mirror of
https://github.com/microtherion/VocalEasel.git
synced 2024-12-22 19:23:59 +00:00
386 lines
10 KiB
HTML
386 lines
10 KiB
HTML
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
|
|
|
<!--Converted with LaTeX2HTML 2008 (1.71)
|
|
original version by: Nikos Drakos, CBLU, University of Leeds
|
|
* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
|
|
* with significant contributions from:
|
|
Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
|
|
<HTML>
|
|
<HEAD>
|
|
<TITLE>Harmony</TITLE>
|
|
<META NAME="description" CONTENT="Harmony">
|
|
<META NAME="keywords" CONTENT="mma">
|
|
<META NAME="resource-type" CONTENT="document">
|
|
<META NAME="distribution" CONTENT="global">
|
|
|
|
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=utf-8">
|
|
<META NAME="Generator" CONTENT="LaTeX2HTML v2008">
|
|
<META HTTP-EQUIV="Content-Style-Type" CONTENT="text/css">
|
|
|
|
<LINK REL="STYLESHEET" HREF="mma.css">
|
|
|
|
<LINK REL="next" HREF="node16.html">
|
|
<LINK REL="previous" HREF="node14.html">
|
|
<LINK REL="up" HREF="mma.html">
|
|
<LINK REL="next" HREF="node16.html">
|
|
</HEAD>
|
|
|
|
<BODY bgcolor="#ffffff">
|
|
|
|
<DIV CLASS="navigation"><!--Navigation Panel-->
|
|
<A NAME="tex2html627"
|
|
HREF="node16.html">
|
|
<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next" SRC="next.png"></A>
|
|
<A NAME="tex2html625"
|
|
HREF="mma.html">
|
|
<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up" SRC="up.png"></A>
|
|
<A NAME="tex2html619"
|
|
HREF="node14.html">
|
|
<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous" SRC="prev.png"></A>
|
|
<BR>
|
|
<B> Next:</B> <A NAME="tex2html628"
|
|
HREF="node16.html">Tempo and Timing</A>
|
|
<B> Up:</B> <A NAME="tex2html626"
|
|
HREF="mma.html">Reference Manual</A>
|
|
<B> Previous:</B> <A NAME="tex2html620"
|
|
HREF="node14.html">Chord Voicing</A>
|
|
<BR>
|
|
<BR></DIV>
|
|
<!--End of Navigation Panel-->
|
|
<!--Table of Child-Links-->
|
|
<A NAME="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
|
|
|
|
<UL CLASS="ChildLinks">
|
|
<LI><A NAME="tex2html629"
|
|
HREF="node15.html#SECTION001510000000000000000">Harmony</A>
|
|
<LI><A NAME="tex2html630"
|
|
HREF="node15.html#SECTION001520000000000000000">HarmonyOnly</A>
|
|
<LI><A NAME="tex2html631"
|
|
HREF="node15.html#SECTION001530000000000000000">HarmonyVolume</A>
|
|
</UL>
|
|
<!--End of Table of Child-Links-->
|
|
<HR>
|
|
|
|
<H1><A NAME="SECTION001500000000000000000"></A>
|
|
<A NAME="sec-harmony"></A>
|
|
<BR>
|
|
Harmony
|
|
</H1>
|
|
|
|
<P>
|
|
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> can generate harmony notes for you ... just like hitting two
|
|
or more keys on the piano! And you don't have to take lessons.
|
|
|
|
<P>
|
|
Automatic harmonies are available for the following track types: Bass,
|
|
Walk, Arpeggio, Scale, Solo and Melody.
|
|
|
|
<P>
|
|
Just in case you are thinking that
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> is a wonderful musical
|
|
creator when it comes to harmonies, don't be fooled.
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> 's ideas of
|
|
harmony are quite facile. It determines harmony notes by finding a
|
|
note lower or higher than the current note being sounded within the
|
|
current chord. And its notion of “open” is certainly not that of
|
|
traditional music theory. But, the sound isn't too bad.
|
|
|
|
<P>
|
|
|
|
<H1><A NAME="SECTION001510000000000000000"></A> <A NAME="harmony"></A>
|
|
<BR>
|
|
Harmony
|
|
</H1>
|
|
|
|
<P>
|
|
To enable harmony notes, use a command like:
|
|
|
|
<P>
|
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
<tr><td>
|
|
<B>Solo Harmony 2 </B>
|
|
|
|
</td></tr>
|
|
</Table>
|
|
|
|
<P>
|
|
You can set a different harmony method for each bar in your sequence.
|
|
|
|
<P>
|
|
The following are valid harmony methods:
|
|
|
|
<P><DL>
|
|
<DT><STRONG>2 or 2Below</STRONG></DT>
|
|
<DD>Two part harmony. The harmony note
|
|
selected is lower (on the scale).
