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<!--Converted with LaTeX2HTML 2008 (1.71)
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original version by: Nikos Drakos, CBLU, University of Leeds
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* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
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* with significant contributions from:
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Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
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<B> Next:</B> <A NAME="tex2html473"
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HREF="node6.html">Grooves</A>
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<B> Up:</B> <A NAME="tex2html471"
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HREF="mma.html">Reference Manual</A>
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<B> Previous:</B> <A NAME="tex2html465"
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HREF="node4.html">Patterns</A>
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<BR>
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<BR></DIV>
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<!--End of Navigation Panel-->
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<!--Table of Child-Links-->
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<A NAME="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<UL CLASS="ChildLinks">
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<LI><A NAME="tex2html474"
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HREF="node5.html#SECTION00510000000000000000">Defining Sequences</A>
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<LI><A NAME="tex2html475"
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HREF="node5.html#SECTION00520000000000000000">SeqClear</A>
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<LI><A NAME="tex2html476"
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HREF="node5.html#SECTION00530000000000000000">SeqRnd</A>
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<LI><A NAME="tex2html477"
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HREF="node5.html#SECTION00540000000000000000">SeqRndWeight</A>
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<LI><A NAME="tex2html478"
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HREF="node5.html#SECTION00550000000000000000">SeqSize</A>
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</UL>
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<!--End of Table of Child-Links-->
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<HR>
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<H1><A NAME="SECTION00500000000000000000"></A> <A NAME="sec-seqs"></A>
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<BR>
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Sequences
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</H1>
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<P>
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Patterns by themselves don't do much good. They have to be combined into
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sequences to be of any use to you or to
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<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> .
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<P>
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<H1><A NAME="SECTION00510000000000000000">
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Defining Sequences</A>
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</H1>
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<P>
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A S<SMALL>EQUENCE</SMALL> command sets the pattern(s) used in creating
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each track in your song:
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Track Sequence Pattern1 Pattern2 ...</B>
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</td></tr>
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</Table>
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<P>
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“Track” can be any valid track name: “Chord”, “Walk”,
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“Walk-Sus”, “Arpeggio-88”, etc.
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<P>
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All pattern names used when setting a sequence need to be defined when
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this command is issued; or you can use what appears to be a pattern
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definition right in the sequence command by enclosing the pattern
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definition in a set of curly brackets “{ }”.
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="#efefef" Border=3>
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<tr><td Align="CENTER" BGColor="White">
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<SPAN CLASS="textbf"><BIG CLASS="XLARGE">Simple Sequence</BIG></SPAN> <A NAME="eg:seq1"></A>
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</tr> </td>
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<tr> <td >
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>SeqClear
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<BR>
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SeqSize 2
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<BR>
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Begin Drum
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<BR> Sequence Snare4
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<BR> Tone Snaredrum1
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<BR>
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End
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<BR>
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Begin Drum-1
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<BR> Sequence Bass1 Bass2
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<BR> Tone KickDrum2
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<BR>
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End
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<BR>
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Chord Sequence Broken8
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<BR>
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Bass Sequence Broken8
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<BR>
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Arpeggio Sequence { 1 1 100 * 8 } { 1 1 80 * 4 } </B>
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</td></tr>
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</Table>
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</td> </tr>
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</Table>
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<P>
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<P>
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<A HREF="#eg:seq1">This example</A> creates a 2 bar
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pattern. The Drum, Chord and Bass patterns repeat on every bar; the
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Drum-1 sequence repeats after 2 bars. Note how the Arpeggio pattern is
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defined at run-time.<A NAME="tex2html30"
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HREF="#foot2356"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">1</SPAN></SUP></A>
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<P>
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If there are fewer patterns than S<SMALL>EQ</SMALL>S<SMALL>IZE</SMALL>, the sequence will be
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filled out to correct size. If the number of patterns used is greater
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than S<SMALL>EQ</SMALL>S<SMALL>IZE</SMALL> (see
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<A HREF="node24.html#sec-directives">directives</A>) a warning
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message will be printed and the pattern list will be truncated.
