VocalEasel/musicxml11/note.dtd

<!--
	MusicXML note.dtd

	Version 1.1 - 20 May 2005
	
	Copyright © 2004-2005 Recordare LLC.
	http://www.recordare.com/
	
	This MusicXML work is being provided by the copyright
	holder under the MusicXML Document Type Definition 
	Public License Version 1.02, available from:
	
		http://www.recordare.com/dtds/license.html
-->

<!--
	The note component DTD contains the note representations
	for MusicXML. This section of the DTD can then be used
	within a partwise or timewise MusicXML score. This DTD
	contains the note element, all its children elements,
	and related entities.
-->

<!-- Entities -->

<!-- Structures -->

<!--
	The common note elements between cue/grace notes and
	regular (full) notes: pitch, chord, and rest information,
	but not duration (cue and grace notes do not have
	duration encoded here). Unpitched elements are used for
	unpitched percussion, speaking voice, and other musical
	elements lacking determinate pitch.
-->
<!ENTITY % full-note "(chord?, (pitch | unpitched | rest))">

<!-- Elements -->
<!--
	Notes are the most common type of MusicXML data. MusicXML
	keeps the MuseData distinction between elements used for
	sound information and element used for notation
	information (e.g., tie is used for sound, tied for
	notation). Thus grace notes do not have a duration
	element. Cue notes have a duration element, as do forward
	elements, but no tie elements. Having these two types of
	information available can make interchange considerably
	easier, as some programs handle one type of information
	much more readily than the other. 
-->
<!ELEMENT note 
   (((grace, %full-note;, (tie, tie?)?) |
    (cue, %full-note;, duration) |
	 (%full-note;, duration, (tie, tie?)?)),
	instrument?, %editorial-voice;, type?, dot*,
	accidental?, time-modification?, stem?, notehead?,
	staff?, beam*, notations*, lyric*)>

<!--
	The position and printout entities for printing
	suggestions are defined in common.dtd.
	
	The dynamics and end-dynamics attributes reflect MIDI's
	Note On and Note Off velocities, respectively. They are
	expressed in terms of percentages of a standard MIDI
	forte volume of 90. The attack and release attributes
	are used to alter the staring and stopping time of the
	note from when it would otherwise occur based on the 
	flow of durations - information that is specific to a
	performance. They are expressed in terms of divisions,
	either positive or negative. If a note is played only
	one time through a repeat, the time-only attribute
	shows which time to play the note. The pizzicato 
	attribute is used when just this note is sounded
	pizzicato, vs. the pizzicato and arco elements.
-->
<!ATTLIST note
    %print-style; 
    %printout;
    dynamics CDATA #IMPLIED
    end-dynamics CDATA #IMPLIED
    attack CDATA #IMPLIED
    release CDATA #IMPLIED
    time-only CDATA #IMPLIED
    pizzicato %yes-no; #IMPLIED
>

<!--
	Pitch is represented as a combination of the step of the
	diatonic scale, the chromatic alteration, and the octave.
	The step element uses the English letters A through G. 
	The alter element represents chromatic alteration in
	number of semitones (e.g., -1 for flat, 1 for sharp).
	Decimal values like 0.5 (quarter tone sharp) may be 
	used for microtones. The octave element is represented
	by the numbers 0 to 9, where 4 indicates the octave
	started by middle C.
-->
<!ELEMENT pitch (step, alter?, octave)>
<!ELEMENT step (#PCDATA)>
<!ELEMENT alter (#PCDATA)>
<!ELEMENT octave (#PCDATA)>

<!--
	The cue and grace elements indicate the presence of
	cue and grace notes. The slash attribute for a grace
	note is yes for slashed eighth notes. The other grace
	note attributes come from MuseData sound suggestions.
	Steal-time-previous indicates the percentage of time
	to steal from the previous note for the grace note.
	Steal-time-following indicates the percentage of time
	to steal from the following note for the grace note.
	Make-time indicates to make time, not steal time; the
	units are in real-time divisions for the grace note. 
-->
<!ELEMENT cue EMPTY>
<!ELEMENT grace EMPTY>
<!ATTLIST grace
    steal-time-previous CDATA #IMPLIED
    steal-time-following CDATA #IMPLIED
    make-time CDATA #IMPLIED
    slash %yes-no; #IMPLIED
>

