mirror of
https://github.com/microtherion/VocalEasel.git
synced 2024-12-22 19:23:59 +00:00
249 lines
4.1 KiB
Plaintext
249 lines
4.1 KiB
Plaintext
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// beguine
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Begin Doc
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This started life as a copy of the rumba patterns. I've changed
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the drum sounds from snares to toms, and deleted hits on final 8th
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beat. I really don't know the difference between a rhumba and a
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beguine, so help would be welcome!
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End
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Author Bob van der Poel
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SeqClear
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Time 4
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Timesig 4 4
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Include stdpats
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/////////////////////////////////
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///////// Beguine
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SeqSize 4
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//////// Lots of drum stuff going on, but on my synth it doesn't sound too busy.
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Begin Drum
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Tone Claves
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Sequence {D14 ; 2.5 0 90;} {D1 ; 3.5 0 90} {D13 shift .5} {D123 Shift .5}
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SeqRnd On
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Rvolume 10
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Rtime 2
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RSkip 5
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Volume ff
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End
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Begin Drum-Maraca
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Tone Maracas
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Sequence D8 / / D1234
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SeqRnd On
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Rvolume 5
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Rtime 2
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RSkip 5
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End
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Begin Drum-Lconga
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Tone LowConga
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Sequence D4 { D4; D3 shift .5 }
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Rvolume 5
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Rtime 2
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Volume ff
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RSkip 5
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End
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Begin Drum-Toms1
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Tone MidTom1 HighTom1
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Sequence D3 { D3 shift .5 } / z
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SeqRnd On
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Rvolume 5
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Rtime 2
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RSkip 5
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End
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Begin Drum-Toms2
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Tone MidTom2 HighTom2
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Sequence D3 { D2 shift .5 ; D4}
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Rvolume 5
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Rtime 2
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RSkip 5
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End
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Begin Drum-Hconga
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Tone MuteHighConga
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Sequence D2 { D1 shift .5 }
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Rvolume 5
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Rtime 2
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RSkip 5
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End
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Begin Drum-HH
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Tone ClosedHiHat
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Sequence D8
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Rvolume 5
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Rtime 2
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End
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/////// Main chording is the piano
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Begin Chord
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Voice Piano2
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Sequence C14 { C124; C34 Shift .5 } { C2; C34 Shift .5 } C124
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Accent 1 20 3 10
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SeqRnd On
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Voicing Mode=Optimal
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Octave 5
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Articulate 90
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Volume mf
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End
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/// Alternate bars with walk/bass. Gives a nice feeling.
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Begin Walk
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Voice FretLessBass
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Begin Define
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Wa 1 4 85 ; 2.5 4 88 ; 4 4 80
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Wb Wa ; 4.5 8 77
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End
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Sequence Wa z Wb z
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Accent 1 20
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Articulate 60
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Volume mp
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Octave 3
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End
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Begin Bass
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Sequence z {B13 ; 2.5 4 5 70 }
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Accent $_Walk_Accent
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Voice $_Walk_Voice
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Articulate $_Walk_Articulate
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Volume $_Walk_Volume
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Octave $_Walk_Octave
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End
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DefGroove Beguine Nice, smooth easy listening.
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//////// Sustained strings in the background.
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Begin Chord-Sus
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Voice TremoloStrings
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Sequence { 1 1 90 0 80 0 * 2} // Root and fifth notes only.
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Voicing Mode=Optimal
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Volume mp
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Octave 5
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Articulate 100
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Unify On
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End
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DefGroove BeguineSus Adds in a sustained string.
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////////////////////////////
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// Beguine1
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// This builds on the Beguine, adds in pizzicato arpeggios.
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Groove Beguine
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Begin Arpeggio
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Sequence A4
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Invert 0 0 1 2
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SeqRnd On
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Voice PizzicatoString
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Articulate 80
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Octave 5
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Direction Random
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Volume fff
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Rvolume 10
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Rskip 30
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End
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DefGroove Beguine1 Adds a pizzicato string to standard Beguine.
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Chord-Sus Groove BeguineSus
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DefGroove Beguine1Sus This has the pizzicatos strings and a sustained string.
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/////////////////////////////
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/// Fill
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Groove Beguine
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SeqSize 1
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Alltracks SeqRnd Off
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Begin Drum-Wis /// added tone
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Tone ShortHiWhistle
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Sequence {D1; D23 Shift .5}
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Volume mp
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Rvolume 5
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Rtime 2
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End
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Drum-Maraca Sequence D8
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Drum-Lconga Sequence D24
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Drum-Toms1 Sequence D3
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Drum-Toms2 Sequence D14
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Drum-Hconga Sequence D2
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Drum-HH Sequence D8
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Chord Sequence { C134; C123 Shift .5 }
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Walk Sequence -
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Bass Sequence B1234
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DefGroove BeguineFill Single bar fill, good for endings.
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///////////////////////////
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// Introduction
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Groove Beguine
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Alltracks SeqRnd Off
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Alltracks RSkip 0
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Drum Sequence * * * D12
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Drum-Maraca Sequence * * * D12
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Drum-Lconga Sequence D4 / / z
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Drum-HH Sequence *
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Chord Sequence * * * {1 2 90}
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Bass Sequence * * * B1
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DefGroove BeguineIntro Simple enough 4 bar introduction.
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///////////////////////////
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// Ending
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// Just add a string run to the basic beguine
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Groove Beguine
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Begin Scale
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Sequence Scale8 Scale4 Scale2 Scale
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Voice SlowStrings
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Articulate 99
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Volume m
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Octave 4
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Harmony Open / / 3
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Direction Down
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Range 3
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End
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DefGroove BeguineEnd Ending with string scales. Uses 8ths \
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on 1st bar 4th on 2nd, halves 3rd and a fullish chord \
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on the 4th. Use a CUT if the final chord sounds too long.
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