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<P>
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When defining longer sequences, you can use the “repeat” symbol, a
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single “/”, to save typing. For example, the following two lines are
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equivalent:
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Bass Sequence Bass1 Bass1 Bass2 Bass2
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<BR>
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Bass Sequence Bass1 / Bass2 / </B>
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</td></tr>
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</Table>
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<P>
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<A NAME="sequence-clear"></A>
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<P>
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The special pattern name “-” (no quotes, just a single hyphen), or a
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single “z” can be used to turn a track off. For example, if you have
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set the sequences in <A HREF="#eg:seq1">this example</A>
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and decide to delete the Bass halfway though the song you could:
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Bass Sequence - </B>
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</td></tr>
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</Table>
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<P>
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The special sequences, “-” or “z”, are also the equivalent of a
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rest or “tacet” sequence. For example, in defining a 4 bar sequence
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with a 1-5 bass pattern on the first 3 bars and a walking bass on bar
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4 you might do something like:
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Bass Sequence Bass4-13 / / z
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<BR>
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Walk Sequence z / / Walk4-4 </B>
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</td></tr>
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</Table>
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<P>
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If you already have a sequence defined<A NAME="tex2html31"
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HREF="#foot2371"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">2</SPAN></SUP></A> you can repeat or copy the existing pattern by
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using a single “*” as the pattern name. This is useful when you are
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modifying an existing sequence.
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<P>
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For example, assume that we have created a four bar G<SMALL>ROOVE</SMALL>
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called “Neato”. Now, we want to change the C<SMALL>HORD</SMALL> pattern to
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use for an introduction ... but, we really only want to change the
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fourth bar in the pattern:
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<P>
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2007-04-29 06:47:40 +00:00
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Groove Neato
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<BR>
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Chord Sequence * * * {1 2 90}
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<BR>
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Defgroove NeatoIntro </B>
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</td></tr>
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</Table>
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<P>
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When a sequence is created a series of pointers to the existing
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patterns are created. If you change the definition of a particular
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pattern later in your file the new definition will have <SPAN CLASS="textit">no</SPAN>
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effect on your existing sequences.
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<P>
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Sequences are the workhorse of
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<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> . With them you can set up many
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interesting patterns and variations. This chapter should certainly
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give more detail and many more examples.
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2011-07-26 22:49:39 +00:00
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<P>
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Seqeuence definitions can get quite long and may need multiple
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lines. You can do this by using “ \” marked continuation lines. Or, to
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make it possible to have comments at the end of lines,
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<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> will
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parse S<SMALL>EQUENCE</SMALL> lines and attempt to join lines together until a
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matching number of “{”s and “}”s are found. One caution: in
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order for this feature to work with multi-bar sequences you must have
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non-matching braces on a line. For example, this will work:
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<P>
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Chord Sequence {1 4 90;
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<BR>
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3 4 90} { 1 1 90} </B>
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</td></tr>
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</Table>
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<P>
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This will <SPAN CLASS="textit">not work</SPAN>:
|
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|
|
|
<P>
|
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|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
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|
|
|
<tr><td>
|
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|
|
<B>Chord Sequence {1 4 90 } <IMG
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|
|
WIDTH="28" HEIGHT="28" ALIGN="BOTTOM" BORDER="0"
|
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|
|
SRC="img2.png"
|
|
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|
|
ALT="\includegraphics[height=3ex]{stop.eps}">
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|
<BR> {1 1 90} </B>
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</td></tr>
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</Table>
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|
|
|
2006-11-10 08:07:56 +00:00
|
|
|
<P>
|
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|
|
The following commands help manipulate sequences in your creations:
|
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|
|
<P>
|
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|
<H1><A NAME="SECTION00520000000000000000"></A> <A NAME="sec-seqclear"></A>
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<BR>
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|
SeqClear
|
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|
</H1>
|
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|
|
<P>
|
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|
|
This command clears all existing sequences from memory. It is useful
|
|
|
|
|
when defining a new sequence and you want to be sure that no
|
2011-07-26 22:49:39 +00:00
|
|
|
“leftover” sequences are active. The command:
|
2006-11-10 08:07:56 +00:00
|
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<P>
|
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|
2007-04-29 06:47:40 +00:00
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|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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|
<B>SeqClear </B>
|
2006-11-10 08:07:56 +00:00
|
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|
2007-04-29 06:47:40 +00:00
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</td></tr>
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</Table>
|
2006-11-10 08:07:56 +00:00
|
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<P>
|
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|
deletes all sequence information, with the important exception that
|
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|
S<SMALL>OLO</SMALL> tracks are ignored.
|
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<P>
|
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|
Alternately, the command:
|
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<P>
|
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|
2007-04-29 06:47:40 +00:00
|
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
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<tr><td>
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<B>Drum SeqClear </B>
|
2006-11-10 08:07:56 +00:00
|
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|
2007-04-29 06:47:40 +00:00
|
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</td></tr>
|
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|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
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|
<P>
|
2011-07-26 22:49:39 +00:00
|
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|
deletes <SPAN CLASS="textit">all</SPAN> drum sequences. This includes the track “Drum”,
|
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|
“Drum1”, etc.
