family is a comma-separated list
|
|||
|
|
of font names. These can be specific font styles such
|
|||
|
|
as Maestro or Opus, or one of three generic font styles:
|
|||
|
|
music, serif, or sans-serif. The font-style can be
|
|||
|
|
normal or italic. The font-size can be one of the CSS
|
|||
|
|
sizes (xx-small, x-small, small, medium, large, x-large,
|
|||
|
|
xx-large) or a numeric point size. The font-weight can
|
|||
|
|
be normal or bold. The default is application-dependent,
|
|||
|
|
but is a text font vs. a music font.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The color entity indicates the color of an element.
|
|||
|
|
Color may be represented as hexadecimal RGB triples,
|
|||
|
|
as in HTML, or as hexadecimal ARGB tuples, with the
|
|||
|
|
A indicating alpha of transparency. An alpha value
|
|||
|
|
of 00 is totally transparent; FF is totally opaque.
|
|||
|
|
If RGB is used, the A value is assumed to be FF.
|
|||
|
|
|
|||
|
|
For instance, the RGB value "#800080" represents
|
|||
|
|
purple. An ARGB value of "#40800080" would be a
|
|||
|
|
transparent purple.
|
|||
|
|
|
|||
|
|
As in SVG 1.1, colors are defined in terms of the
|
|||
|
|
sRGB color space (IEC 61966).
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The justify entity is used to indicate left, center,
|
|||
|
|
or right justification. The default value varies for
|
|||
|
|
different elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
In cases where text extends over more than one line,
|
|||
|
|
horizontal alignment and justify values can be
|
|||
|
|
different. The most typical case is for credits,
|
|||
|
|
such as:
|
|||
|
|
|
|||
|
|
Words and music by
|
|||
|
|
Pat Songwriter
|
|||
|
|
|
|||
|
|
Typically this type of credit is aligned to the right,
|
|||
|
|
so that the position information refers to the right-
|
|||
|
|
most part of the text. But in this example, the text
|
|||
|
|
is center-justified, not right-justified.
|
|||
|
|
|
|||
|
|
The halign attribute is used in these situations. If it
|
|||
|
|
is not present, its value is the same as for the justify
|
|||
|
|
attribute.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The valign entity is used to indicate vertical
|
|||
|
|
alignment to the top, middle, bottom, or baseline
|
|||
|
|
of the text. Defaults are implementation-dependent.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The most popular combination of printing attributes
|
|||
|
|
is position, font, and color.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The line-shape entity is used to distinguish between
|
|||
|
|
straight and curved lines. The line-type entity
|
|||
|
|
distinguishes between solid, dashed, dotted, and
|
|||
|
|
wavy lines.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The printout entity is based on MuseData print
|
|||
|
|
suggestions. They allow a way to specify not to print
|
|||
|
|
print an object (e.g. note or rest), its augmentation
|
|||
|
|
dots, or its lyrics. This is especially useful for notes
|
|||
|
|
that overlap in different voices, or for chord sheets
|
|||
|
|
that contain lyrics and chords but no melody. For wholly
|
|||
|
|
invisible notes, such as those providing sound-only data,
|
|||
|
|
the attribute for print-spacing may be set to no so that
|
|||
|
|
no space is left for this note. The print-spacing value
|
|||
|
|
is only used if no note, dot, or lyric is being printed.
|
|||
|
|
|
|||
|
|
By default, all these attributes are set to yes. If
|
|||
|
|
print-object is set to no, print-dot and print-lyric are
|
|||
|
|
interpreted to also be set to no if they are not present.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The trill-sound entity includes attributes used to guide
|
|||
|
|
the sound of trills, mordents, turns, shakes, and wavy
|
|||
|
|
lines, based on MuseData sound suggestions. The default
|
|||
|
|
choices are:
|
|||
|
|
|
|||
|
|
start-note = "upper"
|
|||
|
|
trill-step = "whole"
|
|||
|
|
two-note-turn = "none"
|
|||
|
|
accelerate = "no"
|
|||
|
|
beats = "4" (minimum of "2").
|
|||
|
|
|
|||
|
|
Second-beat and last-beat are percentages for landing
|
|||
|
|
on the indicated beat, with defaults of 25 and 75
|
|||
|
|
respectively.
|
|||
|
|
|
|||
|
|
For mordent and inverted-mordent elements, the defaults
|
|||
|
|
are different:
|
|||
|
|
|
|||
|
|
The default start-note is "main", not "upper".
|
|||
|
|
The default for beats is "3", not "4".
|
|||
|
|
The default for second-beat is "12", not "25".
|
|||
|
|
The default for last-beat is "24", not "75".
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The bend-sound entity is used for bend and slide
|
|||
|
|
elements, and is similar to the trill-sound. Here the
|
|||
|
|
beats element refers to the number of discrete elements
|
|||
|
|
(like MIDI pitch bends) used to represent a continuous
|
|||
|
|
bend or slide. The first-beat indicates the percentage
|
|||
|
|
of the direction for starting a bend; the last-beat the
|
|||
|
|
percentage for ending it. The default choices are:
|
|||
|
|
|
|||
|
|
accelerate = "no"
|
|||
|
|
beats = "4" (minimum of "2")
|
|||
|
|
first-beat = "25"
|
|||
|
|
last-beat = "75"
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The level-display entity allows specification of
|
|||
|
|
three common ways to indicate editorial indications:
|
|||
|
|
putting parentheses or square brackets around a
|
|||
|
|
symbol, or making the symbol a different size. If
|
|||
|
|
not specified, they are left to application defaults.
|
|||
|
|
It is used by the level and accidental elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Footnote and level are used to specify editorial
|
|||
|
|
information, while voice is used to distinguish
|
|||
|
|
between multiple voices (what MuseData calls tracks)
|
|||
|
|
in individual parts. These elements are used
|
|||
|
|
throughout the component MusicXML DTDs. If the
|
|||
|
|
reference attribute for the level element is yes,
|
|||
|
|
this indicates editorial information that is for
|
|||
|
|
display only and should not affect playback. For
|
|||
|
|
instance, a modern edition of older music may set
|
|||
|
|
reference="yes" on the attributes containing the
|
|||
|
|
music's original clef, key, and time signature.
|
|||
|
|
It is no by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT footnote (#PCDATA)>
|
|||
|
|
<!ATTLIST footnote
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
halign (left | center | right) #IMPLIED
|
|||
|
|
valign (top | middle | bottom | baseline) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT level (#PCDATA)>
|
|||
|
|
<!ATTLIST level
|
|||
|
|
reference (yes | no) #IMPLIED
|
|||
|
|
parentheses (yes | no) #IMPLIED
|
|||
|
|
bracket (yes | no) #IMPLIED
|
|||
|
|
size (full | cue | large) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT voice (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Fermata and wavy-line elements can be applied both to
|
|||
|
|
notes and to measures, so they are defined here. Wavy
|
|||
|
|
lines are one way to indicate trills; when used with a
|
|||
|
|
measure element, they should always have type="continue"
|
|||
|
|
set. The fermata type is upright if not specified.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT fermata EMPTY>
|
|||
|
|
<!ATTLIST fermata
|
|||
|
|
type (upright | inverted) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT wavy-line EMPTY>
|
|||
|
|
<!ATTLIST wavy-line
|
|||
|
|
type (start | stop | continue) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Staff assignment is only needed for music notated on
|
|||
|
|
multiple staves. Used by both notes and directions.
|
|||
|
|
Staff values are numbers, with 1 referring to the
|
|||
|
|
top-most staff in a part.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staff (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Segno and coda signs can be associated with a measure
|
|||
|
|
or a general musical direction. These are visual
|
|||
|
|
indicators only; a sound element is needed to guide
|
|||
|
|
playback applications reliably.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT segno EMPTY>
|
|||
|
|
<!ATTLIST segno
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT coda EMPTY>
|
|||
|
|
<!ATTLIST coda
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Dynamics can be associated either with a note or a
|
|||
|
|
general musical direction. To avoid inconsistencies
|
|||
|
|
between and amongst the letter abbreviations for
|
|||
|
|
dynamics (what is sf vs. sfz, standing alone or with a
|
|||
|
|
trailing dynamic that is not always piano), we use the
|
|||
|
|
actual letters as the names of these dynamic elements.
|
|||
|
|
The element other-dynamics allows other dynamic marks
|
|||
|
|
that are not covered here, but many of those should
|
|||
|
|
perhaps be included in a more general musical
|
|||
|
|
direction element. Dynamics may also be combined as
|
|||
|
|
in <sf/><mp/>.
|
|||
|
|
|
|||
|
|
These letter dynamic symbols are separated from
|
|||
|
|
crescendo, decrescendo, and wedge indications. Dynamic
|
|||
|
|
representation is basically inconsistent in scores
|
|||
|
|
(lots of things are assumed by the composer and left out,
|
|||
|
|
such as returns to original dynamics), and is quite
|
|||
|
|
complex to do systematically. Humdrum for instance has
|
|||
|
|
at least 3 representation formats related to dynamics.
|
|||
|
|
MusicXML captures what is in the score, but does not try
|
|||
|
|
to be optimal for analysis or synthesis of dynamics.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT dynamics ((p | pp | ppp | pppp | ppppp | pppppp |
|
|||
|
|
f | ff | fff | ffff | fffff | ffffff | mp | mf | sf |
|
|||
|
|
sfp | sfpp | fp | rf | rfz | sfz | sffz | fz |
|
|||
|
|
other-dynamics)*)>
|
|||
|
|
<!ATTLIST dynamics
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT p EMPTY>
|
|||
|
|
<!ELEMENT pp EMPTY>
|
|||
|
|
<!ELEMENT ppp EMPTY>
|
|||
|
|
<!ELEMENT pppp EMPTY>
|
|||
|
|
<!ELEMENT ppppp EMPTY>
|
|||
|
|
<!ELEMENT pppppp EMPTY>
|
|||
|
|
<!ELEMENT f EMPTY>
|
|||
|
|
<!ELEMENT ff EMPTY>
|
|||
|
|
<!ELEMENT fff EMPTY>
|
|||
|
|
<!ELEMENT ffff EMPTY>
|
|||
|
|
<!ELEMENT fffff EMPTY>
|
|||
|
|
<!ELEMENT ffffff EMPTY>
|
|||
|
|
<!ELEMENT mp EMPTY>
|
|||
|
|
<!ELEMENT mf EMPTY>
|
|||
|
|
<!ELEMENT sf EMPTY>
|
|||
|
|
<!ELEMENT sfp EMPTY>
|
|||
|
|
<!ELEMENT sfpp EMPTY>
|
|||
|
|
<!ELEMENT fp EMPTY>
|
|||
|
|
<!ELEMENT rf EMPTY>
|
|||
|
|
<!ELEMENT rfz EMPTY>
|
|||
|
|
<!ELEMENT sfz EMPTY>
|
|||
|
|
<!ELEMENT sffz EMPTY>
|
|||
|
|
<!ELEMENT fz EMPTY>
|
|||
|
|
<!ELEMENT other-dynamics (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The fret, string, and fingering elements can be
|
|||
|
|
used either in a technical element for a note
|
|||
|
|
or in a frame element as part of a chord symbol.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Fingering is typically indicated 1,2,3,4,5. Multiple
|
|||
|
|
fingerings may be given, typically to substitute
|
|||
|
|
fingerings in the middle of a note. The substitution
|
|||
|
|
and alternate values are "no" if the attribute is
|
|||
|
|
not present. For guitar and other fretted instruments,
|
|||
|
|
the fingering element represents the fretting finger;
|
|||
|
|
the pluck element represents the plucking finger.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT fingering (#PCDATA)>
|
|||
|
|
<!ATTLIST fingering
|
|||
|
|
substitution (yes | no) #IMPLIED
|
|||
|
|
alternate (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Fret and string are used with tablature notation
|
|||
|
|
and chord symbols. Fret numbers start with 0 for
|
|||
|
|
an open string and 1 for the first fret. String
|
|||
|
|
numbers start with 1 for the highest string.
|
|||
|
|
String can also be used in regular notation.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT fret (#PCDATA)>
|
|||
|
|
<!ATTLIST fret
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT string (#PCDATA)>
|
|||
|
|
<!ATTLIST string
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The tuning-step, tuning-alter, and tuning-octave
|
|||
|
|
elements are represented like the step, alter, and
|
|||
|
|
octave elements, with different names to reflect their
|
|||
|
|
different function. They are used in the staff-tuning
|
|||
|
|
and accord elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT tuning-step (#PCDATA)>
|
|||
|
|
<!ELEMENT tuning-alter (#PCDATA)>
|
|||
|
|
<!ELEMENT tuning-octave (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The midi-instrument element can be a part of either
|
|||
|
|
the score-instrument element at the start of a part,
|
|||
|
|
or the sound element within a part. The id attribute
|
|||
|
|
refers to the score-instrument affected by the change.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT midi-instrument
|
|||
|
|
(midi-channel?, midi-name?, midi-bank?, midi-program?,
|
|||
|
|
midi-unpitched?)>
|
|||
|
|
<!ATTLIST midi-instrument
|
|||
|
|
id IDREF #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!-- MIDI channel numbers range from 1 to 16. -->
|
|||
|
|
<!ELEMENT midi-channel (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MIDI names correspond to ProgramName meta-events within
|
|||
|
|
a Standard MIDI File.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT midi-name (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!-- MIDI bank numbers range from 1 to 16,384. -->
|
|||
|
|
<!ELEMENT midi-bank (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!-- MIDI program numbers range from 1 to 128. -->
|
|||
|
|
<!ELEMENT midi-program (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
For unpitched instruments, specify a MIDI note number
|
|||
|
|
ranging from 1 to 128. Usually used with MIDI banks
|
|||
|
|
for percussion.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT midi-unpitched (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The layout DTD contains formatting information for
|
|||
|
|
pages, systems, staves, and measures.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML layout.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML 1.1 adds layout information for pages,
|
|||
|
|
systems, staffs, and measures. These layout elements
|
|||
|
|
join the print and sound elements in providing
|
|||
|
|
formatting data as elements rather than attributes.
|
|||
|
|
|
|||
|
|
Everything is measured in tenths of staff space.