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>28Below</STRONG></DT>
|
|
<DD>Two part harmony, the harmony note is lowered by an
|
|
additional octave.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>2Above</STRONG></DT>
|
|
<DD>The same as “2”, but the harmony note is raised an
|
|
octave.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>28Above</STRONG></DT>
|
|
<DD>The same as “2Above”, but the harmony note is raised by
|
|
two octaves.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>3 or 3Below</STRONG></DT>
|
|
<DD>Three part harmony. The harmony notes
|
|
selected are lower.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>3Above</STRONG></DT>
|
|
<DD>The same as “3”, but both notes are raised an
|
|
octave.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>38Above</STRONG></DT>
|
|
<DD>Same as “3”, but the two harmony notes are raised
|
|
by two octaves.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>38Below</STRONG></DT>
|
|
<DD>Same as “3”, but the two harmomy notes are lowered
|
|
by two octaves.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>Open or OpenBelow</STRONG></DT>
|
|
<DD>Two part harmony, however the gap
|
|
between the two notes is larger than in “2”.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>Open8Below</STRONG></DT>
|
|
<DD>Same as “OpenBelow”, but the harmony note is lowered by
|
|
an additional octave.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>OpenAbove</STRONG></DT>
|
|
<DD>Same as “Open”, but the added note is above the
|
|
original.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>Open8Above</STRONG></DT>
|
|
<DD>Same as “OpenAbove”, but the added note is
|
|
raised by an additional octave.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>8 or 8Below</STRONG></DT>
|
|
<DD>A note 1 octave lower is added.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>8Above</STRONG></DT>
|
|
<DD>A note 2 octave higher is added.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>16 or 16Below</STRONG></DT>
|
|
<DD>A single note two octaves below is
|
|
added.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>16Above</STRONG></DT>
|
|
<DD>A single note two octaves above are added.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>24 or 24Below</STRONG></DT>
|
|
<DD>A single note three octaves below is
|
|
added.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>24Above</STRONG></DT>
|
|
<DD>A single note three octaves above is added.
|
|
|
|
<P>
|
|
</DD>
|
|
</DL>
|
|
|
|
<P>
|
|
You can combine any of the above harmony modes by using a “+”. For
|
|
example:
|
|
|
|
<P><DL>
|
|
<DT><STRONG>OPEN+8Below</STRONG></DT>
|
|
<DD>will produce harmony notes with an “Open”
|
|
harmony and a note an octave below the current note.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>3Above+16</STRONG></DT>
|
|
<DD>will generate 2 harmony notes above the current
|
|
note plus a note 2 octaves below.
|
|
|
|
<P>
|
|
</DD>
|
|
<DT><STRONG>8Below+8Above+16Below</STRONG></DT>
|
|
<DD>will generate 3 notes: one 2 octaves
|
|
below the current, one an octave below, and one an octave above.
|
|
|
|
<P>
|
|
</DD>
|
|
</DL>
|
|
|
|
<P>
|
|
There is no limit to the number of modes you can concatenate. Any
|
|
duplicate notes generated will be ignored.
|
|
|
|
<P>
|
|
All harmonies are created using the current chord.
|
|
|
|
<P>
|
|
To disable harmony use a “0”, “-” or “None”.
|
|
|
|
<P>
|
|
Be careful in using harmonies. They can make your song sound heavy,
|
|
especially with B<SMALL>ASS</SMALL> notes (applying a different volume may
|
|
help).
|
|
|
|
<P>
|
|
The command has no effect in D<SMALL>RUM</SMALL> or C<SMALL>HORD</SMALL> tracks.