|
2006-11-10 08:07:56 +00:00
|
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<P>
|
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|
If you use a sub-track:
|
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|
<P>
|
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|
2007-04-29 06:47:40 +00:00
|
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
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|
|
<tr><td>
|
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|
<B>Chord-Piano SeqClear </B>
|
2006-11-10 08:07:56 +00:00
|
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|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
2011-07-26 22:49:39 +00:00
|
|
|
only the sequence for that track is cleared.<A NAME="tex2html32"
|
|
|
|
|
HREF="#foot2461"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">3</SPAN></SUP></A>
|
2006-11-10 08:07:56 +00:00
|
|
|
<P>
|
|
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|
|
In addition to clearing the sequence pattern, the following other
|
|
|
|
|
settings are restored to a default condition:
|
|
|
|
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|
|
|
|
|
<P>
|
|
|
|
|
|
|
|
|
|
<UL>
|
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|
|
<LI>Track Invert setting,
|
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|
<P>
|
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|
</LI>
|
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|
|
<LI>Track Sequence Rnd setting,
|
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|
<P>
|
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|
</LI>
|
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|
<LI>Track MidiSeq setting,
|
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|
<P>
|
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</LI>
|
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|
<LI>Track octave,
|
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|
<P>
|
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|
</LI>
|
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|
|
<LI>Track voice,
|
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|
<P>
|
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|
</LI>
|
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|
|
<LI>Track Rvolume,
|
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|
|
<P>
|
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|
</LI>
|
|
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|
|
<LI>Track Volume,
|
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|
|
<P>
|
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|
|
</LI>
|
|
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|
|
<LI>Track RTime,
|
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|
|
<P>
|
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|
|
</LI>
|
|
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|
|
<LI>Track Strum.
|
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|
|
<P>
|
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|
|
</LI>
|
|
|
|
|
</UL>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
CAUTION: It is not possible to clear only a track like D<SMALL>RUM</SMALL> or
|
|
|
|
|
C<SMALL>HORD</SMALL> using this command. The command
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Chord SeqClear </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
2009-05-17 22:34:44 +00:00
|
|
|
resets <SPAN CLASS="textit">all</SPAN> C<SMALL>HORD</SMALL> tracks, whereas the command:
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Chord-Foo SeqClear </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
2009-05-17 22:34:44 +00:00
|
|
|
resets the C<SMALL>HORD-</SMALL>F<SMALL>OO</SMALL> track. If you need to clear <SPAN CLASS="textit">only</SPAN>
|
2011-07-26 22:49:39 +00:00
|
|
|
the C<SMALL>HORD</SMALL> track use the “-” option.
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2009-05-17 22:34:44 +00:00
|
|
|
<H1><A NAME="SECTION00530000000000000000"></A>
|
|
|
|
|
|
|
|
|
|
<A NAME="seqrnd"></A>
|
|
|
|
|
<BR>
|
|
|
|
|
SeqRnd
|
2006-11-10 08:07:56 +00:00
|
|
|
</H1>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Normally, the patterns used for each bar are selected in order. For
|
|
|
|
|
example, if you had a sequence:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Drum-2 Sequence P1 P2 P3 z </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
2011-07-26 22:49:39 +00:00
|
|
|
bar 1 would use “P1”, bar 2 “P2”, etc. However, it is quite
|
2006-11-10 08:07:56 +00:00
|
|
|
possible (and fun and useful) to insert a randomness to the order of
|
|
|
|
|
sequences.