|
|||
|
|
Tenths are then scaled to millimeters within the
|
|||
|
|
scaling element, used in the defaults element at
|
|||
|
|
the start of a score. Individual staves can apply
|
|||
|
|
a scaling factor to adjust staff size. When a
|
|||
|
|
MusicXML element or attribute refers to tenths,
|
|||
|
|
it means the global tenths defined by the scaling
|
|||
|
|
element, not the local tenths as adjusted by the
|
|||
|
|
staff-size element.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Margins, page sizes, and distances are all measured in
|
|||
|
|
tenths to keep MusicXML data in a consistent coordinate
|
|||
|
|
system as much as possible. The translation to absolute
|
|||
|
|
units is done in the scaling element, which specifies
|
|||
|
|
how many millimeters are equal to how many tenths. For
|
|||
|
|
a staff height of 7 mm, millimeters would be set to 7
|
|||
|
|
while tenths is set to 40. The ability to set a formula
|
|||
|
|
rather than a single scaling factor helps avoid roundoff
|
|||
|
|
errors.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT scaling (millimeters, tenths)>
|
|||
|
|
<!ELEMENT millimeters (#PCDATA)>
|
|||
|
|
<!ELEMENT tenths (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Margin elements are included within many of the
|
|||
|
|
larger layout elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT left-margin (#PCDATA)>
|
|||
|
|
<!ELEMENT right-margin (#PCDATA)>
|
|||
|
|
<!ELEMENT top-margin (#PCDATA)>
|
|||
|
|
<!ELEMENT bottom-margin (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Page layout can be defined both in score-wide
|
|||
|
|
defaults and in the print element. Page margins
|
|||
|
|
are specified either for both even and odd pages,
|
|||
|
|
or via separate odd and even page number values.
|
|||
|
|
The type is not needed when used in as part of
|
|||
|
|
a print element. If omitted when used in the
|
|||
|
|
defaults element, "both" is the default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT page-layout (page-height, page-width,
|
|||
|
|
page-margins?, page-margins?)>
|
|||
|
|
<!ELEMENT page-height (#PCDATA)>
|
|||
|
|
<!ELEMENT page-width (#PCDATA)>
|
|||
|
|
<!ELEMENT page-margins (left-margin, right-margin,
|
|||
|
|
top-margin, bottom-margin)>
|
|||
|
|
<!ATTLIST page-margins
|
|||
|
|
type (odd | even | both) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
System layout includes left and right margins and the
|
|||
|
|
vertical distance from the previous system. Margins
|
|||
|
|
are relative to the page margins. Positive values
|
|||
|
|
indent and negative values reduce the margin size.
|
|||
|
|
The system distance is measured from the bottom line
|
|||
|
|
of the previous system to the top line of the current
|
|||
|
|
system. It is ignored for the first system on a page.
|
|||
|
|
The top system distance is measured from the page's
|
|||
|
|
top margin to the top line of the first system. It is
|
|||
|
|
ignored for all but the first system on a page.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT system-layout
|
|||
|
|
(system-margins?, system-distance?, top-system-distance?)>
|
|||
|
|
<!ELEMENT system-margins (left-margin, right-margin)>
|
|||
|
|
<!ELEMENT system-distance (#PCDATA)>
|
|||
|
|
<!ELEMENT top-system-distance (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Staff layout includes the vertical distance from
|
|||
|
|
the bottom line of the previous staff in this system
|
|||
|
|
to the top line of the staff specified by the number
|
|||
|
|
attribute. The first staff of the part is used if
|
|||
|
|
the number attribute is missing. When used in the
|
|||
|
|
defaults element, the values apply to all parts.
|
|||
|
|
This value is ignored for the first staff in a system.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staff-layout (staff-distance?)>
|
|||
|
|
<!ELEMENT staff-distance (#PCDATA)>
|
|||
|
|
<!ATTLIST staff-layout
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Measure layout includes the horizontal distance
|
|||
|
|
from the previous measure. This value is only used
|
|||
|
|
for systems where there is horizontal whitespace
|
|||
|
|
in the middle of a system, as in systems with codas.
|
|||
|
|
To specify the measure width, use the width attribute
|
|||
|
|
of the measure element.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT measure-layout (measure-distance?)>
|
|||
|
|
<!ELEMENT measure-distance (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The identity DTD contains identification and metadata
|
|||
|
|
elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML identity.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The identify component DTD contains the identification
|
|||
|
|
element and its children, containing metadata about a
|
|||
|
|
score.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Identification contains basic metadata about the score.
|
|||
|
|
It includes the information in MuseData headers that
|
|||
|
|
may apply at a score-wide, movement-wide, or part-wide
|
|||
|
|
level. The creator and rights elements are based on
|
|||
|
|
Dublin Core.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT identification (creator*, rights*, encoding?,
|
|||
|
|
source?, miscellaneous?)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Creator is borrowed from Dublin Core. It is the composer
|
|||
|
|
of the score (the artist field in NIFF). The type
|
|||
|
|
attribute can be used to distinguish words and music so
|
|||
|
|
as to represent lyricists and librettists as well as
|
|||
|
|
composers. Thus, there can be multiple creators in an
|
|||
|
|
identification. We do not use the creator / contributor
|
|||
|
|
distinction from Dublin Core.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT creator (#PCDATA)>
|
|||
|
|
<!ATTLIST creator
|
|||
|
|
type CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Rights is borrowed from Dublin Core. It contains
|
|||
|
|
copyright and other intellectual property notices.
|
|||
|
|
Words, music, and derivatives can have different types,
|
|||
|
|
so multiple rights tags with different type attributes
|
|||
|
|
are supported.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT rights (#PCDATA)>
|
|||
|
|
<!ATTLIST rights
|
|||
|
|
type CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Encoding contains information about who did the digital
|
|||
|
|
encoding, when, with what software, and in what aspects.
|
|||
|
|
The supports element indicates if the encoding supports
|
|||
|
|
a particular MusicXML element. This is recommended for
|
|||
|
|
elements like beam, stem, and accidental, where the
|
|||
|
|
absence of an element is ambiguous if you do not know
|
|||
|
|
if the encoding supports that element.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT encoding ((encoding-date | encoder | software |
|
|||
|
|
encoding-description | supports)*)>
|
|||
|
|
<!ELEMENT encoding-date (#PCDATA)>
|
|||
|
|
<!ELEMENT encoder (#PCDATA)>
|
|||
|
|
<!ATTLIST encoder
|
|||
|
|
type CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT software (#PCDATA)>
|
|||
|
|
<!ELEMENT encoding-description (#PCDATA)>
|
|||
|
|
<!ELEMENT supports EMPTY>
|
|||
|
|
<!ATTLIST supports
|
|||
|
|
type (yes | no) #REQUIRED
|
|||
|
|
element CDATA #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The source for the music that is encoded. This is not
|
|||
|
|
quite the same as the Dublin Core publisher (or source)
|
|||
|
|
element, so we keep the MuseData terminology.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT source (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
If a program has other metadata not yet supported
|
|||
|
|
in MusicXML, it can go in the miscellaneous area.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT miscellaneous (miscellaneous-field*)>
|
|||
|
|
<!ELEMENT miscellaneous-field (#PCDATA)>
|
|||
|
|
<!ATTLIST miscellaneous-field
|
|||
|
|
name CDATA #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The attributes DTD includes elements that usually
|
|||
|
|
change at the start of a measure, such as key
|
|||
|
|
signatures, time signatures, and clefs.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML attributes.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The attributes component DTD contains the attributes
|
|||
|
|
element and its children, such as key and time
|
|||
|
|
signatures.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The attributes element contains musical information
|
|||
|
|
that typically changes on measure boundaries. This
|
|||
|
|
includes key and time signatures, clefs, transpositions,
|
|||
|
|
and staving.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT attributes ((footnote?, level?), divisions?, key?, time?,
|
|||
|
|
staves?, instruments?, clef*, staff-details*, transpose?,
|
|||
|
|
directive*, measure-style*)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Traditional key signatures are represented by the number
|
|||
|
|
of flats and sharps, plus an optional mode for major/
|
|||
|
|
minor/mode distinctions. Negative numbers are used for
|
|||
|
|
flats and positive numbers for sharps, reflecting the
|
|||
|
|
key's placement within the circle of fifths (hence the
|
|||
|
|
element name). A cancel element indicates that the old
|
|||
|
|
key signature should be cancelled before the new one
|
|||
|
|
appears. This will always happen when changing to C major
|
|||
|
|
or A minor and need not be specified then. The cancel
|
|||
|
|
value matches the fifths value of the cancelled key
|
|||
|
|
signature (e.g., a cancel of -2 will provide an explicit
|
|||
|
|
cancellation for changing from B flat major to F major).
|
|||
|
|
|
|||
|
|
Non-traditional key signatures can be represented using
|
|||
|
|
the Humdrum/Scot concept of a list of altered tones.
|
|||
|
|
The key-step and key-alter elements are represented the
|
|||
|
|
same way as the step and alter elements are in the pitch
|
|||
|
|
element in note.dtd. The different element names indicate
|
|||
|
|
the different meaning of altering notes in a scale versus
|
|||
|
|
altering a sounding pitch.
|
|||
|
|
|
|||
|
|
Valid mode values include major, minor, dorian, phrygian,
|
|||
|
|
lydian, mixolydian, aeolian, ionian, and locrian.
|
|||
|
|
|
|||
|
|
The optional number attribute refers to staff numbers,
|
|||
|
|
from top to bottom on the system. If absent, the key
|
|||
|
|
signature applies to all staves in the part.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT key ((cancel?, fifths, mode?) |
|
|||
|
|
((key-step, key-alter)*))>
|
|||
|
|
<!ATTLIST key
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT cancel (#PCDATA)>
|
|||
|
|
<!ELEMENT fifths (#PCDATA)>
|
|||
|
|
<!ELEMENT mode (#PCDATA)>
|
|||
|
|
<!ELEMENT key-step (#PCDATA)>
|
|||
|
|
<!ELEMENT key-alter (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Musical notation duration is commonly represented as
|
|||
|
|
fractions. The divisions element indicates how many
|
|||
|
|
divisions per quarter note are used to indicate a note's
|
|||
|
|
duration. For example, if duration = 1 and divisions = 2,
|
|||
|
|
this is an eighth note duration. Duration and divisions
|
|||
|
|
are used directly for generating sound output, so they
|
|||
|
|
must be chosen to take tuplets into account. Using a
|
|||
|
|
divisions element lets us use just one number to
|
|||
|
|
represent a duration for each note in the score, while
|
|||
|
|
retaining the full power of a fractional representation.
|
|||
|
|
For maximum compatibility with Standard MIDI Files, the
|
|||
|
|
divisions value should not exceed 16383.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT divisions (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Time signatures are represented by two elements. The
|
|||
|
|
beats element indicates the number of beats, as found in
|
|||
|
|
the numerator of a time signature. The beat-type element
|
|||
|
|
indicates the beat unit, as found in the denominator of
|
|||
|
|
a time signature. The symbol attribute is used to
|
|||
|
|
indicate another notation beyond a fraction: the common
|
|||
|
|
and cut time symbols, as well as a single number with an
|
|||
|
|
implied denominator. Normal (a fraction) is the implied
|
|||
|
|
symbol type if none is specified. Multiple pairs of
|
|||
|
|
beat and beat-type elements are used for composite
|
|||
|
|
time signatures with multiple denominators, such as
|
|||
|
|
2/4 + 3/8. A composite such as 3+2/8 requires only one
|
|||
|
|
beat/beat-type pair. A senza-misura element explicitly
|
|||
|
|
indicates that no time signature is present.
|
|||
|
|
|
|||
|
|
The print-object attribute allows a time signature to be
|
|||
|
|
specified but not printed, as is the case for excerpts
|
|||
|
|
from the middle of a score. The value is "yes" if
|
|||
|
|
not present. The optional number attribute refers to staff
|
|||
|
|
numbers, from top to bottom on the system. If absent, the
|
|||
|
|
time signature applies to all staves in the part.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT time ((beats, beat-type)+ | senza-misura)>
|
|||
|
|
<!ATTLIST time
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
symbol (common | cut | single-number | normal) #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT beats (#PCDATA)>
|
|||
|
|
<!ELEMENT beat-type (#PCDATA)>
|
|||
|
|
<!ELEMENT senza-misura EMPTY>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Staves are used if there is more than one staff
|
|||
|
|
represented in the given part (e.g., 2 staves for
|
|||
|
|
typical piano parts). If absent, a value of 1 is assumed.
|
|||
|
|
Staves are ordered from top to bottom in a part in
|
|||
|
|
numerical order, with staff 1 above staff 2.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staves (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Instruments are only used if more than one instrument is
|
|||
|
|
represented in the part (e.g., oboe I and II where they
|
|||
|
|
play together most of the time). If absent, a value of 1
|
|||
|
|
is assumed.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT instruments (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Clefs are represented by the sign, line, and
|
|||
|
|
clef-octave-change elements. Sign values include G, F, C,
|
|||
|
|
percussion, TAB, and none. Line numbers are counted from
|
|||
|
|
the bottom of the staff. Standard values are 2 for the
|
|||
|
|
G sign (treble clef), 4 for the F sign (bass clef), 3
|
|||
|
|
for the C sign (alto clef) and 5 for TAB (on a 6-line
|
|||
|
|
staff). The clef-octave-change element is used for
|
|||
|
|
transposing clefs (e.g., a treble clef for tenors would
|
|||
|
|
have a clef-octave-change value of -1). The optional
|
|||
|
|
number attribute refers to staff numbers, from top to
|
|||
|
|
bottom on the system. A value of 1 is assumed if not
|
|||
|
|
present.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT clef (sign, line?, clef-octave-change?)>
|
|||
|
|
<!ATTLIST clef
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT sign (#PCDATA)>
|
|||
|
|
<!ELEMENT line (#PCDATA)>
|
|||
|
|
<!ELEMENT clef-octave-change (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The staff-details element is used to indicate different
|
|||
|
|
types of staves. The staff-type element can be ossia,
|
|||
|
|
cue, editorial, regular, or alternate. An alternate
|
|||
|
|
staff indicates one that shares the same musical data
|
|||
|
|
as the prior staff, but displayed differently (e.g.,
|
|||
|
|
treble and bass clef, standard notation and tab).
|
|||
|
|
The staff-lines element specifies the number of lines for
|
|||
|
|
non 5-line staffs. The staff-tuning and capo elements are
|
|||
|
|
used to specify tuning when using tablature notation.
|
|||
|
|
The optional number attribute specifies the staff number
|
|||
|
|
from top to bottom on the system, as with clef. The
|
|||
|
|
optional show-frets attribute indicates whether to show
|
|||
|
|
tablature frets as numbers (0, 1, 2) or letters (a, b, c).