<!--
	The chord element indicates that this note is an
	additional chord tone with the preceding note. The
	duration of this note can be no longer than the preceding
	note. In MuseData, a missing duration indicates the same
	length as the preceding note, but here we require the 
	duration for chord records too.
-->
<!ELEMENT chord EMPTY>

<!--
	The unpitched element indicates musical elements that are
	notated on the staff but lack definite pitch, such as
	unpitched percussion and speaking voice. Like notes, it
	uses step and octave elements to indicate placement on
	the staff, following the current clef. If percussion clef
	is used, the display-step and display-octave are
	interpreted as if in treble clef, with a G in octave 4 
	on line 2. If not present, the note is placed on the 
	middle line of the staff, generally used for one-line
	staffs.
-->
<!ELEMENT unpitched ((display-step, display-octave)?)>
<!ELEMENT display-step (#PCDATA)>
<!ELEMENT display-octave (#PCDATA)>

<!--
	The rest element indicates notated rests or silences.
	Rest are usually empty, but placement on the staff can
	be specified using display-step and display-octave
	elements.
-->
<!ELEMENT rest ((display-step, display-octave)?)>

<!--
	Duration is specified in division units. This is the
	intended duration vs. notated duration (for instance,
	swing eighths vs. even eighths, or differences in dotted
	notes in Baroque-era music). Differences in duration 
	specific to an interpretation or performance should use
	the note element's attack and release attributes. The 
	tie element indicates that a tie begins or ends with 
	this note. The tie element indicates sound; the tied 
	element indicates notation.
-->
<!ELEMENT duration (#PCDATA)>
<!ELEMENT tie EMPTY>
<!ATTLIST tie
    type %start-stop; #REQUIRED
>

<!--
	If multiple score-instruments are specified on a
	score-part, there should be an instrument element for
	each note in the part. The id attribute is an IDREF back
	to the score-instrument ID.
-->
<!ELEMENT instrument EMPTY>
<!ATTLIST instrument
    id IDREF #REQUIRED
>
<!--
	Type indicates the graphic note type, Valid values (from
	shortest to longest) are 256th, 128th, 64th, 32nd, 16th,
	eighth, quarter, half, whole, breve, and long. The size
	attribute indicates full-size or cue-size, with full the
	default for regular notes and cue the default for cue
	and grace notes.
-->
<!ELEMENT type (#PCDATA)>
<!ATTLIST type
    size %symbol-size; #IMPLIED
>

<!--
	One dot element is used for each dot of prolongation.
-->
<!ELEMENT dot EMPTY>
<!ATTLIST dot
    %print-style;
>

<!--
	Actual notated accidentals. Valid values include: sharp,
	natural, flat, double-sharp, sharp-sharp, flat-flat,
	natural-sharp, natural-flat, quarter-flat, quarter-sharp,
	three-quarters-flat, and three-quarters-sharp. Editorial
	and cautionary indications are indicated by attributes.
	Values for these attributes are "no" if not present.
	Specific graphic display such as parentheses, brackets,
	and size are controlled by the level-display entity 
	defined in the common.dtd file.
-->
<!ELEMENT accidental (#PCDATA)>
<!ATTLIST accidental
    cautionary %yes-no; #IMPLIED
    editorial %yes-no; #IMPLIED
    %level-display;
    %print-style;
>