|
|
|
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> can achieve this in three different ways:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
|
|
|
|
<OL>
|
|
|
|
|
<LI>Separately for each track:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Drum-Snare SeqRnd On </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
</LI>
|
|
|
|
|
<LI>Globally for all tracks:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqRnd On </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
</LI>
|
|
|
|
|
<LI>For a selected set of tracks (keeping the tracks synchronized):
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqRnd Drum-Snare Chord-2 Chord-3 </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
</LI>
|
|
|
|
|
</OL>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
To disable random sequencing:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqRnd Off
|
2006-11-10 08:07:56 +00:00
|
|
|
<BR>
|
2007-04-29 06:47:40 +00:00
|
|
|
Drum SeqRnd Off </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
To illustrate the different effects you can generate, assume that you
|
|
|
|
|
have a total of four tracks defined: Drum-Snare, Drum-Low, Chord and
|
|
|
|
|
Bass; your sequence size is 4 bars; and you have created some type of
|
|
|
|
|
sequence for each track with a commands similar to:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Drum-Snare Sequence D1 D2 D3 D4
|
2006-11-10 08:07:56 +00:00
|
|
|
<BR>
|
|
|
|
|
Drum-Low Sequence D11 D22 D33 D44
|
|
|
|
|
<BR>
|
|
|
|
|
Chord Sequence C1 C2 C3 C4
|
|
|
|
|
<BR>
|
2007-04-29 06:47:40 +00:00
|
|
|
Bass Sequence B1 B2 B3 B4 </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
With no sequence randomization at all, the tracks will be be processed
|
|
|
|
|
as:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
<BLOCKQUOTE>
|
|
|
|
|
<TABLE CELLPADDING=3 BORDER="1">
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Track \ Bar</TD>
|
|
|
|
|
<TD ALIGN="LEFT">1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">5</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Snare</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Low</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D22</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D33</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Chord</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Bass</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
</TABLE>
|
|
|
|
|
</BLOCKQUOTE>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Next, assume we have set sequence randomization with:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqRnd On </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Now, the sequence may look like:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
<BLOCKQUOTE>
|
|
|
|
|
<TABLE CELLPADDING=3 BORDER="1">
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Track \ Bar</TD>
|
|
|
|
|
<TD ALIGN="LEFT">1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">5</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Snare</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D4</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Low</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D33</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D22</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Chord</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C4</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Bass</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B4</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
</TABLE>
|
|
|
|
|
</BLOCKQUOTE>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Note that the randomization keeps the different sequences together:
|
|
|
|
|
Drum sequences D3 and D33 are always played with Chord sequence C3,
|
|
|
|
|
etc.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Next, we will set randomization for a Drum and Chord track only:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Drum-Low SeqRnd On
|
2006-11-10 08:07:56 +00:00
|
|
|
<BR>
|
2007-04-29 06:47:40 +00:00
|
|
|
Chord SeqRnd On </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
<BLOCKQUOTE>
|
|
|
|
|
<TABLE CELLPADDING=3 BORDER="1">
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Track \ Bar</TD>
|
|
|
|
|
<TD ALIGN="LEFT">1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">5</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Snare</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Low</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D22</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D33</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Chord</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Bass</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
</TABLE>
|
|
|
|
|
</BLOCKQUOTE>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
In this case there is no relationship between any of the randomized
|
|
|
|
|
tracks.
|
|
|
|
|
|
|
|
|
|
<P>
|
2011-07-26 22:49:39 +00:00
|
|
|
Finally, it is possible to set a “global” randomization for a
|
2006-11-10 08:07:56 +00:00
|
|
|
selected set of tracks. In this case we will set the Drum tracks only:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqRnd Drum-Snare Drum-Low </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
<BLOCKQUOTE>
|
|
|
|
|
<TABLE CELLPADDING=3 BORDER="1">
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Track \ Bar</TD>
|
|
|
|
|
<TD ALIGN="LEFT">1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">5</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
<TD ALIGN="LEFT"> </TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Snare</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D2</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Drum-Low</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D33</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D11</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D44</TD>
|
|
|
|
|
<TD ALIGN="LEFT">D22</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Chord</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">C1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
<TR><TD ALIGN="RIGHT">Bass</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B2</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B3</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B4</TD>
|
|
|
|
|
<TD ALIGN="LEFT">B1</TD>
|
|
|
|
|
</TR>
|
|
|
|
|
</TABLE>
|
|
|
|
|
</BLOCKQUOTE>
|
|
|
|
|
|
|
|
|
|
<P>
|
2011-07-26 22:49:39 +00:00
|
|
|
Note that the drum sequences always “line up” with each other and
|
2006-11-10 08:07:56 +00:00
|
|
|
the Chord and Bass sequences follow in the normal order.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
The S<SMALL>EQ</SMALL>C<SMALL>LEAR</SMALL> command will disable all sequence
|
2011-07-26 22:49:39 +00:00
|
|
|
randomization. The S<SMALL>EQ</SMALL> command will disable “global” (for all
|
2006-11-10 08:07:56 +00:00
|
|
|
tracks) randomization.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2009-05-17 22:34:44 +00:00
|
|
|
<H1><A NAME="SECTION00540000000000000000"></A>
|
|
|
|
|
|
|
|
|
|
<A NAME="seqrndweight"></A>
|
|
|
|
|
<BR>
|
|
|
|
|
SeqRndWeight
|
2006-11-10 08:07:56 +00:00
|
|
|
</H1>
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
When S<SMALL>EQ</SMALL>R<SMALL>ND</SMALL> is enabled each sequence for the track (or globally) has an equal chance
|
2009-05-17 22:34:44 +00:00
|
|
|
of being selected. There are times when you may want to change this behavior. For example,
|
2006-11-10 08:07:56 +00:00
|
|
|
you might have a sequence like this:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Chord Sequence C1 C2 C3 C4 </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
and you feel that the patterns C1 and C2 need to be used twice as often as C3 and C4.