|
|||
|
|
The default choice is numbers. The print-object attribute
|
|||
|
|
is used to indicate when a staff is not printed in a part,
|
|||
|
|
usually in large scores where empty parts are omitted.
|
|||
|
|
It is yes by default. If print-spacing is yes while
|
|||
|
|
print-object is no, the score is printed in cutaway
|
|||
|
|
format where vertical space is left for the empty part.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staff-details (staff-type?, staff-lines?,
|
|||
|
|
staff-tuning*, capo?, staff-size?)>
|
|||
|
|
<!ATTLIST staff-details
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
show-frets (numbers | letters) #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
print-spacing (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT staff-type (#PCDATA)>
|
|||
|
|
<!ELEMENT staff-lines (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The tuning-step, tuning-alter, and tuning-octave
|
|||
|
|
elements are defined in the common.dtd file. Staff
|
|||
|
|
lines are numbered from bottom to top.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staff-tuning
|
|||
|
|
(tuning-step, tuning-alter?, tuning-octave)>
|
|||
|
|
<!ATTLIST staff-tuning
|
|||
|
|
line CDATA #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The capo element indicates at which fret a capo should
|
|||
|
|
be placed on a fretted instrument. This changes the
|
|||
|
|
open tuning of the strings specified by staff-tuning
|
|||
|
|
by the specified number of half-steps.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT capo (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The staff-size element indicates how large a staff
|
|||
|
|
space is on this staff, expressed as a percentage of
|
|||
|
|
the work's default scaling. Values less than 100 make
|
|||
|
|
the staff space smaller while values over 100 make the
|
|||
|
|
staff space larger. A staff-type of cue, ossia, or
|
|||
|
|
editorial implies a staff-size of less than 100, but
|
|||
|
|
the exact value is implementation-dependent unless
|
|||
|
|
specified here. Staff size affects staff height only,
|
|||
|
|
not the relationship of the staff to the left and
|
|||
|
|
right margins.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT staff-size (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
If the part is being encoded for a transposing instrument
|
|||
|
|
in written vs. concert pitch, the transposition must be
|
|||
|
|
encoded in the transpose element. The transposition is
|
|||
|
|
represented by chromatic steps (required) and three
|
|||
|
|
optional elements: diatonic pitch steps, octave changes,
|
|||
|
|
and doubling an octave down. The chromatic and
|
|||
|
|
octave-change elements are numeric values added to the
|
|||
|
|
encoded pitch data to create the sounding pitch. The
|
|||
|
|
diatonic element is also numeric and allows for correct
|
|||
|
|
spelling of enharmonic transpositions.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT transpose (diatonic?, chromatic, octave-change?,
|
|||
|
|
double?)>
|
|||
|
|
<!ELEMENT diatonic (#PCDATA)>
|
|||
|
|
<!ELEMENT chromatic (#PCDATA)>
|
|||
|
|
<!ELEMENT octave-change (#PCDATA)>
|
|||
|
|
<!ELEMENT double EMPTY>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Directives are like directions, but can be grouped
|
|||
|
|
together with attributes for convenience. This is
|
|||
|
|
typically used for tempo markings at the beginning
|
|||
|
|
of a piece of music. The language is Italian ("it")
|
|||
|
|
by default. Language names come from ISO 639, with
|
|||
|
|
optional country subcodes from ISO 3166.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT directive (#PCDATA)>
|
|||
|
|
<!ATTLIST directive
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
A measure-style indicates a special way to print
|
|||
|
|
partial to multiple measures within a part. This
|
|||
|
|
includes multiple rests over several measures,
|
|||
|
|
repeats of betas, single, or multiple measures,
|
|||
|
|
and use of slash notation.
|
|||
|
|
|
|||
|
|
The multiple-rest and measure-repeat symbols
|
|||
|
|
indicate the number of measures covered in the
|
|||
|
|
element content. The beat-repeat and slash
|
|||
|
|
elements can cover partial measures. All but the
|
|||
|
|
multiple-rest element use a type attribute to
|
|||
|
|
indicate starting and stopping the use of the
|
|||
|
|
style. The optional number attribute specifies
|
|||
|
|
the staff number from top to bottom on the system,
|
|||
|
|
as with clef.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT measure-style (multiple-rest |
|
|||
|
|
measure-repeat | beat-repeat | slash)>
|
|||
|
|
<!ATTLIST measure-style
|
|||
|
|
number CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The text of the multiple-rest element indicates the
|
|||
|
|
number of measures in the multiple rest. Multiple
|
|||
|
|
rests may use the 1-bar / 2-bar / 4-bar rest
|
|||
|
|
symbols, or a single shape. The use-symbols
|
|||
|
|
attribute indicates which to use; it is no
|
|||
|
|
if not specified.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT multiple-rest (#PCDATA)>
|
|||
|
|
<!ATTLIST multiple-rest
|
|||
|
|
use-symbols (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The measure-repeat and beat-repeat element specify
|
|||
|
|
a notation style for repetitions. The actual music
|
|||
|
|
being repeated needs to be repeated within the
|
|||
|
|
MusicXML file. These elements indicate to use the
|
|||
|
|
appropriate notation to indicate the repeat.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The measure-repeat element is used for both
|
|||
|
|
single and multiple measure repeats. The text
|
|||
|
|
of the element indicates the number of measures
|
|||
|
|
to be repeated in a single pattern. The slashes
|
|||
|
|
attribute specifies the number of slashes to
|
|||
|
|
use in the repeat sign. It is 1 if not specified.
|
|||
|
|
Both the start and the stop of the measure-repeat
|
|||
|
|
must be specified.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT measure-repeat (#PCDATA)>
|
|||
|
|
<!ATTLIST measure-repeat
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
slashes NMTOKEN #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The beat-repeat element is used to indicate
|
|||
|
|
that a single beat (but possibly many notes)
|
|||
|
|
is repeated. Both the start and stop of the
|
|||
|
|
beat being repeated should be specified. The
|
|||
|
|
slashes attribute specifies the number of
|
|||
|
|
slashes to use in the symbol. The use-dots
|
|||
|
|
attribute indicates whether or not to use
|
|||
|
|
dots as well (for instance, with mixed
|
|||
|
|
rhythm patterns). By default, the value for
|
|||
|
|
slashes is 1 and the value for use-dots
|
|||
|
|
is no.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT beat-repeat EMPTY>
|
|||
|
|
<!ATTLIST beat-repeat
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
slashes NMTOKEN #IMPLIED
|
|||
|
|
use-dots (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The slash element is used to indicate that
|
|||
|
|
slash notation is to be used. If the slash is
|
|||
|
|
on every beat, use-stems is no (the default).
|
|||
|
|
To indicate rhythms but not pitches, use-stems
|
|||
|
|
is set to yes. The type attribute indicates
|
|||
|
|
whether this is the start or stop of a slash
|
|||
|
|
notation style. The use-dots attribute works
|
|||
|
|
as for the beat-repeat element, and only
|
|||
|
|
has effect if use-stems is no.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT slash EMPTY>
|
|||
|
|
<!ATTLIST slash
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
use-dots (yes | no) #IMPLIED
|
|||
|
|
use-stems (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The link DTD contains XLink attributes.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML link.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
This DTD describes the entity and elements used for
|
|||
|
|
simple XLink support. The link element serves as an
|
|||
|
|
outgoing XLink. The bookmark element serves as a well-
|
|||
|
|
defined target for an incoming XLink. The entity for
|
|||
|
|
link-attributes is also used to connect a MusicXML
|
|||
|
|
score with a MusicXML opus.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Entities -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Namespace entity for the XLink recommendation.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The link-attributes entity includes all the
|
|||
|
|
simple XLink attributes supported in MusicXML.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!ELEMENT link EMPTY>
|
|||
|
|
<!ATTLIST link
|
|||
|
|
xmlns:xlink CDATA #FIXED 'http://www.w3.org/1999/xlink'
|
|||
|
|
xlink:href CDATA #REQUIRED
|
|||
|
|
xlink:type (simple) #FIXED 'simple'
|
|||
|
|
xlink:role CDATA #IMPLIED
|
|||
|
|
xlink:title CDATA #IMPLIED
|
|||
|
|
xlink:show (new | replace | embed | other | none)
|
|||
|
|
'replace'
|
|||
|
|
xlink:actuate (onRequest | onLoad | other | none)
|
|||
|
|
'onRequest'
|
|||
|
|
name CDATA #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT bookmark EMPTY>
|
|||
|
|
<!ATTLIST bookmark
|
|||
|
|
id ID #REQUIRED
|
|||
|
|
name CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The note DTD contains the bulk of the elements and
|
|||
|
|
attributes for a musical scores relating to individual
|
|||
|
|
notes and rests.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML note.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The note component DTD contains the note representations
|
|||
|
|
for MusicXML. This section of the DTD can then be used
|
|||
|
|
within a partwise or timewise MusicXML score. This DTD
|
|||
|
|
contains the note element, all its children elements,
|
|||
|
|
and related entities.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Entities -->
|
|||
|
|
|
|||
|
|
<!-- Structures -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The common note elements between cue/grace notes and
|
|||
|
|
regular (full) notes: pitch, chord, and rest information,
|
|||
|
|
but not duration (cue and grace notes do not have
|
|||
|
|
duration encoded here). Unpitched elements are used for
|
|||
|
|
unpitched percussion, speaking voice, and other musical
|
|||
|
|
elements lacking determinate pitch.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
<!--
|
|||
|
|
Notes are the most common type of MusicXML data. MusicXML
|
|||
|
|
keeps the MuseData distinction between elements used for
|
|||
|
|
sound information and element used for notation
|
|||
|
|
information (e.g., tie is used for sound, tied for
|
|||
|
|
notation). Thus grace notes do not have a duration
|
|||
|
|
element. Cue notes have a duration element, as do forward
|
|||
|
|
elements, but no tie elements. Having these two types of
|
|||
|
|
information available can make interchange considerably
|
|||
|
|
easier, as some programs handle one type of information
|
|||
|
|
much more readily than the other.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT note
|
|||
|
|
(((grace, (chord?, (pitch | unpitched | rest)), (tie, tie?)?) |
|
|||
|
|
(cue, (chord?, (pitch | unpitched | rest)), duration) |
|
|||
|
|
((chord?, (pitch | unpitched | rest)), duration, (tie, tie?)?)),
|
|||
|
|
instrument?, (footnote?, level?, voice?), type?, dot*,
|
|||
|
|
accidental?, time-modification?, stem?, notehead?,
|
|||
|
|
staff?, beam*, notations*, lyric*)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The position and printout entities for printing
|
|||
|
|
suggestions are defined in common.dtd.
|
|||
|
|
|
|||
|
|
The dynamics and end-dynamics attributes reflect MIDI's
|
|||
|
|
Note On and Note Off velocities, respectively. They are
|
|||
|
|
expressed in terms of percentages of a standard MIDI
|
|||
|
|
forte volume of 90. The attack and release attributes
|
|||
|
|
are used to alter the staring and stopping time of the
|
|||
|
|
note from when it would otherwise occur based on the
|
|||
|
|
flow of durations - information that is specific to a
|
|||
|
|
performance. They are expressed in terms of divisions,
|
|||
|
|
either positive or negative. If a note is played only
|
|||
|
|
one time through a repeat, the time-only attribute
|
|||
|
|
shows which time to play the note. The pizzicato
|
|||
|
|
attribute is used when just this note is sounded
|
|||
|
|
pizzicato, vs. the pizzicato and arco elements.
|
|||
|
|
-->
|
|||
|
|
<!ATTLIST note
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
print-dot (yes | no) #IMPLIED
|
|||
|
|
print-spacing (yes | no) #IMPLIED
|
|||
|
|
print-lyric (yes | no) #IMPLIED
|
|||
|
|
dynamics CDATA #IMPLIED
|
|||
|
|
end-dynamics CDATA #IMPLIED
|
|||
|
|
attack CDATA #IMPLIED
|
|||
|
|
release CDATA #IMPLIED
|
|||
|
|
time-only CDATA #IMPLIED
|
|||
|
|
pizzicato (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Pitch is represented as a combination of the step of the
|
|||
|
|
diatonic scale, the chromatic alteration, and the octave.
|
|||
|
|
The step element uses the English letters A through G.
|
|||
|
|
The alter element represents chromatic alteration in
|
|||
|
|
number of semitones (e.g., -1 for flat, 1 for sharp).
|
|||
|
|
Decimal values like 0.5 (quarter tone sharp) may be
|
|||
|
|
used for microtones. The octave element is represented
|
|||
|
|
by the numbers 0 to 9, where 4 indicates the octave
|
|||
|
|
started by middle C.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT pitch (step, alter?, octave)>
|
|||
|
|
<!ELEMENT step (#PCDATA)>
|
|||
|
|
<!ELEMENT alter (#PCDATA)>
|
|||
|
|
<!ELEMENT octave (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The cue and grace elements indicate the presence of
|
|||
|
|
cue and grace notes. The slash attribute for a grace
|
|||
|
|
note is yes for slashed eighth notes. The other grace
|
|||
|
|
note attributes come from MuseData sound suggestions.
|
|||
|
|
Steal-time-previous indicates the percentage of time
|
|||
|
|
to steal from the previous note for the grace note.
|
|||
|
|
Steal-time-following indicates the percentage of time
|
|||
|
|
to steal from the following note for the grace note.
|
|||
|
|
Make-time indicates to make time, not steal time; the
|
|||
|
|
units are in real-time divisions for the grace note.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT cue EMPTY>
|
|||
|
|
<!ELEMENT grace EMPTY>
|
|||
|
|
<!ATTLIST grace
|
|||
|
|
steal-time-previous CDATA #IMPLIED
|
|||
|
|
steal-time-following CDATA #IMPLIED
|
|||
|
|
make-time CDATA #IMPLIED
|
|||
|
|
slash (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The chord element indicates that this note is an
|
|||
|
|
additional chord tone with the preceding note. The
|
|||
|
|
duration of this note can be no longer than the preceding
|
|||
|
|
note. In MuseData, a missing duration indicates the same
|
|||
|
|
length as the preceding note, but here we require the
|
|||
|
|
duration for chord records too.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT chord EMPTY>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The unpitched element indicates musical elements that are
|
|||
|
|
notated on the staff but lack definite pitch, such as
|
|||
|
|
unpitched percussion and speaking voice. Like notes, it
|
|||
|
|
uses step and octave elements to indicate placement on
|
|||
|
|
the staff, following the current clef. If percussion clef
|
|||
|
|
is used, the display-step and display-octave are
|
|||
|
|
interpreted as if in treble clef, with a G in octave 4
|
|||
|
|
on line 2. If not present, the note is placed on the
|
|||
|
|
middle line of the staff, generally used for one-line
|
|||
|
|
staffs.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT unpitched ((display-step, display-octave)?)>
|
|||
|
|
<!ELEMENT display-step (#PCDATA)>
|
|||
|
|
<!ELEMENT display-octave (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The rest element indicates notated rests or silences.