<!--
	Time modification indicates tuplets and other
	durational changes. The actual-notes element describes
	how many notes are played in the time usually occupied
	by the number of normal-notes. If the normal-notes type
	is different than the current note type (e.g., a 
	quarter note within an eighth note triplet), then the
	normal-notes type (e.g. eighth) is specified in the
	normal-type and normal-dot elements.
-->
<!ELEMENT time-modification
	(actual-notes, normal-notes, 
	(normal-type, normal-dot*)?)>
<!ELEMENT actual-notes (#PCDATA)>
<!ELEMENT normal-notes (#PCDATA)>
<!ELEMENT normal-type (#PCDATA)>
<!ELEMENT normal-dot EMPTY>

<!--
	Stems can be down, up, none, or double. For down and up
	stems, the position attributes can be used to specify
	stem length. The relative values specify the end of the
	stem relative to the program default. Default values
	specify an absolute end stem position. Negative values of
	relative-y that would flip a stem instead of shortening
	it are ignored.
-->
<!ELEMENT stem (#PCDATA)>
<!ATTLIST stem
    %position;
    %color;
>

<!--
	The notehead element indicates shapes other than the open
	and closed ovals associated with note durations. The element
	value can be slash, triangle, diamond, square, cross, x,
	circle-x, inverted triangle, arrow down, arrow up, slashed,
	back slashed, normal, or none. For shape note music, the 
	element values do, re, mi, fa, so, la, and ti are used, 
	corresponding to Aikin's 7-shape system.

	The arrow shapes differ from triangle and inverted triangle
	by being centered on the stem. Slashed and back slashed 
	notes include both the normal notehead and a slash. The 
	triangle shape has the tip of the triangle pointing up;
	the inverted triangle shape has the tip of the triangle 
	pointing down.
	
	For the enclosed shapes, the default is to be hollow for
	half notes and longer, and filled otherwise. The filled
	attribute can be set to change this if needed.
	
	If the parentheses attribute is set to yes, the notehead
	is parenthesized. It is no by default.
-->
<!ELEMENT notehead (#PCDATA)>
<!ATTLIST notehead
    filled %yes-no; #IMPLIED
    parentheses %yes-no; #IMPLIED
    %font;
    %color;
>

<!--
	Beam types include begin, continue, end, forward hook,
	and backward hook. In MuseData, up to six concurrent
	beams are available to cover up to 256th notes. This
	seems sufficient so we use an enumerated type defined
	in common.dtd. The repeater attribute, used for tremolos,
	needs to be specified with a "yes" value for each beam 
	using it. Beams that have a begin value can also have 
	a fan attribute to indicate accelerandos and ritardandos 
	using fanned beams. The fan attribute may also be used
	with a continue value if the fanning direction changes
	on that note. The value is "none" if not specified.
	
	Note that the beam number does not distinguish sets
	of beams that overlap, as it does for slur and other
	elements. Beaming groups are distinguished by
	being in different voices and/or the presence or
	absence of grace and cue elements.
-->
<!ELEMENT beam (#PCDATA)>
<!ATTLIST beam
    number %beam-level; "1"
    repeater %yes-no; #IMPLIED
    fan (accel | rit | none) #IMPLIED
    %color;
>

<!--
	Notations are musical notations, not XML notations.
	Multiple notations are allowed in order to represent
	multiple editorial levels. The set of notations will be
	refined and expanded over time, especially to handle
	more instrument-specific technical notations.
-->
<!ELEMENT notations
	(%editorial;, 
	 (tied | slur | tuplet | glissando | slide | 
	  ornaments | technical | articulations | dynamics |
	  fermata | arpeggiate | non-arpeggiate | 
	  accidental-mark | other-notation)*)>

<!ELEMENT tied EMPTY>
<!ATTLIST tied
    type %start-stop; #REQUIRED
    number %number-level; #IMPLIED
    %line-type;
    %position;
    %placement;
    %orientation;
    %bezier;
    %color;
>