|
|
|
|
|
Simple:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>Chord SeqRndWeight 2 2 1 1 </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
Think of the random selection occurring like selecting balls out of bag. The S<SMALL>EQ</SMALL>R<SMALL>ND</SMALL>W<SMALL>EIGHT</SMALL>
|
2011-07-26 22:49:39 +00:00
|
|
|
command “fills up the bag”. In the above case, there will be two C1 and C2 balls, one C3 and C4 ball--
|
2006-11-10 08:07:56 +00:00
|
|
|
for a total of six balls.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
This command can be used in both a track and global context.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
The effects are saved in G<SMALL>ROOVES</SMALL>.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
S<SMALL>EQ</SMALL>C<SMALL>LEAR</SMALL> will reset both global and track contexts to the default (equal) condition.
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
|
|
|
|
<H1><A NAME="SECTION00550000000000000000">
|
|
|
|
|
SeqSize</A>
|
|
|
|
|
</H1>
|
|
|
|
|
|
|
|
|
|
<P>
|
2011-07-26 22:49:39 +00:00
|
|
|
The number of bars in a sequence are set with the “SeqSize” command.
|
2006-11-10 08:07:56 +00:00
|
|
|
For example:
|
|
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
|
|
|
<tr><td>
|
|
|
|
|
<B>SeqSize 4 </B>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
2007-04-29 06:47:40 +00:00
|
|
|
</td></tr>
|
|
|
|
|
</Table>
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
sets it to 4 bars. The SeqSize applies to all tracks.
|
|
|
|
|
|
|
|
|
|
<P>
|
2009-05-17 22:34:44 +00:00
|
|
|
This command resets the <SPAN CLASS="textit">sequence counter</SPAN> to 1.
|
2006-11-10 08:07:56 +00:00
|
|
|
|
|
|
|
|
<P>
|
|
|
|
|
If some sequences have already been defined, they will be truncated or
|
|
|
|
|
expanded to the new size. Truncation is done by removing patterns from
|
|
|
|
|
the end of the sequence; expansion is done by duplicating the sequence
|
|
|
|
|
until it is long enough.
|
|
|
|
|
|
2011-07-26 22:49:39 +00:00
|
|
|
<P>
|
|
|
|
|
|
2006-11-10 08:07:56 +00:00
|
|
|
<P>
|
|
|
|
|
<BR><HR><H4>Footnotes</H4>
|
|
|
|
|
<DL>
|
2011-07-26 22:49:39 +00:00
|
|
|
<DT><A NAME="foot2356">... run-time.</A><A
|
|
|
|
|
HREF="node5.html#tex2html30"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">1</SPAN></SUP></A></DT>
|
2006-11-10 08:07:56 +00:00
|
|
|
<DD>If you run
|
2011-07-26 22:49:39 +00:00
|
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> with the “-s” option
|
|
|
|
|
you'll see pattern names in the format “_1”. The leading
|
2006-11-10 08:07:56 +00:00
|
|
|
underscore indicates that the pattern was dynamically created in the
|
|
|
|
|
sequence.
|
|
|
|
|
|
|
|
|
|
</DD>
|
2011-07-26 22:49:39 +00:00
|
|
|
<DT><A NAME="foot2371">... defined</A><A
|
|
|
|
|
HREF="node5.html#tex2html31"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">2</SPAN></SUP></A></DT>
|
2006-11-10 08:07:56 +00:00
|
|
|
<DD>In reality there is
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always a sequence defined for every track, but it might be a series
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of “rest” bars.
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</DD>
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<DT><A NAME="foot2461">... cleared.</A><A
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HREF="node5.html#tex2html32"><SUP><SPAN CLASS="arabic">5</SPAN>.<SPAN CLASS="arabic">3</SPAN></SUP></A></DT>
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<DD>It is probably
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easier to use the command:
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<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
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<tr><td>
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<B>Chord-Piano Sequence - </B>
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</td></tr>
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</Table>
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if that is
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what you want to do. In this case <SPAN CLASS="textit">only</SPAN> sequence pattern is
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cleared.
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</DD>
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<B> Next:</B> <A NAME="tex2html473"
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HREF="node6.html">Grooves</A>
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bob
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2010-11-07
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