|
|||
|
|
Rest are usually empty, but placement on the staff can
|
|||
|
|
be specified using display-step and display-octave
|
|||
|
|
elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT rest ((display-step, display-octave)?)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Duration is specified in division units. This is the
|
|||
|
|
intended duration vs. notated duration (for instance,
|
|||
|
|
swing eighths vs. even eighths, or differences in dotted
|
|||
|
|
notes in Baroque-era music). Differences in duration
|
|||
|
|
specific to an interpretation or performance should use
|
|||
|
|
the note element's attack and release attributes. The
|
|||
|
|
tie element indicates that a tie begins or ends with
|
|||
|
|
this note. The tie element indicates sound; the tied
|
|||
|
|
element indicates notation.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT duration (#PCDATA)>
|
|||
|
|
<!ELEMENT tie EMPTY>
|
|||
|
|
<!ATTLIST tie
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
If multiple score-instruments are specified on a
|
|||
|
|
score-part, there should be an instrument element for
|
|||
|
|
each note in the part. The id attribute is an IDREF back
|
|||
|
|
to the score-instrument ID.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT instrument EMPTY>
|
|||
|
|
<!ATTLIST instrument
|
|||
|
|
id IDREF #REQUIRED
|
|||
|
|
>
|
|||
|
|
<!--
|
|||
|
|
Type indicates the graphic note type, Valid values (from
|
|||
|
|
shortest to longest) are 256th, 128th, 64th, 32nd, 16th,
|
|||
|
|
eighth, quarter, half, whole, breve, and long. The size
|
|||
|
|
attribute indicates full-size or cue-size, with full the
|
|||
|
|
default for regular notes and cue the default for cue
|
|||
|
|
and grace notes.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT type (#PCDATA)>
|
|||
|
|
<!ATTLIST type
|
|||
|
|
size (full | cue | large) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
One dot element is used for each dot of prolongation.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT dot EMPTY>
|
|||
|
|
<!ATTLIST dot
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Actual notated accidentals. Valid values include: sharp,
|
|||
|
|
natural, flat, double-sharp, sharp-sharp, flat-flat,
|
|||
|
|
natural-sharp, natural-flat, quarter-flat, quarter-sharp,
|
|||
|
|
three-quarters-flat, and three-quarters-sharp. Editorial
|
|||
|
|
and cautionary indications are indicated by attributes.
|
|||
|
|
Values for these attributes are "no" if not present.
|
|||
|
|
Specific graphic display such as parentheses, brackets,
|
|||
|
|
and size are controlled by the level-display entity
|
|||
|
|
defined in the common.dtd file.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT accidental (#PCDATA)>
|
|||
|
|
<!ATTLIST accidental
|
|||
|
|
cautionary (yes | no) #IMPLIED
|
|||
|
|
editorial (yes | no) #IMPLIED
|
|||
|
|
parentheses (yes | no) #IMPLIED
|
|||
|
|
bracket (yes | no) #IMPLIED
|
|||
|
|
size (full | cue | large) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Time modification indicates tuplets and other
|
|||
|
|
durational changes. The actual-notes element describes
|
|||
|
|
how many notes are played in the time usually occupied
|
|||
|
|
by the number of normal-notes. If the normal-notes type
|
|||
|
|
is different than the current note type (e.g., a
|
|||
|
|
quarter note within an eighth note triplet), then the
|
|||
|
|
normal-notes type (e.g. eighth) is specified in the
|
|||
|
|
normal-type and normal-dot elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT time-modification
|
|||
|
|
(actual-notes, normal-notes,
|
|||
|
|
(normal-type, normal-dot*)?)>
|
|||
|
|
<!ELEMENT actual-notes (#PCDATA)>
|
|||
|
|
<!ELEMENT normal-notes (#PCDATA)>
|
|||
|
|
<!ELEMENT normal-type (#PCDATA)>
|
|||
|
|
<!ELEMENT normal-dot EMPTY>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Stems can be down, up, none, or double. For down and up
|
|||
|
|
stems, the position attributes can be used to specify
|
|||
|
|
stem length. The relative values specify the end of the
|
|||
|
|
stem relative to the program default. Default values
|
|||
|
|
specify an absolute end stem position. Negative values of
|
|||
|
|
relative-y that would flip a stem instead of shortening
|
|||
|
|
it are ignored.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT stem (#PCDATA)>
|
|||
|
|
<!ATTLIST stem
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The notehead element indicates shapes other than the open
|
|||
|
|
and closed ovals associated with note durations. The element
|
|||
|
|
value can be slash, triangle, diamond, square, cross, x,
|
|||
|
|
circle-x, inverted triangle, arrow down, arrow up, slashed,
|
|||
|
|
back slashed, normal, or none. For shape note music, the
|
|||
|
|
element values do, re, mi, fa, so, la, and ti are used,
|
|||
|
|
corresponding to Aikin's 7-shape system.
|
|||
|
|
|
|||
|
|
The arrow shapes differ from triangle and inverted triangle
|
|||
|
|
by being centered on the stem. Slashed and back slashed
|
|||
|
|
notes include both the normal notehead and a slash. The
|
|||
|
|
triangle shape has the tip of the triangle pointing up;
|
|||
|
|
the inverted triangle shape has the tip of the triangle
|
|||
|
|
pointing down.
|
|||
|
|
|
|||
|
|
For the enclosed shapes, the default is to be hollow for
|
|||
|
|
half notes and longer, and filled otherwise. The filled
|
|||
|
|
attribute can be set to change this if needed.
|
|||
|
|
|
|||
|
|
If the parentheses attribute is set to yes, the notehead
|
|||
|
|
is parenthesized. It is no by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT notehead (#PCDATA)>
|
|||
|
|
<!ATTLIST notehead
|
|||
|
|
filled (yes | no) #IMPLIED
|
|||
|
|
parentheses (yes | no) #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Beam types include begin, continue, end, forward hook,
|
|||
|
|
and backward hook. In MuseData, up to six concurrent
|
|||
|
|
beams are available to cover up to 256th notes. This
|
|||
|
|
seems sufficient so we use an enumerated type defined
|
|||
|
|
in common.dtd. The repeater attribute, used for tremolos,
|
|||
|
|
needs to be specified with a "yes" value for each beam
|
|||
|
|
using it. Beams that have a begin value can also have
|
|||
|
|
a fan attribute to indicate accelerandos and ritardandos
|
|||
|
|
using fanned beams. The fan attribute may also be used
|
|||
|
|
with a continue value if the fanning direction changes
|
|||
|
|
on that note. The value is "none" if not specified.
|
|||
|
|
|
|||
|
|
Note that the beam number does not distinguish sets
|
|||
|
|
of beams that overlap, as it does for slur and other
|
|||
|
|
elements. Beaming groups are distinguished by
|
|||
|
|
being in different voices and/or the presence or
|
|||
|
|
absence of grace and cue elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT beam (#PCDATA)>
|
|||
|
|
<!ATTLIST beam
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
repeater (yes | no) #IMPLIED
|
|||
|
|
fan (accel | rit | none) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Notations are musical notations, not XML notations.
|
|||
|
|
Multiple notations are allowed in order to represent
|
|||
|
|
multiple editorial levels. The set of notations will be
|
|||
|
|
refined and expanded over time, especially to handle
|
|||
|
|
more instrument-specific technical notations.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT notations
|
|||
|
|
((footnote?, level?),
|
|||
|
|
(tied | slur | tuplet | glissando | slide |
|
|||
|
|
ornaments | technical | articulations | dynamics |
|
|||
|
|
fermata | arpeggiate | non-arpeggiate |
|
|||
|
|
accidental-mark | other-notation)*)>
|
|||
|
|
|
|||
|
|
<!ELEMENT tied EMPTY>
|
|||
|
|
<!ATTLIST tied
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
orientation (over | under) #IMPLIED
|
|||
|
|
bezier-offset CDATA #IMPLIED
|
|||
|
|
bezier-offset2 CDATA #IMPLIED
|
|||
|
|
bezier-x CDATA #IMPLIED
|
|||
|
|
bezier-y CDATA #IMPLIED
|
|||
|
|
bezier-x2 CDATA #IMPLIED
|
|||
|
|
bezier-y2 CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Slur elements are empty. Most slurs are represented
|
|||
|
|
with two elements: one with a start type, and one
|
|||
|
|
with a stop type. Very complex slurs can add more
|
|||
|
|
elements using a continue type.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT slur EMPTY>
|
|||
|
|
<!ATTLIST slur
|
|||
|
|
type (start | stop | continue) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
orientation (over | under) #IMPLIED
|
|||
|
|
bezier-offset CDATA #IMPLIED
|
|||
|
|
bezier-offset2 CDATA #IMPLIED
|
|||
|
|
bezier-x CDATA #IMPLIED
|
|||
|
|
bezier-y CDATA #IMPLIED
|
|||
|
|
bezier-x2 CDATA #IMPLIED
|
|||
|
|
bezier-y2 CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
A tuplet element is present when a tuplet is to be
|
|||
|
|
displayed graphically, in addition to the sound data
|
|||
|
|
provided by the time-modification elements. The number
|
|||
|
|
attribute is used to distinguish nested tuplets. The
|
|||
|
|
bracket attribute is used to indicate the presence of a
|
|||
|
|
bracket. If unspecified, the results are implementation-
|
|||
|
|
dependent. The line-shape attribute is used to specify
|
|||
|
|
whether the bracket is straight or in the older curved
|
|||
|
|
or slurred style. It is straight by default.
|
|||
|
|
|
|||
|
|
Whereas a time-modification element shows how the
|
|||
|
|
cumulative, sounding effect of tuplets compare to
|
|||
|
|
the written note type, the tuplet element describes
|
|||
|
|
how this is displayed. The tuplet-actual and
|
|||
|
|
tuplet-normal elements provide optional full control
|
|||
|
|
over tuplet specifications. Each allows the number
|
|||
|
|
and note type (including dots) describing a single
|
|||
|
|
tuplet. If any of these elements are absent, their
|
|||
|
|
values are based on the time-modification element.
|
|||
|
|
|
|||
|
|
The show-number attribute is used to display either
|
|||
|
|
the number of actual notes, the number of both actual
|
|||
|
|
and normal notes, or neither. It is actual by default.
|
|||
|
|
The show-type attribute is used to display either the
|
|||
|
|
actual type, both the actual and normal types, or
|
|||
|
|
neither. It is none by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT tuplet (tuplet-actual?, tuplet-normal?)>
|
|||
|
|
<!ATTLIST tuplet
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
bracket (yes | no) #IMPLIED
|
|||
|
|
show-number (actual | both | none) #IMPLIED
|
|||
|
|
show-type (actual | both | none) #IMPLIED
|
|||
|
|
line-shape (straight | curved) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT tuplet-actual (tuplet-number?,
|
|||
|
|
tuplet-type?, tuplet-dot*)>
|
|||
|
|
<!ELEMENT tuplet-normal (tuplet-number?,
|
|||
|
|
tuplet-type?, tuplet-dot*)>
|
|||
|
|
<!ELEMENT tuplet-number (#PCDATA)>
|
|||
|
|
<!ATTLIST tuplet-number
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT tuplet-type (#PCDATA)>
|
|||
|
|
<!ATTLIST tuplet-type
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT tuplet-dot EMPTY>
|
|||
|
|
<!ATTLIST tuplet-dot
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Glissando and slide elements both indicate rapidly
|
|||
|
|
moving from one pitch to the other so that individual
|
|||
|
|
notes are not discerned. The distinction is similar
|
|||
|
|
to that between NIFF's glissando and portamento
|
|||
|
|
elements. A glissando sounds the half notes in
|
|||
|
|
between the slide and defaults to a wavy line. A
|
|||
|
|
slide is continuous between two notes and defaults
|
|||
|
|
to a solid line. The optional text for a glissando
|
|||
|
|
or slide is printed alongside the line.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT glissando (#PCDATA)>
|
|||
|
|
<!ATTLIST glissando
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT slide (#PCDATA)>
|
|||
|
|
<!ATTLIST slide
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
first-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The other-notation element is used to define
|
|||
|
|
any notations not yet in MusicXML. This allows
|
|||
|
|
extended representation, though without application
|
|||
|
|
interoperability. It handles notations where more
|
|||
|
|
specific extension elements such as other-dynamics
|
|||
|
|
and other-technical are not appropriate.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT other-notation (#PCDATA)>
|
|||
|
|
<!ATTLIST other-notation
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Ornaments can be any of several types, followed
|
|||
|
|
optionally by accidentals. The accidental-mark
|
|||
|
|
element's content is represented the same as an
|
|||
|
|
accidental element, but with a different name to
|
|||
|
|
reflect the different musical meaning.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT ornaments
|
|||
|
|
(((trill-mark | turn | delayed-turn | shake |
|
|||
|
|
wavy-line | mordent | inverted-mordent |
|
|||
|
|
schleifer | tremolo | other-ornament),
|
|||
|
|
accidental-mark*)*)>
|
|||
|
|
<!ELEMENT trill-mark EMPTY>
|
|||
|
|
<!ATTLIST trill-mark
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT turn EMPTY>
|
|||
|
|
<!ATTLIST turn
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT delayed-turn EMPTY>
|
|||
|
|
<!ATTLIST delayed-turn
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT shake EMPTY>
|
|||
|
|
<!ATTLIST shake
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The long attribute for the mordent and inverted-mordent
|
|||
|
|
elements is "no" by default. The mordent element
|
|||
|
|
represents the sign with the vertical line; the
|
|||
|
|
inverted-mordent represent the sign without the
|
|||
|
|
vertical line.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT mordent EMPTY>
|
|||
|
|
<!ATTLIST mordent
|
|||
|
|
long (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT inverted-mordent EMPTY>
|
|||
|
|
<!ATTLIST inverted-mordent
|
|||
|
|
long (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
start-note (upper | main | below) #IMPLIED
|
|||
|
|
trill-step (whole | half | unison) #IMPLIED
|
|||
|
|
two-note-turn (whole | half | none) #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
second-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The name for this ornament is based on the
|
|||
|
|
German, to avoid confusion with the more common
|
|||
|
|
slide element defined earlier.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT schleifer EMPTY>
|
|||
|
|
<!ATTLIST schleifer
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
While using repeater beams is the preferred
|
|||
|
|
method for indicating tremolos, often playback
|
|||
|
|
and display are not well-enough integrated in
|
|||
|
|
an application to make that feasible, especially
|
|||
|
|
for single-note tremolos. The tremolo ornament
|
|||
|
|
can be used to indicate tremolo marks on a single
|
|||
|
|
note. The text of the element indicates the
|
|||
|
|
number of marks, usually 1, 2, or 3.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT tremolo (#PCDATA)>
|
|||
|
|
<!ATTLIST tremolo
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The other-ornament element is used to define
|
|||
|
|
any ornaments not yet in MusicXML. This allows
|
|||
|
|
extended representation, though without application
|
|||
|
|
interoperability.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT other-ornament (#PCDATA)>
|
|||
|
|
<!ATTLIST other-ornament
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
An accidental-mark can be used as a separate
|
|||
|
|
notation or as part of an ornament. When used in
|
|||
|
|
an ornament, position and placement are relative
|
|||
|
|
to the ornament, not relative to the note.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT accidental-mark (#PCDATA)>
|
|||
|
|
<!ATTLIST accidental-mark
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Technical indications give performance information for
|
|||
|
|
individual instruments. The current elements are
|
|||
|
|
weighted towards keyboard and string instruments.