<!--
	Slur elements are empty. Most slurs are represented
	with two elements: one with a start type, and one
	with a stop type. Very complex slurs can add more
	elements using a continue type.
-->
<!ELEMENT slur EMPTY>
<!ATTLIST slur
    type %start-stop-continue; #REQUIRED
    number %number-level; "1"
    %line-type;
    %position;
    %placement;
    %orientation;
    %bezier;
    %color;
>

<!--
	A tuplet element is present when a tuplet is to be
	displayed graphically, in addition to the sound data
	provided by the time-modification elements. The number
	attribute is used to distinguish nested tuplets. The
	bracket attribute is used to indicate the presence of a
	bracket. If unspecified, the results are implementation-
	dependent. The line-shape attribute is used to specify
	whether the bracket is straight or in the older curved
	or slurred style. It is straight by default.
	
	Whereas a time-modification element shows how the
	cumulative, sounding effect of tuplets compare to
	the written note type, the tuplet element describes
	how this is displayed. The tuplet-actual and
	tuplet-normal elements provide optional full control
	over tuplet specifications. Each allows the number
	and note type (including dots) describing a single
	tuplet. If any of these elements are absent, their
	values are based on the time-modification element.
	
	The show-number attribute is used to display either
	the number of actual notes, the number of both actual
	and normal notes, or neither. It is actual by default.
	The show-type attribute is used to display either the
	actual type, both the actual and normal types, or
	neither. It is none by default.
-->
<!ELEMENT tuplet (tuplet-actual?, tuplet-normal?)>
<!ATTLIST tuplet
    type %start-stop; #REQUIRED
    number %number-level; #IMPLIED
    bracket %yes-no; #IMPLIED
    show-number (actual | both | none) #IMPLIED
    show-type (actual | both | none) #IMPLIED
    %line-shape;
    %position;
    %placement;
>
<!ELEMENT tuplet-actual (tuplet-number?,
	tuplet-type?, tuplet-dot*)>
<!ELEMENT tuplet-normal (tuplet-number?,
	tuplet-type?, tuplet-dot*)>
<!ELEMENT tuplet-number (#PCDATA)>
<!ATTLIST tuplet-number
    %font;
    %color;
>
<!ELEMENT tuplet-type (#PCDATA)>
<!ATTLIST tuplet-type
    %font;
    %color;
>
<!ELEMENT tuplet-dot EMPTY>
<!ATTLIST tuplet-dot
    %font;
    %color;
>

<!--
	Glissando and slide elements both indicate rapidly
	moving from one pitch to the other so that individual
	notes are not discerned. The distinction is similar
	to that between NIFF's glissando and portamento 
	elements. A glissando sounds the half notes in
	between the slide and defaults to a wavy line. A
	slide is continuous between two notes and defaults
	to a solid line. The optional text for a glissando
	or slide is printed alongside the line.
-->
<!ELEMENT glissando (#PCDATA)>
<!ATTLIST glissando
    type %start-stop; #REQUIRED
    number %number-level; "1"
    %line-type; 
    %print-style; 
>
<!ELEMENT slide (#PCDATA)>
<!ATTLIST slide
    type %start-stop; #REQUIRED
    number %number-level; "1"
    %line-type; 
    %print-style; 
    %bend-sound;
>

<!--
	The other-notation element is used to define
	any notations not yet in MusicXML. This allows 
	extended representation, though without application
	interoperability. It handles notations where more 
	specific extension elements such as other-dynamics 
	and other-technical are not appropriate.
-->
<!ELEMENT other-notation (#PCDATA)>
<!ATTLIST other-notation
    type %start-stop; #REQUIRED
    number %number-level; "1"
    %print-style; 
    %placement;
>