|
|
|
|
<P>
|
|
|
|
<H1><A NAME="SECTION001520000000000000000"></A> <A NAME="harmonyonly"></A>
|
|
<BR>
|
|
HarmonyOnly
|
|
</H1>
|
|
|
|
<P>
|
|
As a added feature to the automatic harmony generation discussed in
|
|
the previous section, it is possible to set a track so that it
|
|
<SPAN CLASS="textit">only</SPAN> plays the harmony notes. For example, you might want to
|
|
set up two arpeggio tracks with one playing quarter notes on a piano
|
|
and a harmony track playing half notes on a violin. The following
|
|
snippet is extracted from the song file “Cry Me A River” and sets up
|
|
2 different choir voices:
|
|
|
|
<P>
|
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
<tr><td>
|
|
<B>Begin Arpeggio
|
|
<BR> Sequence A4
|
|
<BR> Voice ChoirAahs
|
|
<BR> Invert 0 1 2 3
|
|
<BR> SeqRnd
|
|
<BR> Octave 5
|
|
<BR> RSkip 40
|
|
<BR> Volume p
|
|
<BR> Articulate 99
|
|
<BR>
|
|
End
|
|
<BR>
|
|
<BR>
|
|
Begin Arpeggio-2
|
|
<BR> Sequence A4
|
|
<BR> Voice VoiceOohs
|
|
<BR> Octave 5
|
|
<BR> RSkip 40
|
|
<BR> Volume p
|
|
<BR> Articulate 99
|
|
<BR> HarmonyOnly Open
|
|
<BR>
|
|
End </B>
|
|
|
|
</td></tr>
|
|
</Table>
|
|
|
|
<P>
|
|
Just like the H<SMALL>ARMONY</SMALL> command, above, you can have different
|
|
settings for each bar in your sequence. Setting a bar (or the entire
|
|
sequence) to '`-” or “0” disables both the H<SMALL>ARMONY</SMALL> and
|
|
H<SMALL>ARMONY</SMALL>O<SMALL>NLY</SMALL> settings.
|
|
|
|
<P>
|
|
The command has no effect in D<SMALL>RUM</SMALL> or C<SMALL>HORD</SMALL> tracks.
|
|
|
|
<P>
|
|
If you want to use this feature with S<SMALL>OLO</SMALL> or M<SMALL>ELODY</SMALL>
|
|
tracks you can duplicate the notes in your R<SMALL>IFF</SMALL> or in-line
|
|
notation <SPAN CLASS="textit">or</SPAN> with the <A HREF="node10.html#autosolotracks">A<SMALL>UTO</SMALL>H<SMALL>ARMONY</SMALL>T<SMALL>RACKS
|
|
COMMAND</SMALL></A>.
|
|
|
|
<P>
|
|
|
|
<H1><A NAME="SECTION001530000000000000000"></A> <A NAME="harmonyvolumne"></A>
|
|
<BR>
|
|
HarmonyVolume
|
|
</H1>
|
|
|
|
<P>
|
|
By default,
|
|
<FONT Face="Serif" Color="Navy"><I>MMA</I></FONT> will use a volume (velocity) of 80% of that used by
|
|
the original note for all harmony notes it generates. You can change
|
|
this with the the H<SMALL>ARMONY</SMALL>V<SMALL>OLUME</SMALL> command. For example:
|
|
|
|
<P>
|
|
|
|
<Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
|
|
<tr><td>
|
|
<B>Begin Solo
|
|
<BR> Voice JazzGuitar
|
|
<BR> Harmony Open
|
|
<BR> HarmonyVolume 80
|
|
<BR>
|
|
End </B>
|
|
|
|
</td></tr>
|
|
</Table>
|
|
|
|
<P>
|
|
You can specify different values for each bar in the sequence. The
|
|
values are percentages and must be greater than 0 (large values works
|
|
just fine if you want the harmony louder than the original). The
|
|
command has no effect in D<SMALL>RUM</SMALL> or C<SMALL>HORD</SMALL> tracks.
|
|
|
|
<P>
|
|
|
|
<DIV CLASS="navigation"><HR>
|
|
<!--Navigation Panel-->
|
|
<A NAME="tex2html627"
|
|
HREF="node16.html">
|
|
<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next" SRC="next.png"></A>
|
|
<A NAME="tex2html625"
|
|
HREF="mma.html">
|
|
<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up" SRC="up.png"></A>
|
|
<A NAME="tex2html619"
|
|
HREF="node14.html">
|
|
<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous" SRC="prev.png"></A>
|
|
<BR>
|
|
<B> Next:</B> <A NAME="tex2html628"
|
|
HREF="node16.html">Tempo and Timing</A>
|
|
<B> Up:</B> <A NAME="tex2html626"
|
|
HREF="mma.html">Reference Manual</A>
|
|
<B> Previous:</B> <A NAME="tex2html620"
|
|
HREF="node14.html">Chord Voicing</A></DIV>
|
|
<!--End of Navigation Panel-->
|
|
<ADDRESS>
|
|
bob
|
|
2010-11-07
|
|
</ADDRESS>
|
|
</BODY>
|
|
</HTML>
|