|
|||
|
|
Woodwind, brass, and percussion will be treated
|
|||
|
|
more thoroughly in later revisions.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT technical
|
|||
|
|
((up-bow | down-bow | harmonic | open-string |
|
|||
|
|
thumb-position | fingering | pluck | double-tongue |
|
|||
|
|
triple-tongue | stopped | snap-pizzicato | fret |
|
|||
|
|
string | hammer-on | pull-off | bend | tap | heel |
|
|||
|
|
toe | fingernails | other-technical)*)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The up-bow and down-bow elements represent the symbol
|
|||
|
|
that is used both for bowing indications on bowed
|
|||
|
|
instruments, and up-stroke / down-stoke indications
|
|||
|
|
on plucked instruments.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT up-bow EMPTY>
|
|||
|
|
<!ATTLIST up-bow
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT down-bow EMPTY>
|
|||
|
|
<!ATTLIST down-bow
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The harmonic element indicates natural and artificial
|
|||
|
|
harmonics. Natural harmonics usually notate the
|
|||
|
|
base pitch rather than the sounding pitch. Allowing
|
|||
|
|
the type of pitch to be specified, combined with
|
|||
|
|
MusicXML's controls for appearance/playback
|
|||
|
|
differences, allows both the notation and the sound
|
|||
|
|
to be represented. Artificial harmonics can add a
|
|||
|
|
notated touching-pitch; the pitch or fret at which
|
|||
|
|
the string is touched lightly to produce the harmonic.
|
|||
|
|
Artificial pinch harmonics will usually not notate
|
|||
|
|
a touching pitch.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT harmonic
|
|||
|
|
((natural | artificial)?,
|
|||
|
|
(base-pitch | touching-pitch | sounding-pitch)?)>
|
|||
|
|
<!ATTLIST harmonic
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT natural EMPTY>
|
|||
|
|
<!ELEMENT artificial EMPTY>
|
|||
|
|
<!ELEMENT base-pitch EMPTY>
|
|||
|
|
<!ELEMENT touching-pitch EMPTY>
|
|||
|
|
<!ELEMENT sounding-pitch EMPTY>
|
|||
|
|
|
|||
|
|
<!ELEMENT open-string EMPTY>
|
|||
|
|
<!ATTLIST open-string
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT thumb-position EMPTY>
|
|||
|
|
<!ATTLIST thumb-position
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Pluck is used to specify the plucking fingering
|
|||
|
|
on a fretted instrument, where the fingering
|
|||
|
|
element refers to the fretting fingering.
|
|||
|
|
Typical values are p, i, m, a for pulgar/thumb,
|
|||
|
|
indicio/index, medio/middle, and anular/ring
|
|||
|
|
fingers.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT pluck EMPTY>
|
|||
|
|
<!ATTLIST pluck
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT double-tongue EMPTY>
|
|||
|
|
<!ATTLIST double-tongue
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT triple-tongue EMPTY>
|
|||
|
|
<!ATTLIST triple-tongue
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT stopped EMPTY>
|
|||
|
|
<!ATTLIST stopped
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT snap-pizzicato EMPTY>
|
|||
|
|
<!ATTLIST snap-pizzicato
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The hammer-on and pull-off elements are used in
|
|||
|
|
guitar and fretted instrument notation. Since
|
|||
|
|
a single slur can be marked over many notes,
|
|||
|
|
the hammer-on and pull-off elements are
|
|||
|
|
separate so the individual pair of notes
|
|||
|
|
can be specified. The element content can be
|
|||
|
|
used to specify how the hammer-on or pull-off
|
|||
|
|
should be notated. An empty element leaves
|
|||
|
|
this choice to the program defaults.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT hammer-on (#PCDATA)>
|
|||
|
|
<!ATTLIST hammer-on
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT pull-off (#PCDATA)>
|
|||
|
|
<!ATTLIST pull-off
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) "1"
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The bend element is used in guitar and tablature.
|
|||
|
|
The bend-alter element indicates the number of
|
|||
|
|
steps in the bend, similar to the alter element.
|
|||
|
|
As with the alter element, numbers like 0.5 can
|
|||
|
|
be used to indicate microtones. Negative numbers
|
|||
|
|
indicate pre-bends or releases; the pre-bend and
|
|||
|
|
release elements are used to distinguish what
|
|||
|
|
is intended. A with-bar element indicates that
|
|||
|
|
the bend is to be done at the bridge with a
|
|||
|
|
whammy or vibrato bar. The content of the
|
|||
|
|
element indicates how this should be notated.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT bend
|
|||
|
|
(bend-alter, (pre-bend | release)?, with-bar?)>
|
|||
|
|
<!ATTLIST bend
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
accelerate (yes | no) #IMPLIED
|
|||
|
|
beats CDATA #IMPLIED
|
|||
|
|
first-beat CDATA #IMPLIED
|
|||
|
|
last-beat CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT bend-alter (#PCDATA)>
|
|||
|
|
<!ELEMENT pre-bend EMPTY>
|
|||
|
|
<!ELEMENT release EMPTY>
|
|||
|
|
<!ELEMENT with-bar (#PCDATA)>
|
|||
|
|
<!ATTLIST with-bar
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The tap element indicates a tap on the fretboard.
|
|||
|
|
The element content allows specification of the
|
|||
|
|
notation; + and T are common choices. If empty,
|
|||
|
|
the program default is used.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT tap (#PCDATA)>
|
|||
|
|
<!ATTLIST tap
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Heel and toe are used with organ pedals. The
|
|||
|
|
substitution value is "no" if the attribute is not
|
|||
|
|
present.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT heel EMPTY>
|
|||
|
|
<!ATTLIST heel
|
|||
|
|
substitution (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT toe EMPTY>
|
|||
|
|
<!ATTLIST toe
|
|||
|
|
substitution (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!-- Fingernails is used in harp notation. -->
|
|||
|
|
<!ELEMENT fingernails EMPTY>
|
|||
|
|
<!ATTLIST fingernails
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The other-technical element is used to define
|
|||
|
|
any technical indications not yet in MusicXML.
|
|||
|
|
This allows extended representation, though
|
|||
|
|
without application interoperability.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT other-technical (#PCDATA)>
|
|||
|
|
<!ATTLIST other-technical
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Articulations and accents are grouped together here.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT articulations
|
|||
|
|
((accent | strong-accent | staccato | tenuto |
|
|||
|
|
detached-legato | staccatissimo | spiccato |
|
|||
|
|
scoop | plop | doit | falloff | breath-mark |
|
|||
|
|
caesura | other-articulation)*)>
|
|||
|
|
|
|||
|
|
<!ELEMENT accent EMPTY>
|
|||
|
|
<!ATTLIST accent
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT strong-accent EMPTY>
|
|||
|
|
<!ATTLIST strong-accent
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
type (up | down) "up"
|
|||
|
|
>
|
|||
|
|
<!ELEMENT staccato EMPTY>
|
|||
|
|
<!ATTLIST staccato
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT tenuto EMPTY>
|
|||
|
|
<!ATTLIST tenuto
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT detached-legato EMPTY>
|
|||
|
|
<!ATTLIST detached-legato
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT staccatissimo EMPTY>
|
|||
|
|
<!ATTLIST staccatissimo
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT spiccato EMPTY>
|
|||
|
|
<!ATTLIST spiccato
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The scoop, plop, doit, and falloff elements are
|
|||
|
|
indeterminate slides attached to a single note.
|
|||
|
|
Scoops and plops come before the main note, coming
|
|||
|
|
from below and above the pitch, respectively. Doits
|
|||
|
|
and falloffs come after the main note, going above
|
|||
|
|
and below the pitch, respectively.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT scoop EMPTY>
|
|||
|
|
<!ATTLIST scoop
|
|||
|
|
line-shape (straight | curved) #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT plop EMPTY>
|
|||
|
|
<!ATTLIST plop
|
|||
|
|
line-shape (straight | curved) #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT doit EMPTY>
|
|||
|
|
<!ATTLIST doit
|
|||
|
|
line-shape (straight | curved) #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT falloff EMPTY>
|
|||
|
|
<!ATTLIST falloff
|
|||
|
|
line-shape (straight | curved) #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT breath-mark EMPTY>
|
|||
|
|
<!ATTLIST breath-mark
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT caesura EMPTY>
|
|||
|
|
<!ATTLIST caesura
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The other-articulation element is used to define
|
|||
|
|
any articulations not yet in MusicXML. This
|
|||
|
|
allows extended representation, though without
|
|||
|
|
application interoperability.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT other-articulation (#PCDATA)>
|
|||
|
|
<!ATTLIST other-articulation
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Dynamics and fermata elements are found in common.dtd
|
|||
|
|
as they apply to more than just note elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Indicates that this note is part of an arpeggiated chord.
|
|||
|
|
The number attribute can be used to distinguish between
|
|||
|
|
two simultaneous chords arpeggiated separately (different
|
|||
|
|
numbers) or together (same number). The up-down attribute
|
|||
|
|
is used if there is an arrow on the arpeggio sign. By
|
|||
|
|
default, arpeggios go from the lowest to highest note.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT arpeggiate EMPTY>
|
|||
|
|
<!ATTLIST arpeggiate
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
direction (up | down) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Indicates that this note is at the top or bottom of
|
|||
|
|
a bracket indicating to not arpeggiate these notes.
|
|||
|
|
Since this does not involve playback, it is only
|
|||
|
|
used on the top or bottom notes, not on each note
|
|||
|
|
as for the arpeggiate element.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT non-arpeggiate EMPTY>
|
|||
|
|
<!ATTLIST non-arpeggiate
|
|||
|
|
type (top | bottom) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Text underlays for lyrics, based on Humdrum with support
|
|||
|
|
for other formats. The lyric number indicates multiple
|
|||
|
|
lines, though a name can be used as well (as in Finale's
|
|||
|
|
verse/chorus/section specification). Word extensions are
|
|||
|
|
represented using the extend element. Hyphenation is
|
|||
|
|
indicated by the syllabic element, which can be single,
|
|||
|
|
begin, end, or middle. These represent single-syllable
|
|||
|
|
words, word-beginning syllables, word-ending syllables,
|
|||
|
|
and mid-word syllables. Multiple syllables on a single
|
|||
|
|
note are separated by elision elements. A hyphen in the
|
|||
|
|
text element should only be used for an actual hyphenated
|
|||
|
|
word. Humming and laughing representations are taken from
|
|||
|
|
Humdrum. The end-line and end-paragraph elements come
|
|||
|
|
from RP-017 for Standard MIDI File Lyric meta-events;
|
|||
|
|
they help facilitate lyric display for Karaoke and
|
|||
|
|
similar applications. Language names for text elements
|
|||
|
|
come from ISO 639, with optional country subcodes from
|
|||
|
|
ISO 3166. Justification is center by default; placement is
|
|||
|
|
below by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT lyric
|
|||
|
|
((((syllabic?, text),
|
|||
|
|
(elision, syllabic?, text)*, extend?) |
|
|||
|
|
extend | laughing | humming),
|
|||
|
|
end-line?, end-paragraph?, (footnote?, level?))>
|
|||
|
|
<!ATTLIST lyric
|
|||
|
|
number NMTOKEN #IMPLIED
|
|||
|
|
name CDATA #IMPLIED
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT text (#PCDATA)>
|
|||
|
|
<!ATTLIST text
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT syllabic (#PCDATA)>
|
|||
|
|
<!ELEMENT elision EMPTY>
|
|||
|
|
<!ATTLIST elision
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT extend EMPTY>
|
|||
|
|
<!ATTLIST extend
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT laughing EMPTY>
|
|||
|
|
<!ELEMENT humming EMPTY>
|
|||
|
|
<!ELEMENT end-line EMPTY>
|
|||
|
|
<!ELEMENT end-paragraph EMPTY>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Figured bass elements take their position from the first
|
|||
|
|
regular note that follows. Figures are ordered from top to
|
|||
|
|
bottom. A figure-number is a number. Values for prefix and
|
|||
|
|
suffix include the accidental values sharp, flat, natural,
|
|||
|
|
double-sharp, flat-flat, and sharp-sharp. Suffixes include
|
|||
|
|
both symbols that come after the figure number and those
|
|||
|
|
that overstrike the figure number. The suffix value slash
|
|||
|
|
is used for slashed numbers indicating chromatic alteration.