<!--
	Ornaments can be any of several types, followed
	optionally by accidentals. The accidental-mark
	element's content is represented the same as an
	accidental element, but with a different name to
	reflect the different musical meaning.
-->
<!ELEMENT ornaments
	(((trill-mark | turn | delayed-turn | shake |
	   wavy-line | mordent | inverted-mordent | 
	   schleifer | tremolo | other-ornament), 
	   accidental-mark*)*)>
<!ELEMENT trill-mark EMPTY>
<!ATTLIST trill-mark
    %print-style; 
    %placement; 
    %trill-sound; 
>
<!ELEMENT turn EMPTY>
<!ATTLIST turn
    %print-style; 
    %placement; 
    %trill-sound; 
>
<!ELEMENT delayed-turn EMPTY>
<!ATTLIST delayed-turn
    %print-style; 
    %placement; 
    %trill-sound; 
>
<!ELEMENT shake EMPTY>
<!ATTLIST shake
    %print-style; 
    %placement; 
    %trill-sound; 
>

<!-- 
	The long attribute for the mordent and inverted-mordent
	elements is "no" by default. The mordent element 
	represents the sign with the vertical line; the
	inverted-mordent represent the sign without the
	vertical line.
-->
<!ELEMENT mordent EMPTY>
<!ATTLIST mordent
    long %yes-no; #IMPLIED
    %print-style; 
    %placement; 
    %trill-sound; 
>
<!ELEMENT inverted-mordent EMPTY>
<!ATTLIST inverted-mordent
    long %yes-no; #IMPLIED
    %print-style; 
    %placement; 
    %trill-sound; 
>

<!--
	The name for this ornament is based on the
	German, to avoid confusion with the more common 
	slide element defined earlier.
-->
<!ELEMENT schleifer EMPTY>
<!ATTLIST schleifer
    %print-style; 
    %placement; 
>

<!--
	While using repeater beams is the preferred
	method for indicating tremolos, often playback
	and display are not well-enough integrated in
	an application to make that feasible, especially
	for single-note tremolos. The tremolo ornament 
	can be used to indicate tremolo marks on a single
	note. The text of the element indicates the 
	number of marks, usually 1, 2, or 3.
-->
<!ELEMENT tremolo (#PCDATA)>
<!ATTLIST tremolo
    %print-style; 
    %placement; 
>

<!--
	The other-ornament element is used to define
	any ornaments not yet in MusicXML. This allows 
	extended representation, though without application 
	interoperability.
-->
<!ELEMENT other-ornament (#PCDATA)>
<!ATTLIST other-ornament
    %print-style; 
    %placement; 
>

<!--
	An accidental-mark can be used as a separate
	notation or as part of an ornament. When used in
	an ornament, position and placement are relative
	to the ornament, not relative to the note.
-->
<!ELEMENT accidental-mark (#PCDATA)>
<!ATTLIST accidental-mark
    %print-style; 
    %placement; 
>

<!--
	Technical indications give performance information for
	individual instruments. The current elements are
	weighted towards keyboard and string instruments.
	Woodwind, brass, and percussion will be treated
	more thoroughly in later revisions.
-->
<!ELEMENT technical
	((up-bow | down-bow | harmonic | open-string |
	  thumb-position | fingering | pluck | double-tongue |
	  triple-tongue | stopped | snap-pizzicato | fret |
	  string | hammer-on | pull-off | bend | tap | heel |
	  toe | fingernails | other-technical)*)>

<!--
	The up-bow and down-bow elements represent the symbol 
	that is used both for bowing indications on bowed
	instruments, and up-stroke / down-stoke indications
	on plucked instruments.
-->
<!ELEMENT up-bow EMPTY>
<!ATTLIST up-bow
    %print-style; 
    %placement; 
>
<!ELEMENT down-bow EMPTY>
<!ATTLIST down-bow
    %print-style; 
    %placement; 
>

