mirror of
https://github.com/microtherion/VocalEasel.git
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368 lines
6.9 KiB
Plaintext
368 lines
6.9 KiB
Plaintext
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// rhumba
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Begin Doc
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I created this for the Cole Porter tune "I've Got You
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Under My Skin.". Traditional Latin rhythms generally have
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a full percussion with lots of off-beats, but don't overdo it.
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End
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Author Bob van der Poel
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SeqClear
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Time 4
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Timesig 4 4
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Include stdpats
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/////////////////////////////////////////
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/////// Instrument patterns
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Begin Drum Define
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D3+ D3 Shift .5
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D1+3+ D13 Shift .5
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D2+4+ D24 Shift .5
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D12+4 D14 ; D2 Shift .5
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D13+ D1 ; D3+
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D3+4 D3+ ; D4
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D1+2+3+ D1+3+; D3+
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End
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Begin Walk Define
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W12+4 1 4 100 ; 2.5 4 100 ; 4 4 90
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W12+4+ W12+4 ; 4.5 8 77
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End
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Begin Bass Define
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B12+4 1 4 1 90 ; 2.5 4 5 70 ; 4 4 1 90
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End
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Begin Chord Define
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C30 1 81 70 ; 1+81 82 70 ; 2+81 82 70
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End
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/////////////////////////////////
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///////// Rhumba
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//////// Lots of drum stuff going on, but on
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//////// my synth it doesn't sound too busy.
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SeqSize 4
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Begin Drum-Claves
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Sequence D12+4 D13+ D1+3+ D1+2+3+
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Tone Claves
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SeqRnd On
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Rvolume 10
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Rtime 2
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Volume ff
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End
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Begin Drum-Maraca
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Sequence D8 / / D1234
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Tone Maracas
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SeqRnd On
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Rvolume 5
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Rtime 2
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End
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Begin Drum-LoConga
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Sequence D4 D3+4
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Tone LowConga
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Rvolume 5
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Rtime 2
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Volume ff
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End
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Begin Drum-HH
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Sequence D3 D3+ / z
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Tone OpenHighConga OpenHiHat / /
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SeqRnd On
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Rvolume 5
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Rtime 2
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End
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Begin Drum-MuteConga
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Sequence D2 { D1 Shift .5 }
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Tone MuteHighConga
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Rvolume 5
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Rtime 2
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End
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Begin Drum-Bongo
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Sequence D3 D2+4+
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Tone LowBongo HighBongo
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Rvolume 5
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Rtime 2
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End
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Begin Drum-Chh
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Sequence D8
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Tone ClosedHiHat
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Volume mp
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Rvolume 5
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Rtime 2
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End
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/////// Main chording is the piano ... this is for all the variations.
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Begin Chord
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Sequence C134 C123 { C1; C34 Shift .5 } { C2; C34 Shift .5 }
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Accent 1 20 3 10
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Voicing Mode=Optimal
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SeqRnd On
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Rvolume 10
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Voice Piano2
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Articulate 93
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Octave 5
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Volume mp
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End
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//////// The walk and bass alternate bars. Gives a nice feeling.
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Begin Bass
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Voice FretLessBass
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Sequence B12+4 z B12+4 z
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Articulate 60
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Accent 1 20
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Rvolume 15
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Rtime 4
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Octave 3
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Volume mp
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End
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Begin Walk
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Voice $_Bass_Voice
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Octave $_Bass_Octave
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Rvolume $_Bass_Rvolume
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Rtime $_Bass_Rtime
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Accent $_Bass_Accent
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Articulate 55
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Volume $_Bass_Volume
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Sequence z W12+4 z W12+4+
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End
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DefGroove Rhumba Nice, smooth easy listening.
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//////// Add sustained strings
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/// The chord pattern just plays the root and 5th. The 2 defs
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/// vary the volume of the root/5th.
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Begin Chord-sus
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Sequence { 1 1 90 0 50 0 * 4 } { 1 1 50 0 90 0 * 4 }
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SeqRnd On
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Voicing Mode=Optimal
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Rvolume 10
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Voice Strings
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Articulate 110
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Unify On
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Volume p
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Octave 5
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End
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DefGroove RhumbaSus Sustained strings make it smoother.
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////////////////////////////
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// RhumbaTriple
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// Change the piano in rhumba to 2 sets of triplets
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///////////////////////////
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Groove Rhumba
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SeqSize 1
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Begin Chord
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Sequence { 1 1 70 * 6 } // Piano set to 1/4 triplets
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Accent 1 40 3 40 // Accent beats 1/3
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End
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Walk Sequence - // Change walking bass
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Bass Sequence B11 // to a 1/3
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DefGroove RhumbaTriple Rhumba with quarter note triplet chords. \
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Good for emphasizing a single bar in a piece. \
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Not great for more than one bar in a row.