|
|||
|
|
The orientation and display of the slash usually depends on
|
|||
|
|
the figure number. The prefix and suffix elements may
|
|||
|
|
contain additional values for symbols specific to particular
|
|||
|
|
figured bass styles. The value of parentheses is "no" if not
|
|||
|
|
present.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT figured-bass (figure+, duration?, (footnote?, level?))>
|
|||
|
|
<!ATTLIST figured-bass
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
print-dot (yes | no) #IMPLIED
|
|||
|
|
print-spacing (yes | no) #IMPLIED
|
|||
|
|
print-lyric (yes | no) #IMPLIED
|
|||
|
|
parentheses (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT figure (prefix?, figure-number?, suffix?, extend?)>
|
|||
|
|
<!ELEMENT prefix (#PCDATA)>
|
|||
|
|
<!ATTLIST prefix
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT figure-number (#PCDATA)>
|
|||
|
|
<!ATTLIST figure-number
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT suffix (#PCDATA)>
|
|||
|
|
<!ATTLIST suffix
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Backup and forward are required to coordinate multiple
|
|||
|
|
voices in one part, including music on multiple staves.
|
|||
|
|
Forward is generally used within voices and staves,
|
|||
|
|
while backup to move between voices and staves. Thus
|
|||
|
|
the backup element does not include voice or staff
|
|||
|
|
elements. Duration values should always be positive,
|
|||
|
|
and should not cross measure boundaries.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT backup (duration, (footnote?, level?))>
|
|||
|
|
<!ELEMENT forward
|
|||
|
|
(duration, (footnote?, level?, voice?), staff?)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The barline DTD contains elements regarding
|
|||
|
|
barline style, repeats, and multiple endings.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML barline.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
If a barline is other than a normal single barline, it
|
|||
|
|
should be represented by a barline element that describes
|
|||
|
|
it. This includes information about repeats and multiple
|
|||
|
|
endings, as well as line style. Barline data is on the
|
|||
|
|
same level as the other musical data in a score - a child
|
|||
|
|
of a measure in a partwise score, or a part in a timewise
|
|||
|
|
score. This allows for barlines within measures, as in
|
|||
|
|
dotted barlines that subdivide measures in complex
|
|||
|
|
meters. The two fermata elements allow for fermatas
|
|||
|
|
on both sides of the barline (the lower one inverted).
|
|||
|
|
|
|||
|
|
Barlines have a location attribute to make it easier to
|
|||
|
|
process barlines independently of the other musical data
|
|||
|
|
in a score. It is often easier to set up measures
|
|||
|
|
separately from entering notes. The location attribute
|
|||
|
|
must match where the barline element occurs within the
|
|||
|
|
rest of the musical data in the score. If location is
|
|||
|
|
left, it should be the first element in the measure; if
|
|||
|
|
location is right, it should be the last element. If no
|
|||
|
|
location is specified, the right barline is the default.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!ELEMENT barline (bar-style?, (footnote?, level?), wavy-line?,
|
|||
|
|
segno?, coda?, (fermata, fermata?)?, ending?, repeat?)>
|
|||
|
|
<!ATTLIST barline
|
|||
|
|
location (right | left | middle) "right"
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Bar-style contains style information. Choices are
|
|||
|
|
regular, dotted, dashed, heavy, light-light,
|
|||
|
|
light-heavy, heavy-light, heavy-heavy, and none.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT bar-style (#PCDATA)>
|
|||
|
|
<!ATTLIST bar-style
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The voice entity and the wavy-line, segno, and fermata
|
|||
|
|
elements are defined in the common.dtd file. They can
|
|||
|
|
apply to both notes and barlines.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Endings refers to multiple (e.g. first and second)
|
|||
|
|
endings. Typically, the start type is associated with
|
|||
|
|
the left barline of the first measure in an ending. The
|
|||
|
|
stop and discontinue types are associated with the right
|
|||
|
|
barline of the last measure in an ending. Stop is used
|
|||
|
|
when the ending mark concludes with a downward jog, as
|
|||
|
|
is the case for first endings. Discontinue is used when
|
|||
|
|
there is no downward jog, as in the final ending. The
|
|||
|
|
length of the jog can be specified using the end-length
|
|||
|
|
attribute. The number attribute reflects what is under
|
|||
|
|
the ending line. Single endings such as "1" or multiple
|
|||
|
|
endings such as "1, 2" may be used. The ending element
|
|||
|
|
text is used when the text displayed in the ending is
|
|||
|
|
different than what appears in the number attribute.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT ending (#PCDATA)>
|
|||
|
|
<!ATTLIST ending
|
|||
|
|
number CDATA #REQUIRED
|
|||
|
|
type (start | stop | discontinue) #REQUIRED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
end-length CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Repeat marks. The start of the repeat has a forward
|
|||
|
|
direction while the end of the repeat has a backward
|
|||
|
|
direction. Backward repeats that are not part of an
|
|||
|
|
ending can use the times attribute to indicate the
|
|||
|
|
number of times the repeated section is played.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT repeat EMPTY>
|
|||
|
|
<!ATTLIST repeat
|
|||
|
|
direction (backward | forward) #REQUIRED
|
|||
|
|
times CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The direction DTD contains elements for musical
|
|||
|
|
directions not tied to individual notes. This
|
|||
|
|
includes harmony and chord symbol elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML direction.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
This direction component DTD contains the direction
|
|||
|
|
element and its children. Directions are not note-
|
|||
|
|
specific, and therefore might attach to a part or the
|
|||
|
|
overall score. Hence its separate location in this DTD
|
|||
|
|
to allow multiple compositions of these basic elements.
|
|||
|
|
|
|||
|
|
Harmony indications and general print and sound
|
|||
|
|
suggestions are likewise not necessarily attached to
|
|||
|
|
particular note elements, and are included here as well.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!-- Elements -->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
A direction is a musical indication that is not attached
|
|||
|
|
to a specific note. Two or more may be combined to
|
|||
|
|
indicate starts and stops of wedges, dashes, etc.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT direction (direction-type+, offset?,
|
|||
|
|
(footnote?, level?, voice?), staff?, sound?)>
|
|||
|
|
<!ATTLIST direction
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Textual direction types may have more than 1 component
|
|||
|
|
due to multiple font numbers.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT direction-type (rehearsal+ | segno+ | words+ |
|
|||
|
|
coda+ | wedge | dynamics+ | dashes | bracket | pedal |
|
|||
|
|
metronome | octave-shift | harp-pedals | damp |
|
|||
|
|
damp-all | eyeglasses | scordatura | other-direction)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Print style entities apply to the individual
|
|||
|
|
direction-type, not to the overall direction.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Language is Italian ("it") by default. Enclosure is
|
|||
|
|
square by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT rehearsal (#PCDATA)>
|
|||
|
|
<!ATTLIST rehearsal
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #IMPLIED
|
|||
|
|
enclosure (square | circle | none) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT words (#PCDATA)>
|
|||
|
|
<!--
|
|||
|
|
Left justification is assumed if not specified.
|
|||
|
|
Language is Italian ("it") by default. Enclosure
|
|||
|
|
is none by default.
|
|||
|
|
-->
|
|||
|
|
<!ATTLIST words
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
halign (left | center | right) #IMPLIED
|
|||
|
|
valign (top | middle | bottom | baseline) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #IMPLIED
|
|||
|
|
enclosure (rectangle | oval | none) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Wedge spread is measured in tenths of staff line space.
|
|||
|
|
The type is crescendo for the start of a wedge that is
|
|||
|
|
closed at the left side, and diminuendo for the start
|
|||
|
|
of a wedge that is closed on the right side. Spread
|
|||
|
|
values at the start of a crescendo wedge or end of a
|
|||
|
|
diminuendo wedge are ignored.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT wedge EMPTY>
|
|||
|
|
<!ATTLIST wedge
|
|||
|
|
type (crescendo | diminuendo | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
spread CDATA #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Dashes, used for instance with cresc. and dim. marks.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT dashes EMPTY>
|
|||
|
|
<!ATTLIST dashes
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Brackets are combined with words in a variety of
|
|||
|
|
modern directions. The line-end attribute specifies
|
|||
|
|
if there is a jog up or down (or both), an arrow,
|
|||
|
|
or nothing at the start or end of the bracket. If
|
|||
|
|
the line-end is up or down, the length of the jog
|
|||
|
|
can be specified using the end-length attribute.
|
|||
|
|
The line-type is solid by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT bracket EMPTY>
|
|||
|
|
<!ATTLIST bracket
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
line-end (up | down | both | arrow | none) #REQUIRED
|
|||
|
|
end-length CDATA #IMPLIED
|
|||
|
|
line-type (solid | dashed | dotted | wavy) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Piano pedal marks. The line attribute is yes if pedal
|
|||
|
|
lines are used, no if Ped and * signs are used. The
|
|||
|
|
change type is used with line set to yes.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT pedal EMPTY>
|
|||
|
|
<!ATTLIST pedal
|
|||
|
|
type (start | stop | change) #REQUIRED
|
|||
|
|
line (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Standard metronome marks. The beat-unit values are the
|
|||
|
|
same as for a type element, and the beat-unit-dot works
|
|||
|
|
like the dot element. The per-minute element can
|
|||
|
|
be a number, or a text description including numbers.
|
|||
|
|
The parentheses attribute indicates whether or not
|
|||
|
|
to put the metronome mark in parentheses; its value
|
|||
|
|
is no if not specified.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT metronome (beat-unit, beat-unit-dot*,
|
|||
|
|
(per-minute | (beat-unit, beat-unit-dot*)))>
|
|||
|
|
<!ATTLIST metronome
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
parentheses (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT beat-unit (#PCDATA)>
|
|||
|
|
<!ELEMENT beat-unit-dot EMPTY>
|
|||
|
|
<!ELEMENT per-minute (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Octave shifts indicate where notes are shifted up or down
|
|||
|
|
from their true pitched values because of printing
|
|||
|
|
difficulty. Thus a treble clef line noted with 8va will
|
|||
|
|
be indicated with an octave-shift down from the pitch
|
|||
|
|
data indicated in the notes. A size of 8 indicates one
|
|||
|
|
octave; a size of 15 indicates two octaves.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT octave-shift EMPTY>
|
|||
|
|
<!ATTLIST octave-shift
|
|||
|
|
type (up | down | stop) #REQUIRED
|
|||
|
|
number (1 | 2 | 3 | 4 | 5 | 6) #IMPLIED
|
|||
|
|
size CDATA "8"
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The harp-pedals element is used to create harp
|
|||
|
|
pedal diagrams. The pedal-step and pedal-alter
|
|||
|
|
elements use the same values as the step and alter
|
|||
|
|
elements. For easiest reading, the pedal-tuning
|
|||
|
|
elements show follow standard harp pedal order,
|
|||
|
|
with pedal-step values of D, C, B, E, F, G, and A.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT harp-pedals (pedal-tuning)+>
|
|||
|
|
<!ATTLIST harp-pedals
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT pedal-tuning (pedal-step, pedal-alter)>
|
|||
|
|
<!ELEMENT pedal-step (#PCDATA)>
|
|||
|
|
<!ELEMENT pedal-alter (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!-- Harp damping marks -->
|
|||
|
|
<!ELEMENT damp EMPTY>
|
|||
|
|
<!ATTLIST damp
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT damp-all EMPTY>
|
|||
|
|
<!ATTLIST damp-all
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!-- Eyeglasses, common in commercial music. -->
|
|||
|
|
<!ELEMENT eyeglasses EMPTY>
|
|||
|
|
<!ATTLIST eyeglasses
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Scordatura string tunings are represented by a series
|
|||
|
|
of accord elements. The tuning-step, tuning-alter,
|
|||
|
|
and tuning-octave elements are also used with the
|
|||
|
|
staff-tuning element, and are defined in the common.dtd
|
|||
|
|
file. Strings are numbered from high to low.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT scordatura (accord+)>
|
|||
|
|
<!ELEMENT accord
|
|||
|
|
(tuning-step, tuning-alter?, tuning-octave)>
|
|||
|
|
<!ATTLIST accord
|
|||
|
|
string CDATA #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The other-direction element is used to define
|
|||
|
|
any direction symbols not yet in the current version
|
|||
|
|
of MusicXML. This allows extended representation,
|
|||
|
|
though without application interoperability.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT other-direction (#PCDATA)>
|
|||
|
|
<!ATTLIST other-direction
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
An offset is represented in terms of divisions, and
|
|||
|
|
indicates where the direction will appear relative
|
|||
|
|
to the current musical location. This is for visual
|
|||
|
|
appearance only; any sound associated with the
|
|||
|
|
direction takes effect at the current location.
|
|||
|
|
If an element within a direction includes a default-x
|
|||
|
|
attribute, the offset value will be ignored for that
|
|||
|
|
element.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT offset (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!-- Harmony -->
|
|||
|
|
<!--
|
|||
|
|
The harmony elements are based on Humdrum's **harm
|
|||
|
|
encoding, extended to support chord symbols in popular
|
|||
|
|
music as well as functional harmony analysis in classical
|
|||
|
|
music.
|
|||
|
|
-->
|
|||
|
|
<!--
|
|||
|
|
A harmony element can contain many stacked chords (e.g.