<!--
	The harmonic element indicates natural and artificial
	harmonics. Natural harmonics usually notate the
	base pitch rather than the sounding pitch. Allowing
	the type of pitch to be specified, combined with
	MusicXML's controls for appearance/playback 
	differences, allows both the notation and the sound
	to be represented. Artificial harmonics can add a 
	notated touching-pitch; the pitch or fret at which
	the string is touched lightly to produce the harmonic.
	Artificial pinch harmonics will usually not notate
	a touching pitch.
-->
<!ELEMENT harmonic
	((natural | artificial)?, 
	 (base-pitch | touching-pitch | sounding-pitch)?)>
<!ATTLIST harmonic
    %print-style; 
    %placement; 
>
<!ELEMENT natural EMPTY>
<!ELEMENT artificial EMPTY>
<!ELEMENT base-pitch EMPTY>
<!ELEMENT touching-pitch EMPTY>
<!ELEMENT sounding-pitch EMPTY>

<!ELEMENT open-string EMPTY>
<!ATTLIST open-string
    %print-style; 
    %placement; 
>
<!ELEMENT thumb-position EMPTY>
<!ATTLIST thumb-position
    %print-style; 
    %placement; 
>

<!--
	Pluck is used to specify the plucking fingering
	on a fretted instrument, where the fingering
	element refers to the fretting fingering.
	Typical values are p, i, m, a for pulgar/thumb,
	indicio/index, medio/middle, and anular/ring
	fingers.
-->
<!ELEMENT pluck EMPTY>
<!ATTLIST pluck
    %print-style; 
    %placement; 
>

<!ELEMENT double-tongue EMPTY>
<!ATTLIST double-tongue
    %print-style; 
    %placement; 
>
<!ELEMENT triple-tongue EMPTY>
<!ATTLIST triple-tongue
    %print-style; 
    %placement; 
>
<!ELEMENT stopped EMPTY>
<!ATTLIST stopped
    %print-style; 
    %placement; 
>
<!ELEMENT snap-pizzicato EMPTY>
<!ATTLIST snap-pizzicato
    %print-style; 
    %placement; 
>

<!--
	The hammer-on and pull-off elements are used in
	guitar and fretted instrument notation. Since
	a single slur can be marked over many notes,
	the hammer-on and pull-off elements are 
	separate so the individual pair of notes
	can be specified. The element content can be
	used to specify how the hammer-on or pull-off
	should be notated. An empty element leaves
	this choice to the program defaults.
-->
<!ELEMENT hammer-on (#PCDATA)>
<!ATTLIST hammer-on
    type %start-stop; #REQUIRED
    number %number-level; "1"
    %print-style;
    %placement;
>
<!ELEMENT pull-off (#PCDATA)>
<!ATTLIST pull-off
    type %start-stop; #REQUIRED
    number %number-level; "1"
    %print-style;
    %placement;
>

<!--
	The bend element is used in guitar and tablature.
	The bend-alter element indicates the number of
	steps in the bend, similar to the alter element.
	As with the alter element, numbers like 0.5 can
	be used to indicate microtones. Negative numbers
	indicate pre-bends or releases; the pre-bend and
	release elements are used to distinguish what
	is intended. A with-bar element indicates that
	the bend is to be done at the bridge with a
	whammy or vibrato bar. The content of the
	element indicates how this should be notated.
-->
<!ELEMENT bend
	(bend-alter, (pre-bend | release)?, with-bar?)>
<!ATTLIST bend
    %print-style; 
    %bend-sound;
>
<!ELEMENT bend-alter (#PCDATA)>
<!ELEMENT pre-bend EMPTY>
<!ELEMENT release EMPTY>
<!ELEMENT with-bar (#PCDATA)>
<!ATTLIST with-bar
    %print-style; 
    %placement; 
>

<!--
	The tap element indicates a tap on the fretboard.
	The element content allows specification of the
	notation; + and T are common choices. If empty,
	the program default is used.
-->
<!ELEMENT tap (#PCDATA)>
<!ATTLIST tap
    %print-style; 
    %placement; 
>

<!-- 
	Heel and toe are used with organ pedals. The
	substitution value is "no" if the attribute is not 
	present.
-->
<!ELEMENT heel EMPTY>
<!ATTLIST heel
    substitution %yes-no; #IMPLIED
    %print-style; 
    %placement; 
>
<!ELEMENT toe EMPTY>
<!ATTLIST toe
    substitution %yes-no; #IMPLIED
    %print-style; 
    %placement; 
>