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Chord-sus Groove RhumbaSus
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DefGroove RhumbaTripleSus Triplets and sustained strings.
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//// 1/4 triple on beats 1/2, regular stuff on beats 3/4
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Groove RhumbaTriple
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Begin Chord
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Sequence { C30; C34; C3 Shift .5 }
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Accent 1 10 3 20
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End
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DefGroove RhumbaTriple12 Variation of RhumbaTriple with triplets on \
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beats 1/2 and quarters on 3/4.
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Chord-sus Groove RhumbaSus
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DefGroove RhumbaTriple12Sus Triplet on 1/2 and strings.
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Begin Chord
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Sequence { C12; C1 Shift .5; C30 Shift 2 }
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Accent 1 20 3 10
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End
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DefGroove RhumbaTriple34 Variation of RhumbaTriple with triplets on \
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beats 3/4 and quarters on 1/2.
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Chord-sus Groove RhumbaSus
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DefGroove RhumbaTriple34Sus Triplet on 3/4 and strings.
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////////////////////////////
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// Rhumba1
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Groove Rhumba
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Begin Arpeggio
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Sequence A4 A8 A4 A8
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Invert 0 0 1 1
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SeqRnd On
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Voice PizzicatoString
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Articulate 100
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Octave 5
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Volume mp
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Rvolume 10
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Rskip 30
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End
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DefGroove Rhumba1 Adds pizzicato arpeggios.
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Chord-sus Groove RhumbaSus
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DefGroove Rhumba1Sus Apreggios and sustained strings.
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//////////////////////////////
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// Rhumba2
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Groove Rhumba
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Begin Chord-Mallet
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Voice Marimba
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Sequence {C1234; C1234 Shift .2; C1234 Shift .4; C1234 Shift .6; C1234 Shift .8} \
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{C24; C24 Shift .2; C24 Shift .4 ; C24 Shift .6; C24 Shift .8}
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Articulate 60
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Voicing Mode=Optimal
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Octave 5
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DupRoot -1
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Accent 1 40
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Volume p
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End
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DefGroove Rhumba2 Add articulated Marimbas.
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Chord-sus Groove RhumbaSus
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DefGroove Rhumba2Sus Marimbas and sustained strings.
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//////////////////////////////////////
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//////// Rhumba3
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Groove Rhumba
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Begin Chord-Guitar
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Voice JazzGuitar
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Sequence C1234 C134 C24 C13
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SeqRnd On
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Voicing Mode=Optimal
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Articulate 99
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Octave 6
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Accent 1 20 3 20
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Volume pp
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End
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DefGroove Rhumba3 Add jazz guitar chords.
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Chord-sus Groove RhumbaSus
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DefGroove Rhumba3Sus Guitar chords and sustained strings.
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///////////////////////////
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// Intro
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Groove Rhumba
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AllTracks SeqRnd Off
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Drum-Claves Sequence D12+4 D13+ D1+3+ D1234
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Drum-Maraca Sequence D8 / / D13
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Drum-LoConga Sequence D4 D3+4 D2 D1
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Drum-HH Sequence D3 D3+ / z
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Drum-MuteConga Sequence D2 { D1 Shift .5 } D2 z
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Drum-Bongo Sequence D3 D2+4+ D3 D3
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Drum-Chh Sequence D8 / / D1234
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Chord Sequence C134 / / {1 1 8 0}
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Bass Sequence B12+4 / / {1 2 1 90}
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Walk Sequence -
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DefGroove RhumbaIntro 4 bar intro to go with standard Rhumba.
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///////////////////////////
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// Endings
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// Just add a string run to the basic rhumba
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Groove Rhumba
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Chord-sus Sequence -
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Begin Scale
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Sequence Scale8 Scale4 Scale2 Scale
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Voice SlowStrings
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Articulate 100
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Volume mf
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Octave 6
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Direction Up
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Range 5
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End
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DefGroove RhumbaEnd Ending with string scales. The scales use \
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8th, quarter, half and finally a whole note. \
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Setting the seq to different values for each \
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bar of the ending will create proper effects.
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/// Easy 2 bar ending
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Groove Rhumba
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Seqsize 2
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Alltracks SeqRnd Off
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Drum-Claves Sequence D8 D12
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Drum-Maraca Sequence D1
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Drum-LoConga Sequence D1234 D12
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Drum-HH Sequence D3+ D1
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Drum-MuteConga Sequence D2
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Drum-Bongo Sequence D3 D2
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Drum-Chh Sequence D8 D12
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Chord Sequence C134 C12
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Bass Sequence B12+4 B1
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Walk Sequence -
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DefGroove RhumbaEnd1 Simpler, 2 bar, ending.
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