|
|||
|
|
V of II). A sequence of harmony-chord entities is used
|
|||
|
|
for this type of secondary function, where V of II would
|
|||
|
|
be represented by a harmony-chord with a V function
|
|||
|
|
followed by a harmony-chord with a II function.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
A root is a pitch name like C, D, E, where a function is
|
|||
|
|
an indication like I, II, III. Root is generally used
|
|||
|
|
with pop chord symbols, function with classical
|
|||
|
|
functional harmony. It is an either/or choice to avoid
|
|||
|
|
data inconsistency. Function requires that the key be
|
|||
|
|
specified in the encoding. The root element has a
|
|||
|
|
root-step and optional root-alter similar to the step
|
|||
|
|
and alter elements in a pitch, but renamed to
|
|||
|
|
distinguish the different musical meanings.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT root (root-step, root-alter?)>
|
|||
|
|
<!ELEMENT root-step (#PCDATA)>
|
|||
|
|
<!ELEMENT root-alter (#PCDATA)>
|
|||
|
|
<!ELEMENT function (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Kind indicates the type of chord. Degree elements
|
|||
|
|
can then add, subtract, or alter from these
|
|||
|
|
starting points. Values include:
|
|||
|
|
|
|||
|
|
Triads:
|
|||
|
|
major (major third, perfect fifth)
|
|||
|
|
minor (minor third, perfect fifth)
|
|||
|
|
augmented (major third, augmented fifth)
|
|||
|
|
diminished (minor third, diminished fifth)
|
|||
|
|
Sevenths:
|
|||
|
|
dominant (major triad, minor seventh)
|
|||
|
|
major-seventh (major triad, major seventh)
|
|||
|
|
minor-seventh (minor triad, minor seventh)
|
|||
|
|
diminished-seventh
|
|||
|
|
(diminished triad, diminished seventh)
|
|||
|
|
augmented-seventh
|
|||
|
|
(augmented triad, minor seventh)
|
|||
|
|
half-diminished
|
|||
|
|
(diminished triad, minor seventh)
|
|||
|
|
major-minor
|
|||
|
|
(minor triad, major seventh)
|
|||
|
|
Sixths:
|
|||
|
|
major-sixth (major triad, added sixth)
|
|||
|
|
minor-sixth (minor triad, added sixth)
|
|||
|
|
Ninths:
|
|||
|
|
dominant-ninth (dominant-seventh, major ninth)
|
|||
|
|
major-ninth (major-seventh, major ninth)
|
|||
|
|
minor-ninth (minor-seventh, minor ninth)
|
|||
|
|
11ths (usually as the basis for alteration):
|
|||
|
|
dominant-11th (dominant-ninth, perfect 11th)
|
|||
|
|
major-11th (major-ninth, perfect 11th)
|
|||
|
|
minor-11th (minor-ninth, perfect 11th)
|
|||
|
|
13ths (usually as the basis for alteration):
|
|||
|
|
dominant-13th (dominant-11th, major 13th)
|
|||
|
|
major-13th (major-11th, major 13th)
|
|||
|
|
minor-13th (minor-11th, major 13th)
|
|||
|
|
Suspended:
|
|||
|
|
suspended-second (major second, perfect fifth)
|
|||
|
|
suspended-fourth (perfect fourth, perfect fifth)
|
|||
|
|
Functional sixths:
|
|||
|
|
Neapolitan
|
|||
|
|
Italian
|
|||
|
|
French
|
|||
|
|
German
|
|||
|
|
Other:
|
|||
|
|
pedal (pedal-point bass)
|
|||
|
|
Tristan
|
|||
|
|
|
|||
|
|
The "other" kind is used when the harmony is entirely
|
|||
|
|
composed of add elements. The "none" kind is used to
|
|||
|
|
explicitly encode absence of chords or functional
|
|||
|
|
harmony.
|
|||
|
|
|
|||
|
|
The attributes are used to indicate the formatting
|
|||
|
|
of the symbol. Since the kind element is the constant
|
|||
|
|
in all the harmony-chord entities that can make up
|
|||
|
|
a polychord, many formatting attributes are here.
|
|||
|
|
|
|||
|
|
The use-symbols attribute is yes if the kind should be
|
|||
|
|
represented when possible with harmony symbols rather
|
|||
|
|
than letters and numbers. These symbols include:
|
|||
|
|
|
|||
|
|
major: a triangle, like Unicode 25B3
|
|||
|
|
minor: -, like Unicode 002D
|
|||
|
|
augmented: +, like Unicode 002B
|
|||
|
|
diminished: <EFBFBD>, like Unicode 00B0
|
|||
|
|
half-diminished: <EFBFBD>, like Unicode 00F8
|
|||
|
|
|
|||
|
|
The text attribute describes how the kind should be
|
|||
|
|
spelled if not using symbols; it is ignored if use-symbols
|
|||
|
|
is yes. The stack-degrees attribute is yes if the degree
|
|||
|
|
elements should be stacked above each other. The
|
|||
|
|
parentheses-degrees attribute is yes if all the degrees
|
|||
|
|
should be in parentheses. The bracket-degrees attribute
|
|||
|
|
is yes if all the degrees should be in a bracket. If not
|
|||
|
|
specified, these values are implementation-specific.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT kind (#PCDATA)>
|
|||
|
|
<!ATTLIST kind
|
|||
|
|
use-symbols (yes | no) #IMPLIED
|
|||
|
|
text CDATA #IMPLIED
|
|||
|
|
stack-degrees (yes | no) #IMPLIED
|
|||
|
|
parentheses-degrees (yes | no) #IMPLIED
|
|||
|
|
bracket-degrees (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Inversion is a number indicating which inversion is used:
|
|||
|
|
0 for root position, 1 for first inversion, etc.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT inversion (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Bass is used to indicate a bass note in popular music
|
|||
|
|
chord symbols, e.g. G/C. It is generally not used in
|
|||
|
|
functional harmony, as inversion is generally not used
|
|||
|
|
in pop chord symbols. As with root, it is divided into
|
|||
|
|
step and alter elements, similar to pitches.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT bass (bass-step, bass-alter?)>
|
|||
|
|
<!ELEMENT bass-step (#PCDATA)>
|
|||
|
|
<!ELEMENT bass-alter (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The degree element is used to add, alter, or subtract
|
|||
|
|
individual notes in the chord. The degree-value element
|
|||
|
|
is a number indicating the degree of the chord (1 for
|
|||
|
|
the root, 3 for third, etc). The degree-alter element
|
|||
|
|
is like the alter element in notes: 1 for sharp, -1 for
|
|||
|
|
flat, etc. The degree-type element can be add, alter, or
|
|||
|
|
subtract. If the degree-type is alter or subtract, the
|
|||
|
|
degree-alter is relative to the degree already in the
|
|||
|
|
chord based on its kind element. If the degree-type is
|
|||
|
|
add, the degree-alter is relative to a dominant chord
|
|||
|
|
(major and perfect intervals except for a minor
|
|||
|
|
seventh). The print-object attribute can be used to
|
|||
|
|
keep the degree from printing separately when it has
|
|||
|
|
already taken into account in the text attribute of
|
|||
|
|
the kind element.
|
|||
|
|
|
|||
|
|
A harmony of kind "other" can be spelled explicitly by
|
|||
|
|
using a series of degree elements together with a root.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT degree (degree-value, degree-alter, degree-type)>
|
|||
|
|
<!ATTLIST degree
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT degree-value (#PCDATA)>
|
|||
|
|
<!ELEMENT degree-alter (#PCDATA)>
|
|||
|
|
<!ELEMENT degree-type (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The frame element represents a frame or fretboard
|
|||
|
|
diagram used together with a chord symbol. The
|
|||
|
|
representation is based on the NIFF guitar grid
|
|||
|
|
with additional information. The frame-strings and
|
|||
|
|
frame-frets elements give the overall size of the
|
|||
|
|
frame in vertical lines (strings) and horizontal
|
|||
|
|
spaces (frets). The first-fret indicates which fret
|
|||
|
|
is shown in the top space of the frame; it is fret 1
|
|||
|
|
if the element is not present. The frame-note element
|
|||
|
|
represents each note included in the frame. The
|
|||
|
|
definitions for string, fret, and fingering are found
|
|||
|
|
in common.dtd.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT frame
|
|||
|
|
(frame-strings, frame-frets, first-fret?, frame-note+)>
|
|||
|
|
<!ATTLIST frame
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
height CDATA #IMPLIED
|
|||
|
|
width CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT frame-strings (#PCDATA)>
|
|||
|
|
<!ELEMENT frame-frets (#PCDATA)>
|
|||
|
|
<!ELEMENT first-fret (#PCDATA)>
|
|||
|
|
<!ELEMENT frame-note (string, fret, fingering?, barre?)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The barre element indicates placing a finger over
|
|||
|
|
multiple strings on a single fret. The type is "start"
|
|||
|
|
for the lowest pitched string (e.g., the string with
|
|||
|
|
the highest MusicXML number) and is "stop" for the
|
|||
|
|
highest pitched string.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT barre EMPTY>
|
|||
|
|
<!ATTLIST barre
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
If there are alternate harmonies possible, this can be
|
|||
|
|
specified using multiple harmony elements differentiated
|
|||
|
|
by type. Explicit harmonies have all note present in the
|
|||
|
|
music; implied have some notes missing but implied;
|
|||
|
|
alternate represents alternate analyses.
|
|||
|
|
|
|||
|
|
The harmony object may be used for analysis or for
|
|||
|
|
chord symbols. The print-object attribute controls
|
|||
|
|
whether or not anything is printed due to the harmony
|
|||
|
|
element. The print-frame attribute controls printing
|
|||
|
|
of a frame or fretboard diagram.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT harmony ((((root | function), kind,
|
|||
|
|
inversion?, bass?, degree*))+, frame?,
|
|||
|
|
offset?, (footnote?, level?), staff?)>
|
|||
|
|
<!ATTLIST harmony
|
|||
|
|
type (explicit | implied | alternate) #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
print-frame (yes | no) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
placement (above | below) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The grouping element is used for musical analysis. When
|
|||
|
|
the element type is "start", it usually contains one or
|
|||
|
|
more feature elements. The number attribute is used for
|
|||
|
|
distinguishing between overlapping and hierarchical
|
|||
|
|
groupings. The member-of attribute allows for easy
|
|||
|
|
distinguishing of what grouping elements are in what
|
|||
|
|
hierarchy. Feature elements contained within a "stop"
|
|||
|
|
type of grouping may be ignored.
|
|||
|
|
|
|||
|
|
This element is flexible to allow for non-standard
|
|||
|
|
analyses. Future versions of MusicXML may add elements
|
|||
|
|
that can represent more standardized categories of
|
|||
|
|
analysis data, allowing for easier data sharing.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT grouping ((feature)*)>
|
|||
|
|
<!ATTLIST grouping
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number CDATA "1"
|
|||
|
|
member-of CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT feature (#PCDATA)>
|
|||
|
|
<!ATTLIST feature
|
|||
|
|
type CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The print element contains general printing parameters,
|
|||
|
|
including the layout elements defined in layout.dtd.
|
|||
|
|
|
|||
|
|
The new-system and new-page attributes indicate whether
|
|||
|
|
to force a system or page break, or to force the current
|
|||
|
|
music onto the same system or page as the preceding
|
|||
|
|
music. Normally this is the first music data within a
|
|||
|
|
measure. If used in multi-part music, they should be
|
|||
|
|
placed in the same positions within each part, or the
|
|||
|
|
results are undefined. The page-number attribute sets
|
|||
|
|
the number of a new page; it is ignored if new-page
|
|||
|
|
is not "yes".
|
|||
|
|
|
|||
|
|
Staff spacing between multiple staves is measured in
|
|||
|
|
tenths of staff lines (e.g. 100 = 10 staff lines).
|
|||
|
|
This is deprecated in MusicXML 1.1; the staff-layout
|
|||
|
|
element should be used instead. If both are present,
|
|||
|
|
the staff-layout values take priority.
|
|||
|
|
|
|||
|
|
Layout elements in a print statement only apply to
|
|||
|
|
the current page, system, staff, or measure. Music
|
|||
|
|
that follows continues to take the default values
|
|||
|
|
from the layout included in the <defaults> element.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT print (page-layout?, system-layout?,
|
|||
|
|
staff-layout*, measure-layout?)>
|
|||
|
|
<!ATTLIST print
|
|||
|
|
staff-spacing CDATA #IMPLIED
|
|||
|
|
new-system (yes | no) #IMPLIED
|
|||
|
|
new-page (yes | no) #IMPLIED
|
|||
|
|
page-number CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The sound element contains general playback parameters.
|
|||
|
|
They can stand alone within a part/measure, or be a
|
|||
|
|
component element within a direction.
|
|||
|
|
|
|||
|
|
Tempo is expressed in quarter notes per minute. If 0,
|
|||
|
|
the sound-generating program must prompt the user at the
|
|||
|
|
time of compiling a sound (MIDI) file.
|
|||
|
|
|
|||
|
|
Dynamics (or MIDI velocity) are expressed as a percentage
|
|||
|
|
of the default forte value (90 for MIDI).
|
|||
|
|
|
|||
|
|
Dacapo indicates to go back to the beginning of the
|
|||
|
|
movement. When used it always has the value "yes".
|
|||
|
|
|
|||
|
|
Segno and dalsegno are used for backwards jumps to a
|
|||
|
|
segno sign; coda and tocoda are used for forward jumps
|
|||
|
|
to a coda sign. If there are multiple jumps, the value
|
|||
|
|
of these parameters can be used to name and distinguish
|
|||
|
|
them. If segno or coda is used, the divisions attribute
|
|||
|
|
can also be used to indicate the number of divisions
|
|||
|
|
per quarter note. Otherwise sound and MIDI generating
|
|||
|
|
programs may have to recompute this.
|
|||
|
|
|
|||
|
|
A dalsegno or dacapo attribute indicates that the
|
|||
|
|
jump should occur the first time through; a tocoda
|
|||
|
|
attribute indicates the jump should occur the second
|
|||
|
|
time through.
|
|||
|
|
|
|||
|
|
Forward-repeat is used when a forward repeat sign is
|
|||
|
|
implied, and usually follows a bar line. When used it
|
|||
|
|
always has the value of "yes".
|
|||
|
|
|
|||
|
|
The fine attribute follows the final note or rest in a
|
|||
|
|
movement with a da capo direction. If numeric, the value
|
|||
|
|
represents the actual duration of the final note or rest,
|
|||
|
|
which can be ambiguous in written notation and different
|
|||
|
|
among parts and voices. The value may also be "yes" to
|
|||
|
|
indicate no change to the final duration.
|
|||
|
|
|
|||
|
|
If the sound element applies only one time through a
|
|||
|
|
repeat, the time-only attribute indicates which time
|
|||
|
|
to apply the sound element.
|
|||
|
|
|
|||
|
|
Pizzicato in a sound element effects all following notes.
|
|||
|
|
Yes indicates pizzicato, no indicates arco.
|
|||
|
|
|
|||
|
|
Pan and elevation allow placing of sound in a 3-D space
|
|||
|
|
relative to the listener. Both are expressed in degrees
|
|||
|
|
ranging from -180 to 180. For pan, 0 is straight ahead,
|
|||
|
|
-90 is hard left, 90 is hard right, and -180 and 180
|
|||
|
|
are directly behind the listener. For elevation, 0 is
|
|||
|
|
level with the listener, 90 is directly above, and -90
|
|||
|
|
is directly below.
|
|||
|
|
|
|||
|
|
The damper-pedal, soft-pedal, and sostenuto-pedal
|
|||
|
|
attributes effect playback of the three common piano
|
|||
|
|
pedals and their MIDI controller equivalents. Yes
|
|||
|
|
indicates the pedal is depressed; no indicates the
|
|||
|
|
pedal is released.