<!-- Fingernails is used in harp notation. -->
<!ELEMENT fingernails EMPTY>
<!ATTLIST fingernails
    %print-style; 
    %placement; 
>

<!--
	The other-technical element is used to define
	any technical indications not yet in MusicXML.
	This allows extended representation, though 
	without application interoperability.
-->
<!ELEMENT other-technical (#PCDATA)>
<!ATTLIST other-technical
    %print-style; 
    %placement; 
>

<!--
	Articulations and accents are grouped together here.
-->
<!ELEMENT articulations
	((accent | strong-accent | staccato | tenuto |
	  detached-legato | staccatissimo | spiccato |
	  scoop | plop | doit | falloff | breath-mark | 
	  caesura | other-articulation)*)>

<!ELEMENT accent EMPTY>
<!ATTLIST accent
    %print-style; 
    %placement; 
>
<!ELEMENT strong-accent EMPTY>
<!ATTLIST strong-accent
    %print-style; 
    %placement; 
    type %up-down; "up"
>
<!ELEMENT staccato EMPTY>
<!ATTLIST staccato
    %print-style; 
    %placement; 
>
<!ELEMENT tenuto EMPTY>
<!ATTLIST tenuto
    %print-style; 
    %placement; 
>
<!ELEMENT detached-legato EMPTY>
<!ATTLIST detached-legato
    %print-style; 
    %placement; 
>
<!ELEMENT staccatissimo EMPTY>
<!ATTLIST staccatissimo
    %print-style; 
    %placement; 
>
<!ELEMENT spiccato EMPTY>
<!ATTLIST spiccato
    %print-style; 
    %placement; 
>

<!-- 
	The scoop, plop, doit, and falloff elements are
	indeterminate slides attached to a single note.
	Scoops and plops come before the main note, coming
	from below and above the pitch, respectively. Doits
	and falloffs come after the main note, going above
	and below the pitch, respectively.
-->
<!ELEMENT scoop EMPTY>
<!ATTLIST scoop
    %line-shape;
    %line-type;
    %print-style; 
    %placement;
>
<!ELEMENT plop EMPTY>
<!ATTLIST plop
    %line-shape;
    %line-type;
    %print-style; 
    %placement; 
>
<!ELEMENT doit EMPTY>
<!ATTLIST doit
    %line-shape;
    %line-type;
    %print-style; 
    %placement;
>
<!ELEMENT falloff EMPTY>
<!ATTLIST falloff
    %line-shape;
    %line-type;
    %print-style; 
    %placement; 
>

<!ELEMENT breath-mark EMPTY>
<!ATTLIST breath-mark
    %print-style; 
    %placement; 
>
<!ELEMENT caesura EMPTY>
<!ATTLIST caesura
    %print-style; 
    %placement; 
>

<!--
	The other-articulation element is used to define
	any articulations not yet in MusicXML. This 
	allows extended representation, though without 
	application interoperability.
-->
<!ELEMENT other-articulation (#PCDATA)>
<!ATTLIST other-articulation
    %print-style; 
    %placement; 
>

<!--
	Dynamics and fermata elements are found in common.dtd 
	as they apply to more than just note elements.
-->

<!--
	Indicates that this note is part of an arpeggiated chord.
	The number attribute can be used to distinguish between
	two simultaneous chords arpeggiated separately (different
	numbers) or together (same number). The up-down attribute
	is used if there is an arrow on the arpeggio sign. By
	default, arpeggios go from the lowest to highest note.
-->
<!ELEMENT arpeggiate EMPTY>
<!ATTLIST arpeggiate
    number %number-level; #IMPLIED
    direction %up-down; #IMPLIED
    %position; 
    %placement;
    %color; 
>

<!-- 
	Indicates that this note is at the top or bottom of
	a bracket indicating to not arpeggiate these notes.
	Since this does not involve playback, it is only
	used on the top or bottom notes, not on each note
	as for the arpeggiate element.
-->
<!ELEMENT non-arpeggiate EMPTY>
<!ATTLIST non-arpeggiate
    type %top-bottom; #REQUIRED
    number %number-level; #IMPLIED
    %position; 
    %placement;
    %color; 
>

<!--
	Text underlays for lyrics, based on Humdrum with support
	for other formats. The lyric number indicates multiple
	lines, though a name can be used as well (as in Finale's
	verse/chorus/section specification). Word extensions are
	represented using the extend element. Hyphenation is 
	indicated by the syllabic element, which can be single, 
	begin, end, or middle. These represent single-syllable
	words, word-beginning syllables, word-ending syllables,
	and mid-word syllables. Multiple syllables on a single
	note are separated by elision elements. A hyphen in the
	text element should only be used for an actual hyphenated
	word. Humming and laughing representations are taken from
	Humdrum. The end-line and end-paragraph elements come
	from RP-017 for Standard MIDI File Lyric meta-events;
	they help facilitate lyric display for Karaoke and
	similar applications. Language names for text elements
	come from ISO 639, with optional country subcodes from
	ISO 3166. Justification is center by default; placement is
	below by default.
-->
<!ELEMENT lyric
	((((syllabic?, text),
	   (elision, syllabic?, text)*, extend?) |
	   extend | laughing | humming),
	  end-line?, end-paragraph?, %editorial;)>
<!ATTLIST lyric
    number NMTOKEN #IMPLIED
    name CDATA #IMPLIED
    %justify;
    %position;
    %placement;
    %color;
>

<!ELEMENT text (#PCDATA)>
<!ATTLIST text
    %font;
    %color;
    xml:lang NMTOKEN #IMPLIED
>
<!ELEMENT syllabic (#PCDATA)>
<!ELEMENT elision EMPTY>
<!ATTLIST elision
    %font;
    %color;
>
<!ELEMENT extend EMPTY>
<!ATTLIST extend
    %font;
    %color;
>
<!ELEMENT laughing EMPTY>
<!ELEMENT humming EMPTY>
<!ELEMENT end-line EMPTY>
<!ELEMENT end-paragraph EMPTY>

<!--
	Figured bass elements take their position from the first
	regular note that follows. Figures are ordered from top to
	bottom. A figure-number is a number. Values for prefix and
	suffix include the accidental values sharp, flat, natural,
	double-sharp, flat-flat, and sharp-sharp. Suffixes include
	both symbols that come after the figure number and those 
	that overstrike the figure number. The suffix value slash
	is used for slashed numbers indicating chromatic alteration.
	The orientation and display of the slash usually depends on
	the figure number. The prefix and suffix elements may 
	contain additional values for symbols specific to particular
	figured bass styles. The value of parentheses is "no" if not
	present.
-->
<!ELEMENT figured-bass (figure+, duration?, %editorial;)>
<!ATTLIST figured-bass
    %print-style; 
    %printout;
    parentheses %yes-no; #IMPLIED
>
<!ELEMENT figure (prefix?, figure-number?, suffix?, extend?)>
<!ELEMENT prefix (#PCDATA)>
<!ATTLIST prefix
    %print-style;
>
<!ELEMENT figure-number (#PCDATA)>
<!ATTLIST figure-number
    %print-style;
>
<!ELEMENT suffix (#PCDATA)>
<!ATTLIST suffix
    %print-style;
>

<!--
	Backup and forward are required to coordinate multiple
	voices in one part, including music on multiple staves.
	Forward is generally used within voices and staves,
	while backup to move between voices and staves. Thus
	the backup element does not include voice or staff
	elements. Duration values should always be positive,
	and should not cross measure boundaries.
-->
<!ELEMENT backup (duration, %editorial;)>
<!ELEMENT forward
	(duration, %editorial-voice;, staff?)>