|
|||
|
|
|
|||
|
|
MIDI instruments are changed using the midi-instrument
|
|||
|
|
element defined in common.dtd.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT sound (midi-instrument*)>
|
|||
|
|
<!ATTLIST sound
|
|||
|
|
tempo CDATA #IMPLIED
|
|||
|
|
dynamics CDATA #IMPLIED
|
|||
|
|
dacapo (yes | no) #IMPLIED
|
|||
|
|
segno CDATA #IMPLIED
|
|||
|
|
dalsegno CDATA #IMPLIED
|
|||
|
|
coda CDATA #IMPLIED
|
|||
|
|
tocoda CDATA #IMPLIED
|
|||
|
|
divisions CDATA #IMPLIED
|
|||
|
|
forward-repeat (yes | no) #IMPLIED
|
|||
|
|
fine CDATA #IMPLIED
|
|||
|
|
time-only CDATA #IMPLIED
|
|||
|
|
pizzicato (yes | no) #IMPLIED
|
|||
|
|
pan CDATA #IMPLIED
|
|||
|
|
elevation CDATA #IMPLIED
|
|||
|
|
damper-pedal (yes | no) #IMPLIED
|
|||
|
|
soft-pedal (yes | no) #IMPLIED
|
|||
|
|
sostenuto-pedal (yes | no) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The score DTD contains the top-level elements
|
|||
|
|
for musical scores, including the root document
|
|||
|
|
elements.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
MusicXML score.dtd
|
|||
|
|
|
|||
|
|
Version 1.1 - 20 May 2005
|
|||
|
|
|
|||
|
|
Copyright <EFBFBD> 2004-2005 Recordare LLC.
|
|||
|
|
http://www.recordare.com/
|
|||
|
|
|
|||
|
|
This MusicXML work is being provided by the copyright
|
|||
|
|
holder under the MusicXML Document Type Definition
|
|||
|
|
Public License Version 1.02, available from:
|
|||
|
|
|
|||
|
|
http://www.recordare.com/dtds/license.html
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Works and movements are optionally identified by number
|
|||
|
|
and title. The work element also may indicate a link
|
|||
|
|
to the opus document that composes multiple movements
|
|||
|
|
into a collection.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT work (work-number?, work-title?, opus?)>
|
|||
|
|
<!ELEMENT work-number (#PCDATA)>
|
|||
|
|
<!ELEMENT work-title (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!ELEMENT opus EMPTY>
|
|||
|
|
<!ATTLIST opus
|
|||
|
|
xmlns:xlink CDATA #FIXED 'http://www.w3.org/1999/xlink'
|
|||
|
|
xlink:href CDATA #REQUIRED
|
|||
|
|
xlink:type (simple) #FIXED 'simple'
|
|||
|
|
xlink:role CDATA #IMPLIED
|
|||
|
|
xlink:title CDATA #IMPLIED
|
|||
|
|
xlink:show (new | replace | embed | other | none)
|
|||
|
|
'replace'
|
|||
|
|
xlink:actuate (onRequest | onLoad | other | none)
|
|||
|
|
'onRequest'
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!ELEMENT movement-number (#PCDATA)>
|
|||
|
|
<!ELEMENT movement-title (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Collect score-wide defaults. This includes scaling
|
|||
|
|
and layout, defined in layout.dtd, and default values
|
|||
|
|
for the music font, word font, lyric font, and
|
|||
|
|
lyric language. The number and name attributes in
|
|||
|
|
lyric-font and lyric-language elements are typically
|
|||
|
|
used when lyrics are provided in multiple languages.
|
|||
|
|
If the number and name attributes are omitted, the
|
|||
|
|
lyric-font and lyric-language values apply to all
|
|||
|
|
numbers and names.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT defaults (scaling?, page-layout?,
|
|||
|
|
system-layout?, staff-layout*, music-font?,
|
|||
|
|
word-font?, lyric-font*, lyric-language*)>
|
|||
|
|
|
|||
|
|
<!ELEMENT music-font EMPTY>
|
|||
|
|
<!ATTLIST music-font
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT word-font EMPTY>
|
|||
|
|
<!ATTLIST word-font
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT lyric-font EMPTY>
|
|||
|
|
<!ATTLIST lyric-font
|
|||
|
|
number NMTOKEN #IMPLIED
|
|||
|
|
name CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT lyric-language EMPTY>
|
|||
|
|
<!ATTLIST lyric-language
|
|||
|
|
number NMTOKEN #IMPLIED
|
|||
|
|
name CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Credit elements refer to the title, composer, arranger,
|
|||
|
|
lyricist, copyright, dedication, and other text that
|
|||
|
|
appears on the first page of a score. The credit-words
|
|||
|
|
element is similar to the words element for directions.
|
|||
|
|
However, since the credit is not part of a measure,
|
|||
|
|
the default-x and default-y attributes adjust the
|
|||
|
|
origin relative to the bottom left-hand corner of
|
|||
|
|
the first page. The enclosure is none by default.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT credit (credit-words+)>
|
|||
|
|
<!ELEMENT credit-words (#PCDATA)>
|
|||
|
|
<!ATTLIST credit-words
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
halign (left | center | right) #IMPLIED
|
|||
|
|
valign (top | middle | bottom | baseline) #IMPLIED
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
xml:lang NMTOKEN #IMPLIED
|
|||
|
|
enclosure (rectangle | oval | none) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The part-list identifies the different musical parts in
|
|||
|
|
this movement. Each part has an ID that is used later
|
|||
|
|
within the musical data. Since parts may be encoded
|
|||
|
|
separately and combined later, identification elements
|
|||
|
|
are present at both the score and score-part levels.
|
|||
|
|
There must be at least one score-part, combined as
|
|||
|
|
desired with part-group elements that indicate braces
|
|||
|
|
and brackets. Parts are ordered from top to bottom in
|
|||
|
|
a score based on the order in which they appear in the
|
|||
|
|
part-list.
|
|||
|
|
|
|||
|
|
Each MusicXML part corresponds to a track in a Standard
|
|||
|
|
MIDI Format 1 file. The score-instrument elements are
|
|||
|
|
used when there are multiple instruments per track.
|
|||
|
|
The midi-device element is used to make a MIDI device
|
|||
|
|
or port assignment for the given track. Initial
|
|||
|
|
midi-instrument assignments may be made here as well.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT part-list (part-group*, score-part,
|
|||
|
|
(part-group | score-part)*)>
|
|||
|
|
<!ELEMENT score-part (identification?, part-name,
|
|||
|
|
part-abbreviation?, group*, score-instrument*,
|
|||
|
|
midi-device?, midi-instrument*)>
|
|||
|
|
<!ATTLIST score-part
|
|||
|
|
id ID #REQUIRED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The part-name indicates the full name of the musical
|
|||
|
|
part. The part-abbreviation indicates the abbreviated
|
|||
|
|
version of the name of the musical part. The part-name
|
|||
|
|
will often precede the first system, while the
|
|||
|
|
part-abbreviation will precede the other systems.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT part-name (#PCDATA)>
|
|||
|
|
<!ATTLIST part-name
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT part-abbreviation (#PCDATA)>
|
|||
|
|
<!ATTLIST part-abbreviation
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
print-object (yes | no) #IMPLIED
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The part-group element indicates groupings of parts in
|
|||
|
|
the score, usually indicated by braces and brackets.
|
|||
|
|
The number attribute is used to distinguish overlapping
|
|||
|
|
and nested part-groups, not the sequence of groups. As
|
|||
|
|
with parts, groups can have a name and abbreviation.
|
|||
|
|
The group-symbol element indicates how the group is
|
|||
|
|
indicated on the score. Values include none (default),
|
|||
|
|
brace, line, and bracket. Values for the child elements
|
|||
|
|
are ignored at the stop of a group. The group-barline
|
|||
|
|
element indicates if the group should have common
|
|||
|
|
barlines. Values can be yes, no, or Mensurstrich.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT part-group (group-name?, group-abbreviation?,
|
|||
|
|
group-symbol?, group-barline?, (footnote?, level?))>
|
|||
|
|
<!ATTLIST part-group
|
|||
|
|
type (start | stop) #REQUIRED
|
|||
|
|
number CDATA "1"
|
|||
|
|
>
|
|||
|
|
<!ELEMENT group-name (#PCDATA)>
|
|||
|
|
<!ATTLIST group-name
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT group-abbreviation (#PCDATA)>
|
|||
|
|
<!ATTLIST group-abbreviation
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
font-family CDATA #IMPLIED
|
|||
|
|
font-style CDATA #IMPLIED
|
|||
|
|
font-size CDATA #IMPLIED
|
|||
|
|
font-weight CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
justify (left | center | right) #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT group-symbol (#PCDATA)>
|
|||
|
|
<!ATTLIST group-symbol
|
|||
|
|
default-x CDATA #IMPLIED
|
|||
|
|
default-y CDATA #IMPLIED
|
|||
|
|
relative-x CDATA #IMPLIED
|
|||
|
|
relative-y CDATA #IMPLIED
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT group-barline (#PCDATA)>
|
|||
|
|
<!ATTLIST group-barline
|
|||
|
|
color CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The score-instrument element allows for multiple
|
|||
|
|
instruments per score-part. As with the score-part
|
|||
|
|
element, each score-instrument has a required ID
|
|||
|
|
attribute, a name, and an optional abbreviation.
|
|||
|
|
A score-instrument element is also required if the
|
|||
|
|
score specifies MIDI channels, banks, or programs.
|
|||
|
|
An initial midi-instrument assignment can also
|
|||
|
|
be made here. MusicXML software should be able to
|
|||
|
|
automatically assign reasonable channels and
|
|||
|
|
instruments without these elements in simple cases,
|
|||
|
|
such as where part names match General MIDI
|
|||
|
|
instrument names.
|
|||
|
|
|
|||
|
|
The midi-instrument element is defined in common.dtd,
|
|||
|
|
as it can be used within both the score-part and
|
|||
|
|
sound elements.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT score-instrument
|
|||
|
|
(instrument-name, instrument-abbreviation?)>
|
|||
|
|
<!ATTLIST score-instrument
|
|||
|
|
id ID #REQUIRED
|
|||
|
|
>
|
|||
|
|
<!ELEMENT instrument-name (#PCDATA)>
|
|||
|
|
<!ELEMENT instrument-abbreviation (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The midi-device content corresponds to the DeviceName
|
|||
|
|
meta event in Standard MIDI Files. The optional port
|
|||
|
|
attribute is a number from 1 to 16 that can be used
|
|||
|
|
with the unofficial MIDI port (or cable) meta event.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT midi-device (#PCDATA)>
|
|||
|
|
<!ATTLIST midi-device
|
|||
|
|
port CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The group element allows the use of different versions
|
|||
|
|
of the part for different purposes. Typical values
|
|||
|
|
include score, parts, sound, and data. Ordering
|
|||
|
|
information that is directly encoded in MuseData can
|
|||
|
|
be derived from the ordering within a score or opus
|
|||
|
|
in MusicXML.
|
|||
|
|
-->
|
|||
|
|
<!ELEMENT group (#PCDATA)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
Here is the basic musical data that is either associated
|
|||
|
|
with a part or a measure, depending on whether partwise
|
|||
|
|
or timewise hierarchy is used.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The score-header entity contains basic score metadata
|
|||
|
|
about the work and movement, score-wide defaults for
|
|||
|
|
layout and fonts, credits that appear on the first page,
|
|||
|
|
and the part list.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
The score is the root element for the DTD. It includes
|
|||
|
|
the score-header entity, followed either by a series of
|
|||
|
|
parts with measures inside (score-partwise) or a series
|
|||
|
|
of measures with parts inside (score-timewise). Having
|
|||
|
|
distinct top-level elements for partwise and timewise
|
|||
|
|
scores makes it easy to ensure that an XSLT stylesheet
|
|||
|
|
does not try to transform a document already in the
|
|||
|
|
desired format.
|
|||
|
|
|
|||
|
|
The version attribute is new to MusicXML 1.1. It provides
|
|||
|
|
an easier way to get version information than through the
|
|||
|
|
MusicXML public ID. The default value is 1.0 to make it
|
|||
|
|
possible for programs that handle version 1.1 to
|
|||
|
|
distinguish version 1.0 files reliably. Programs that
|
|||
|
|
write MusicXML 1.1 files should set this attribute.
|
|||
|
|
-->
|
|||
|
|
|
|||
|
|
<!ELEMENT score-partwise ((work?, movement-number?, movement-title?,
|
|||
|
|
identification?, defaults?, credit*, part-list), part+)>
|
|||
|
|
<!ATTLIST score-partwise
|
|||
|
|
version CDATA "1.0"
|
|||
|
|
>
|
|||
|
|
<!ELEMENT part (measure+)>
|
|||
|
|
<!ELEMENT measure ((note | backup | forward | direction | attributes |
|
|||
|
|
harmony | figured-bass | print | sound | barline |
|
|||
|
|
grouping | link | bookmark)*)>
|
|||
|
|
|
|||
|
|
<!--
|
|||
|
|
In either format, the part element has an id attribute
|
|||
|
|
that is an IDREF back to a score-part in the part-list.
|
|||
|
|
Measures have a required number attribute (going from
|
|||
|
|
partwise to timewise, measures are grouped via the
|
|||
|
|
number).
|
|||
|
|
-->
|
|||
|
|
<!ATTLIST part
|
|||
|
|
id IDREF #REQUIRED
|
|||
|
|
>
|
|||
|
|
<!--
|
|||
|
|
The implicit attribute is set to "yes" for measures where
|
|||
|
|
the measure number should never appear, such as pickup
|
|||
|
|
measures and the last half of mid-measure repeats. The
|
|||
|
|
value is "no" if not specified.
|
|||
|
|
|
|||
|
|
The non-controlling attribute indicates that this measure
|
|||
|
|
in this part does not necessarily synchronize with other
|
|||
|
|
measures in other parts. This is intended for use in
|
|||
|
|
multimetric music like the Don Giovanni minuet. The
|
|||
|
|
value is "no" if not specified.
|
|||
|
|
|
|||
|
|
Measure width is specified in tenths. These are the
|
|||
|
|
global tenths specified in the scaling element, not
|
|||
|
|
local tenths as modified by the staff-size element.
|
|||
|
|
-->
|
|||
|
|
<!ATTLIST measure
|
|||
|
|
number CDATA #REQUIRED
|
|||
|
|
implicit (yes | no) #IMPLIED
|
|||
|
|
non-controlling (yes | no) #IMPLIED
|
|||
|
|
width CDATA #IMPLIED
|
|||
|
|
>
|
|||
|
|
|